A famous psychiatrist (Ty Adams) takes on the job of trying to cure patients at the Sedah State Hospital, run by it's folksy doctor (Sam Delazo). All this takes a strange turn when a ... See full summary »
A famous psychiatrist (Ty Adams) takes on the job of trying to cure patients at the Sedah State Hospital, run by it's folksy doctor (Sam Delazo). All this takes a strange turn when a mysterious patient (Satan, he calls himself) enters the Hospital seeking help. Or is it just help that he wants? Written by
Producer Ken Aguado is credited with starting the ball rolling when he presented the script to Erik LaSalle to direct. LaSalle loved the script so much, he offered Aguado a partnership in Humble Journey Film, his partnership with DJ Caruso. See more »
Written and Performed by Hans Reichel (GEMA)
Courtesy of FMP Distribution See more »
CRAZY AS HELL takes the good old JACOB'S LADDER approach in a novel direction. A famed psychiatrist (the always likable Michael Beach) arrives at a state mental hospital, called Sedah. He has a different approach to treating the mentally ill: He talks to them, which puts him at odds with hospital director Ronny Cox, who believes strongly in medicating and if necessary restraining them. At first, Beach seems to have some success with his approach. Then a new patient (director Eric La Salle) arrives, calling himself Satan. It's all downhill from there. While all this is playing out, a film crew is filming a documentary on the famed shrink. At one point, they catch him talking to himself when he thinks he is talking to someone, and this is a major tipoff as to what is actually going on, and what's to come. Think of the hospital's name in reverse, and you'll get it. Hell, think of the movie's title and you're bound to get it. The ending is inevitable and a real downer, sort of like a Twilight Zone episode. And a lot like JACOB'S LADDER and CARNIVAL OF SOULS. But don't let this put you off from watching it. CRAZY AS HELL is that rare gem: a TV movie worth watching. It is well acted and directed, occasionally suspenseful, and La Salle keeps things moving along at a decent clip.
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