Dreamcatcher (2003)

Friends on a camping trip discover that the town they're vacationing in is being plagued in an unusual fashion by parasitic aliens from outer space.

Director:

Lawrence Kasdan

Writers:

Stephen King (novel), William Goldman (screenplay),

Stars:

Morgan Freeman, Thomas Jane, Jason Lee

2 wins & 2 nominations.

Cast

Cast overview, first billed only:
Morgan Freeman	...	Col. Abraham Curtis
Thomas Jane	...	Henry
Jason Lee	...	Beaver
Damian Lewis	...	Jonesy
Timothy Olyphant	...	Pete
Tom Sizemore	...	Owen
Donnie Wahlberg	...	Duddits
Mikey Holekamp	...	Young Henry
Reece Thompson	...	Young Beaver
Giacomo Baessato	...	Young Jonesy
Joel Palmer	...	Young Pete
Andrew Robb	...	Young Duddits
Eric Keenleyside	...	Rick McCarthy
Rosemary Dunsmore	...	Roberta Cavell
Michael O'Neill	...	Gen. Matheson

Storyline

Four childhood friends, Jonesy, Beaver, Pete and Henry all share a special secret. Each year, they take a trip into Maine woods. This year is different. A blizzard occurs, and they recover a man found wandering around. Unbeknownst to them,this wandering individual isn't the only being to be found. Now they must act fast to stop the outbreak developing and to prevent the world from its doom

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Plot Keywords:

friend | alien | woods | maine | hunting | 

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Taglines:

A circle of friendship. A web of mystery. A pattern of fear.

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Genres:

Drama | Horror | Sci-Fi | Thriller

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Motion Picture Rating (MPAA)

Rated R for violence, gore and language

Details

Official Sites:

Warner Bros. [de] Warner Bros. [uk]

Country:

USA Australia

Language:

English

Release Date:

21 March 2003 (USA)

Also Known As:

El cazador de sueños

Filming Locations:

Boston, Massachusetts, USA

Box Office

Budget:

$68,000,000 (estimated)

Opening Weekend:

£729,525 (UK) (25 April 2003)

Gross:

$33,685,268 (USA) (16 May 2003)

Company Credits

Production Co:

Castle Rock Entertainment, Village Roadshow Pictures, NPV Entertainment

Technical Specs

Runtime:

136 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Stephen King wrote the novel while recovering from a near-fatal accident. Because of his injuries, he wrote the novel in longhand. The accident is reflected in the story, particularly a graphic scene in which a vehicle runs down a major character.

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Goofs

When Beaver and Jonesy are following the trail of blood, Beaver's shirt is alternately wet and dry between shots.

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Quotes

Pete Moore: In the movies, when people wake up together in the morning, they immediately start kissing, nuzzling and going at it, but what they never do is get up first, take a leak and brush their goddamn teeth, which I don't think I'm alone in feeling is pretty much necessary when you wake up.

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Crazy Credits

The Warner Bros. and Village Roadshow logos are covered in snow, while the Castle Rock Entertainment lighthouse beams its light across a lake covered in snow.

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Connections

References Alien³ (1992)

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Soundtracks

"Mighty Mouse Theme"
Written by Philip A. Scheib (as Philip Scheib) & Marshall Barer

User Reviews

Nice looking, but hollow

The first third of Dreamcatcher is worth the time. Four childhood friends make their annual trip to a hunting cabin, weird things happen, and, before you know it, you're smack-dab in the world of Stephen King, at his most darkly comical and gaily grotesque. It's flatulent, bloody fun on the page, and Goldman had no problem translating this hideous orgy of gas and guts from novel to screenplay form. As the screenplay proceeds, it strays from the book to the point where the film becomes a Hollywood embarrassment of epic proportions.

The Dreamcatcher novel also fell apart in its second half, but what kept you reading the book was the mind games going on in the lead character, Jonesy's (Damian Lewis) head. Jonesy's brain and body has been taken hostage by an alien named, Mr. Gray. In the novel, Jonesy notices Gray becoming tempted by the trappings of humanity, and uses that to his advantage. It's fun to watch the alien craving various human indulgences, more and more, with each passing minute. This aspect of the novel is completely removed from the film, leaving us with nothing more than Damian Lewis, playing both Jonesy and Mr. Gray, making silly faces, and putting on goofy accents, as he goes between the two characters.

The second act of the film, one taking place in a concentration camp for American citizens whom may or may not be contaminated with an alien virus, is nothing more than a shadow of what is shown in the book. Even the shoddiest of cliffnote "authors" would be embarrassed to condense a novel down to this elementary a form.

In the book, the head of the camp, Colonel Abraham Kurtz, played in the film by Morgan Freeman, was a nasty man, so over the edge that he was frightening, from his first appearance to his last. In the movie, we're made aware of the fact that he has lost it, but almost exclusively through exposition, rather than action. Seeing these innocent civilians locked up like animals was disturbing in the novel, and would make for an extremely tense mid-section of this movie, if this movie dared to have any tension.

In King's Dreamcatcher, the people locked in the camps join together, with help from the telepathic Dr. Henry Devlin, in the film played by Thomas Jane, and start a massive uprising against the guards. At the same time, Devlin is working on Colonel Kurtz's more conscientious subordinates, both through words, and the power that he, along with Jonesy, Beaver and Pete, was given by a mysterious fifth friend, Duddits. In the movie, the uprising never occurs, and it feels as though each of the concentration camp scenes were put into the film to pad it out, while giving a plum role to Morgan Freeman.

I won't give away the finale to either the novel or the film, but I will say that everything good about the finish of the book form of Dreamcatcher, is noticeably missing from the film version. Instead of an emotionally moving climax, we get a sloppy CGI-fest that reminded me a bit of Godzilla VS. King Kong, or maybe even Species 2. Although I found myself squirming over the laziness displayed during the majority of the second half of the picture, I was still undecided as to whether or not I would recommend it. The lousy last few minutes of film made up my mind.

This is the first movie I can think of that I can only recommend in patches. Drink a couple of gallons of water before you attend the picture, and run to the bathroom to let it out, whenever things start getting stupid.

If you're a fan of horror, you will enjoy the first hour of the film. The bathroom sequence is a near-masterpiece, and, for that alone, Lawrence Kasdan should be commended. Kasdan also handles the flashback scenes, featuring the four main characters as children, adequately enough to get my thumb working its way toward the "up" direction. Finally, during those few times Kasdan does take us into Jonesy's brain, he does so in an incredibly interesting, oftentimes humorous, manner.

When Jonesy leaves the relative safety of the locked room he has nuzzled deep within his cerebrum, only to find the evil that is hiding behind boxes of stored memories inside his mind's warehouse, it genuinely gave me chills. More scary moments like this, placed throughout the film, and Kasdan may have had his first instant classic in a long while.

There was a lot of money and time put into Dreamcatcher, and it shows on the screen. Steve Johnson's work on the puppet versions of the "s***weasels" is extremely effective, and shows, once again, that anything CG can do, human hands can do better. The CG isn't the best I've seen, but it's significantly less cartoony than either of the last two Star Wars prequels, and does the job nicely, even though I would have enjoyed the effects far more, if CG wasn't a part of them. The cinematography by John Seale (The English Patient, The Talented Mr. Ripley, Witness) is gorgeous, but not noteworthy enough to make the Director of Photography the star of the film, like Caleb Deschanel's work did for him in the recent semi-stinker, The Hunted.

What we end up with is a nice looking film that feels hollow.