|Page 1 of 23:||          |
|Index||223 reviews in total|
I've never really thought about it this way, but I suppose in most cases,
it's an honor to have a sequel. Although no one liked the sequel, I'm sure
Jonathon Lynn is proud that The Whole Nine Yards got a sequel somehow. And
that seems like the case with Cube 2: Hypercube, a sequel to the cult hit
Cube. But then one wonders how there can be a sequel to a movie that was
basically all filmed in one 14x14x14 set? Well, Cube 2 is the answer-but not
really the best one. It shows what Cube would have been if it had had a
bigger budget, but it also showed what it didn't want to
Strangers are thrown together into a series of interconnecting cubes yet again, but this time they're more high-tech. They're not different colors, and there's no booby traps. Instead, some rooms have a cube that attacks you (don't ask), some have gravity reversed, and time means nothing. There seems to be no pattern, like in the first one, so how are these people supposed to get out?
This is all one big rehash of the first. There's the wandering around, talking about the past, and speculation of why they're in the cube. I guess that's for people who see sequels before the originals. The characters are all more broadly drawn, the dialogue is cheesier, and it looks faker. In the first, you barely knew anything about the giant cube they were in. Here, it seems like everyone was involved somehow. The ending, which was vague in the first, explained some more, which I was angry yet happy about. It's hard to explain. But then they left it in the air yet again. Maybe it's for the prequel, Cube Zero (due out sometime this year) to describe.
But one positive difference between the two is that this one seemed to be overall scarier. It's not claustrophobia, but the idea of anything happening in a hypercube. Because they don't exist, everything goes wild here, allowing for some things to happen. It's all quite creepy. And although the random crazy psycho killer is more random here than the first, I liked him more, and he was great as he was going through the hypercube. Cube was an original, interesting, and disorienting movie. Cube 2 is the exact same thing, except not as good.
My rating: 6/10
Rated R for language, some violence and brief nudity.
Hypercube. That title is terrible but I placated myself with the idea that
Hypercube is actually a real theoretical mathematical construct. That it
wasn't some misjudged attempt at a catchy title. It is just telling it how
it is. The first one was called Cube and was set in a Cube, this one is
called Hypercube and is set in a Hypercube. How wrong I was. Everything -
absolutely everything - in this movie is designed to be "Bigger, Better,
Faster"! And that is why it fails miserably.
I loved the original Cube because of it's simplicity. It was what one might call a pseudo Science Fiction movie. It was a psychological thriller trying on the Science Fiction coat, and it worked to perfection. You thought, this is crazy BUT it could bloody well happen. It was (apparently) set in the here and now and everything in it was eerily possible. It would have cost an awful amount of money but it was possible, it was after all just a big mechanical Cube. Even the booby-traps were deceptively simple. The real beauty for me was that you never knew or got to know the why, where, or who in the first movie. The goal was simply to get out in one piece and each person had their individual skill to help achieve that goal.
Cube2 enters the full realm of Science Fiction and immediately trips and falls flat on it's face. None of the simplicity is left. The `captors' in this new cube must deal with time shifting, gravity shifting, alternate realities, some weird killer time thingy that moves through the rooms and one of the crew who turns a bit psycho... just like the policeman character from the first movie, except (you guessed it) he's even a BIGGER psycho. On top of that the story tries to put a face on who is behind these experiments: The Izon Military Corp. (or something along those lines). This movie therefore is what 2010 was to 2001, albeit on a more modest level. And in the same way it just doesn't work
Also, character development is practically nonexistent. For example one pair of characters disappear and are never seen again. Just like that, gone for no real reason except maybe to show the vastness of the Hypercube although another character seems adept at meeting the multiple instances of two other characters in particular. In the end you absolutely do not care for any of them or whether they can escape or not. The story gives you no reason to care for them. The idea of the Hypercube itself is too vast to make you care. As one character points out, the amount of possible rooms in a Hypercube is infinite. Therefore there is no real goal. The characters don't need each other to escape. There is no exit door in a Hypercube! So why bother at all?
And as for the one-liners. The pain, oh the pain.
The worst bit however is reserved for the end. The Über-Military guy's comments on the phone make it sound like they are really contemplating a Cube3. Spare us, please!
First off, don't bother seeing this until you've seen Cube. You wouldn't
miss much if you did, but you won't appreciate & enjoy it nearly as much. I
heard this was more of a remake than a sequel, but actually it's a
Again, a seemingly random group of people are abducted and imprisoned in a possibly enormous matrix of anonymous Cube-shaped rooms, with doors in all six surfaces, and a number of fiendish & deadly booby traps (and scary noises). Hypercube (moving on from Cube) adds gravity, time and parallel universe traps into the mix.
It's good because: it's broadly similar to Cube, which was excellent. You're not immediately sure who will be standing at the end. The special effects are a bit 'clean' looking, but very smart. And there are some funny moments in this one.
But it's not brilliant because: the plot is a little too clear (and simple), whereas Cube really worked because it was unexplained and ambiguous. The characters seemed to fit the same sort of roles as in the first movie. And there's a fair bit of hammy over-acting, deliberate comedy, and a curious lack of desperation & fear (whereas Cube was superb in all these respects).
There are a lot of well-intentioned sequels which (by their very nature) cannot string you along with the same 'fear of the unknown' in the original, and this is the case here. I also believe that having access to a bigger budget for a sequel is often a bad thing, since it's easier to go for flashy special effects at the expense of story, acting & dramatic tension - as in this case. (brilliant opening credits though)
But Hypercube - although not as good as Cube - does work as 'next step' sort of sequel. I was just surprised I laughed so often, without it ruining the film for me.
If they make a third one (the ending does indicate that they could), they should spend the vast part of the budget on a really good concept/script & director, get really-good-but-unknown STAGE actors (Hypercube came across as more of a soap-opera level of acting), and go back to the ingeniously wicked & creative traps a la Cube - because the CGI route does not look like a road worth following any further..
*** This review may contain spoilers ***
(* Includes Spoilers *)
After seeing the original Cube, this movie is pretty bad. The people in the first movie actually all had to work together to get out of the Cube. And each one had a specific talent that made up the puzzle in getting out of it (i.e. no one person could get out alone). In this new movie the concept is the same but is never developed! People are just mindlessly roaming from room to room with no plan. The older woman supposedly has superior mathematical ability that should be able to decipher what the number 60659 means in each room, but she is too senile to do so! She's also quite annoying and adds nothing to the movie.
The blind girl was suppose to blow the whistle on the whole thing, but is found out before doing so, so she escapes into the Hypercube. Never mind the fact that even though she can barely move from room to room due to her blindness, she has miraculously waltzed into the Hypercube!
Traps have no logic to them, other then the eye candy factor.
The ending: very weak and it doesn't make sense.
Overall, a very disappointing movie to the first.
So the math took a backseat to the first movie. This one, however, is
all about the completely ridiculous result of what happens when you
build a hypercube. Where did the simplicity go? Where's the magical
screen writing that made the first so excellent? Fans of the first one
absolutely should see this movie, you'll be pleasantly surprised at the
new things Hypercube throws at you. Literally throws at you, in fact.
And throws at the seven new characters.
But where did it go wrong? The opening sequence is nothing short of the greatest moment the Cube series has ever seen. Draws you straight into the action, even if the first actor is bad at falling... up. From that point on, the characters take a seat and move along with a poor attempt at additional plot. We don't ever get any insight into character motive, as we did in the first movie. This person goes insane... wait, explain that one again? In addition to no character motive, the characters are completely static. Unless you had seen the first movie and were actually expecting focus on character archs, you would find yourself thinking how terribly predictable the characters are. Even more, the Cube's logical image has been destroyed, replaced by this machine gone horribly wrong in the fourth dimension.
The best part of the film is how it continually keeps you on your feet, long after you've seen it. What gave me hope for Lion's Gate was the frightening beginning and the fantastic ending. I'm still plagued by social, theoretical and mathematical problems posed in this second installment, and the ending will not disappoint. However, for those looking for intelligent theoretical sci-fi, I would look to the first, and watch it perhaps a second time.
*** This review may contain spoilers ***
Cube 2 is in many respects just a clone of the original Cube movie.
Suppose you haven't seen that movie yet and consider watching this more
recent version, which would probably be cooler because it has a larger
budget and CGI... don't! Watch the original instead. If you like it,
watch Cube Zero afterwards. Don't watch this one unless you really ache
for more Cube- stuff.
There are many things about Hypercube that don't work. Overall, it feels like a bad remake of an old classic. This is not surprising because that's exactly what it is, except for the fact that the original isn't really 'old' yet, it only predates this movie by 5 years. 'Cube 2' is populated by almost exactly the same characters as the first movie. The premise is also the same, even though they added an extra 'dimension' (literally).
Of course it also differs from the original Cube in some ways. First, the complexity of the way in which the original 'cube' could be solved, is replaced by a simple concept which is made to look complex by means of cool-sounding terminology and random mathematical formulas. In the original movie, someone familiar with mathematics could follow the lines of thought of the characters, and people unfamiliar with maths could still feel that there was something substantial to it. In Cube 2, nobody understands what's happening, and this seems to include the makers of the movie themselves. Next, the original movie featured some gruesome yet inventive ways in which many of the characters died, involving traps with wires, fire, acid and so on. In 'Cube 2', characters are killed by computer graphics -- literally. If you expect more of the visceral gore like in Cube, you'll be heavily disappointed. Moreover, the effects looks cheap and dated. They're so obviously synthetic that it's distracting. Finally, there's a whole set of fresh actors. Unfortunately, the acting is rather bad. Unlike in the original 'Cube', I didn't care about any of the characters. Some even irritated me to such a degree that I wanted them to die quickly.
'Cube 2: Hypercube' feels as if somebody thought the original 'Cube' could be improved by throwing a bigger budget to it, and a crew which is skilled and has good tools, but has no clue of what made the original so good. It's a bit as if they just learned about the concept of a hypercube and found it so cool, that they thought a movie mostly based on this concept would be equally cool.
*** This review may contain spoilers ***
This is a truly bad sequel to the inventive and imaginative 'Cube'. It
just feels like a made-for-TV, straight to the DVD bargain bin rehash
of the first film. It doesn't have any atmosphere - getting rid of the
dark metal and coloured lighting makes it look more like a trendy wine
bar than a twisted death machine! Plus, why are the characters so
unafraid? Kate (the psychotherapist) constantly smiles and acts like
they're on some kind of office team-building event. It almost seems
like waking up in a cube is not a new or frightening experience for
them, "oh, right, we're in a cube again, how boring".
Another major problem with the film lies in the main 'psycho' of the group Simon. He is basically a replica of Quentin the cop from the first Cube, but without any of the character development or motive. In the first film it does seem a little extreme when Quentin starts murdering people but at least he's had a few arguments with them first. Simon just starts killing people for fun - you can't kill an old woman because her Alzheimer's annoys you!! The film disappointed from the start. In the original there was a gruesome death scene within 2 minutes of the start. In 'Hypercube' the intro sequence is a boring overhead shot of people lying in hospital beds and then you have to wait an hour for the first death. Overall the film feels like a bigger budget, lower impact remake/rip-off of the original with no excitement, enthusiasm or interest.
I am a big fan of the first Cube movie and have seen it at least 15 times. I
had high hopes for Hypercube but i didn't expect it to be as good or better
than the first. I think people would enjoy it more if they didn't expect
unreasonable expectations for this one.
Hypercube has some flaws, but it is still entertaining. If you love Science and Physics (like i do), then you will love some of the questions this film proposes.
I liked the darker feel of the first film more so than Hypercube. The "Cubes" in this one are basically very bright white and it is sometimes very intrusive to the eyes. I also would have liked less characters in this one. One thing that worked so well in Cube 1 were the interesting characters and the fact that there were not many in the film at all. This doesn't always work in most films, but it worked perfectly in Cube 1.
If there was one thing which i really did not like in Hypercube, it would have to be the ending. It was very cheesy and way over the top. It seemed like an episode of The X Files, which works just fine for a Sci-fi TV series, but it just didn't work here.
So, is Hypercube worth viewing? Yes it is, simply because some viewers will like it more than others. It is still a better movie than most of the Sci-fi movies that have been released lately. If you love the original Cube you should check out Hypercube, if only to watch it one time...
Since most reviews here are damningly negative of Cube 2, I feel I have to
post one opposing view, just so that possible fans won't skip this film
altogether. Yes, the characters are rather stereotypical, and basically
imported directly from Cube 1, but there is enough mystery about some of
them to make you wonder about their real motives and/or origins. I
personally think the effects and visuals (the cube) look wonderful. But
maybe it's just cos I was brought up on things like Doctor Who and Blakes
The mathematics and physics behind the cube remain intriguing throughout the film, as you gradually learn how the work in the cube. My interest was retained despite the fact that I was already very familiar with the concept of a 4-dimensional cube (`hypercube') and some theories about how they might `appear' to someone inside them. On the other hand, maybe this is why I was intrigued - to see how they translated these theories into a film (answer: very intelligently). I think that the script writers managed very well to combine interesting evolving inter-personal dynamics with the bizarre realities of physics (time and 4 dimensions).
Although the film was very similar in some ways to Cube 1, it was cunningly different in others. For example, the numbers identifying the rooms, vital to the progression of the first film, were in some ways a red herring in the second. I am somewhat ambivalent about the ending. I think it was acceptable, if you caught what happened exactly (I've only seen one review here (Sareji's) which seemed to actually catch what happened at the end), but as others have pointed out, it lacks the much deeper and fascinating metaphorical meaning about society and individual responsibility.
Although slightly flawed, this is an intelligent and unusual film, and, I think, deserves to be seen, but only after Cube 1, because it plays with some of the viewers expectations, and extends on many of the ideas of the first film.
"Cube 2: Hypercube" is a weak and confusing entry after such a great
Waking up alone, Kate Filmore, (Kari Matchett) Simon Grady, (Geraint Wynn Davies) Sasha, (Grace Lynn Kung) Max Reisler, (Matthew Ferguson) Jerry Whitehall, (Neil Crone) Tom McGuire, (Bruce Gray) and Mrs. Paley, (Barbara Gordon) each find themselves trapped in a large structure together. Trying to determine a way out of the structure, they find it is a series rooms with weird numbers scratched all over the walls. Discovering that they are in a hypercube, which has four dimensions across it and can fold back in on itself, which forces them to believe that an alternate reality is inside, as well as their self. Forced to take action, they try to solve the riddle of the cube and escape before they're killed off.
The Good News: There isn't a whole lot here to really like. The hyper-dimensionality allows for a lot of fascinating ideas to play around with. Gravity operates at a different angle in some rooms, time operates at a different pace in other rooms so that at time, they see other people alternately sped up or slowed down, and of course, doors open up into alternate realities and points in time, which allows them to constantly meet different versions of themselves. In one simply fascinating scene, one of the characters opens a door and sees them-self staring back. Reaching out to grasp the hand, another character appears from behind, kills the parallel version before being wiped out by a wall of crystalline shapes. It's a compulsively fascinating moment that works quite effectively for it's creativity. Another scene shows on of them stabbing a character in the eye, only to then turn around and encounter them on the other side of the room a moment later, having aged several years and seeking revenge. Outside of these great ideas, the film is pretty hollow.
The Bad News: There's a lot here that doesn't work. As a whole, this is a mess of a movie. It differs so much from the original that it's almost in a different series, with only the main premise and the cube structure remaining. Gone are the numerous, and quite cool, traps from the original, replaced here with a trap that will spring only if too much time is spent in a room rather than being the structure of the room itself, and in their place is a much too talky, confused, and poorly written movie. Not once does it fall together so that a simply answer can be arrived at that will explain everything, and instead, it just chooses to get more and more incoherent ending up being way too complicated for its own good. Even the traps that do spring up aren't that great, being simply a multiplying square that morphs into a spinning shape, not at all that creative or impressive. The laser-wall isn't that bad, but otherwise, the traps in here are barely worth mentioning, not being that great at all and nowhere near the inventiveness or cruelty of the originals. The extreme amount of down-time in here is also a problem, since it takes nearly forever for the film to get going. After introducing themselves, it takes nearly forty minutes before the first trap is sprung, and that's far too long to be standing around arguing with each other. That's the main gist of the middle of the film, long sequences of everyone arguing about what each clue supposedly means or where each person came from. This is a downer and makes the middle seem like it takes forever, and coupled with the weak, confusing story and lack of inventive traps, really brings this down.
The Final Verdict: With a couple of decent scenes and ideas thrown in, this is a really hard movie to recommend to anyone. Fans of the original might like it, but it only has to be the most forgiving fans to do so. If you want to really watch it, watch it before seeing the original or not back-to-back, the differences will be quite startling.
Rated R: Graphic Language, Graphic Violence and Brief Nudity
|Page 1 of 23:||          |
|Plot summary||Plot synopsis||Ratings|
|Awards||External reviews||Parents Guide|
|Plot keywords||Main details||Your user reviews|
|Your vote history|