Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
In the third movie of Rodriguez's "Mariachi" trilogy, a Mexican drug lord pretends to overthrow the Mexican government, and is connected to a corrupt CIA agent who at that time, demands retribution from his worst enemy to carry out the drug lord's uprising against the government. Written by
In the sidewalk café scene after Johnny Depp walks away, Rubén Blades pours the first drink of his wine on the ground. This is a symbolic gesture meaning "for those who have gone before" and is a salute to his murdered partner. See more »
Bullet holes are missing from the roof of the bus when El Mariachi and Carolina run across it, just before it collides with the tanker truck. See more »
I think this will be remembered as Rodriguez's vanity project, a film so indulgent it makes a strong case for studio control. Its narrative is feeble, its caricatures squeezed into the plot, and even much of the action is repetitive. Rodriguez is an inventive filmmaker, but he's certainly no artist, as this, the third part of his personal Mariachi trilogy, proves.
Of the cast, Ruben Blades is good as an ex-FBI agent persuaded to avenge his partner, while Johnny Depp steals the film from just about everyone, including the director. The rest of this bloodbath is pretty much a bore. Banderas' character is reduced to an extremely silly comic book hero - more interested in his guitar than he is of avenging his woman (a redundant cameo from Salma Hayek).
Rodriguez intended this as his Leone trilogy, but as over the top as those Dollars films were, there was more gravitas in one frame than in the whole of this daft pastiche.
Overstuffed and very silly, this is a disappointing effort.
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