Looking Through Lillian (2002)An X-Rated 'Holly-Go-Lightly' flip flops between choosing life's uncertainty under her own direction or the "Good Life" provided by a twisted sister Gene. Director:Jake Torem |
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Looking Through Lillian (2002)An X-Rated 'Holly-Go-Lightly' flip flops between choosing life's uncertainty under her own direction or the "Good Life" provided by a twisted sister Gene. Director:Jake Torem |
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| Credited cast: | |||
| Jade Henham | ... |
Lilly
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| Sam Bottoms | ... |
Gene
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| Robert Glen Keith | ... |
Luke
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| Essence Atkins | ... |
Andrea
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| Edward Lee Johnson | ... |
Mick
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| Rest of cast listed alphabetically: | |||
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Hedia Anvar | ... |
The Hot Girl
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Susan Barnes | ... |
Helen
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| Jack Forbes | ... |
Man in elevator
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| Marie-Claude Hamel | ... |
Nicole
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| Will Klipstine | ... |
Valet
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| Kyra Schwartz | ... |
Receptionist
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Conveniently numbed and estranged from her surroundings, Lillian sleepwalks through life. Paramount to her world is Gene, a wealthy disturbed businessman who has slowly become her benefactor over the years. When he unexpectedly leaves for a week to go skiing with his wife, Lillian is dragged out on the town by her best friend, Andrea. That's when she meets Luke, a mysterious smooth-talking writer who opens her eyes to the world, prompting her to take a long look at the life she's chosen for herself. When Gene returns, Lillian finds herself caught in the middle of a triangle. Ultimately she discovers that what appears on the surface to be true quite often is not. Her struggle for freedom and a sense of identity culminates in a conflict where the one love may not be the one you can trust and the habits with which one sleepwalks through life are not easily broken. Written by Anonymous
I was really surprised to see IMDb list this film as a Drama/Thriller. For those of you yet to see this film, it is in no way a thriller. That being said, it is a drama, more precisely - a character study driven drama - and a beautiful one at that. The movie has us follow Lilly - a twenty-something girl trying to navigate her way through her dysfunctional life and her somewhat complex and conflicting feelings about herself, those around her, and the world at large. Henham, who portrays Lillian, imbues her with such a realistic feel that one begins to feel as those they are spying on someone's life, without permission. The realism that the actress gives to each moment helps to make this an engrossing film because we find ourselves investing in Lilly and almost holding her hand to take the journey with her.
That journey is navigated very clearly by the director. You can almost see the repression he has stamped on his lead character and the box that he has created for her to try and get out of. And therein lies her stumbling block and the hurdle that one takes with her as an audience member. Those hurdles are very specific and not the exact same ones as most people face, but at the very time, the beauty is that on a larger scale they are universal. Sexual dysfunction, identity crises, love and the sting that can follow each time we open our hearts, connecting or not being able to connect to the world, loneliness, hope, heartache and the sometimes insurmountable task of undoing what's already been done.
There's no guarantee with any movie that everyone that sees it will like it, but there is one guarantee with this film: you will come out feeling very strongly about it, whether one way or another. For those of you who liked High Art, Everything Put Together or Monster's Ball, this is definitely a movie you should check out.