| Ingar Helge Gimle | ... | Policeman (segment "Grenseløs kjærlighet") | |
| Kim Haugen | ... | Doctor (segment "Dressmann") | |
| Bjarte Hjelmeland | ... | Tankmann 2 (segment "Lasses drøm") | |
| Trond Høvik | ... | Lasse | |
| Marit Pia Jacobsen | ... | Marianne | |
| Gjertrud L. Jynge | ... | Line (segment "Grenseløs kjærlighet") | |
| Ingrid Jørgensen | ... | Mona (segment "Den lille bedriften") | |
| Espen Karlsen | ... | Sønn | |
| Siv Klynderud | ... | Cecilie (segment "Dressmann") | |
| Marianne Krogness | ... | Tuva (segment "Passasjerene") | |
| Henrik Mestad | ... | Tankmann 1 (segment "Lasses drøm") | |
| Ole-Jørgen Nilsen | ... | Ragnar (segment "De beste går først") | |
| Sven Nordin | ... | Marius (segment "Dressmann") | |
| Sverre Anker Ousdal | ... | Martin (segment "Passasjerene") | |
| Edward Schultheiss | ... | Finn (segment "RV") | |
| Ågot Sendstad | ... | Toril (segment "Grenseløs kjærlighet") | |
| Sampda Sharma | ... | Gunn (segment "RV") | |
| Kristin Skogheim | ... | Marion (segment "Heimat") | |
| Nils Sletta | ... | Albert (segment "Den lille bedriften") | |
| Elin Sogn | ... | Young woman (segment "De beste går først") | |
| Kirsti Stubø | ... | Annette (segment "Den lille bedriften") | |
| Inger Teien | ... | Woman (segment "Redd barna") |
Directed by | |||
| Thomas Robsahm | |||
| Martin Asphaug | (segment "SV") | ||
| Arild Fröhlich | (segment "SP") | ||
| Sara Johnsen | (segment "KrF") | ||
| Magnus Martens | (segment "RV") | ||
| Hans Petter Moland | (segment "AP") | ||
| Terje Rangnes | (segment "FrP") | ||
| Ingebjørg Torgersen | (segment "V") | ||
| Morten Tyldum | (segment "H") | ||
Writing credits(in alphabetical order) | ||
| Nikolaj Frobenius | segment 'SV' | |
| Marion Hagen | segment "V" | |
| Kjetil Lismoen | segment 'KrF' | |
| Erlend Loe | segments "FrP" and "AP" | |
| Thomas Robsahm | ||
| Harald Rosenløw-Eeg | segment 'RV' | |
| Per Schreiner | segments "SP" and "H" | |
Produced by | |||
| Ørjan Karlsen | .... | producer | |
| Yngve Sæther | .... | producer | |
Original Music by | |||
| John Erik Kaada | |||
Cinematography by | |||
| John Andreas Andersen | |||
| Anders Flatland | |||
| Gaute Gunnari | |||
| Trond Høines | |||
Film Editing by | |||
| Sophie Hesselberg | |||
| Kirsti Marie Hougen | |||
| Inge-Lise Langfeldt | |||
Second Unit Director or Assistant Director | |||
| Ida Gabrielsen | .... | assistant director | |
Sound Department | |||
| Hugo Ekornes | .... | sound designer | |
| Gisle Tveito | .... | sound re-recording mixer | |
| Erik S. Watland | .... | sound designer | |
| Erik S. Watland | .... | sound effects editor | |
Camera and Electrical Department | |||
| Eirik Holst Aagård | .... | first assistant camera | |
| Robin Ottersen | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Aslaug Konradsdottir | .... | costume designer: segment "AP" | |
Editorial Department | |||
| Jan Erik Nielsen | .... | color timer | |
Other crew | |||
| Erlend Våge | .... | aircraft technician | |
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| Together | My Favorite Season | The Loss of Sexual Innocence | Those Who Love Me Can Take the Train | The Best of Youth |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Norway section |
The movie is a collection of eight loosely connected episodes. Each one is dedicated to a norwegian party. Nine directors worked together in the production, yet in my opinion, the integration of the different stories worked better here than it did in similar attempts, for example "Four Rooms".
I am not at all familiar with norwegian politics, but the characterisations of parties are applicable to other countries just as well. The observations on political movements are accurate and they are presented in a very pleasant sarcastic manner.
Surely there are some norwegian specialties, and I certainly missed some of the humour, but even if stripped off any political meaning, the stories are funny and well-told.