| Natar Ungalaaq | ... | Atanarjuat | |
| Sylvia Ivalu | ... | Atuat | |
| Peter-Henry Arnatsiaq | ... | Oki | |
| Lucy Tulugarjuk | ... | Puja | |
| Madeline Ivalu | ... | Panikpak | |
| Pauloosie Qulitalik | ... | Qulitalik / A shaman (as Paul Qulitalik) | |
| Eugene Ipkarnak | ... | Sauri, the chief | |
| Pakak Innuksuk | ... | Amaqjuaq (as Pakkak Innushuk) | |
| Neeve Irngaut | ... | Uluriaq | |
| Abraham Ulayuruluk | ... | Tungajuaq | |
| Apayata Kotierk | ... | Kumaglak | |
| Mary Qulitalik | ... | Niriuniq | |
| Luke Taqqaugaq | ... | Pittiulak | |
| Alex Uttak | ... | Pakak | |
| Eric Nutarariaq | ... | Young Sauri | |
| Stephen Qrunnut | ... | Young Tulimaq | |
| Pipily Akkitirq | ... | Young Pittaluk | |
| Mary Angutautuk | ... | Young Panikpak | |
| Charlie Qulitalik | ... | Young Qulitalik | |
| Atuat Akkitiq | ... | Sauri's wife | |
| Catherine Alaralak | ... | Young Sauri's wife | |
| Susan Kublu | ... | Young Qulitalik's wife | |
| Samueli Ammaq | ... | Sigluk | |
| Micheline Ammaq | ... | Asa | |
| Lucien Ukkalianuk | ... | Uttuqiaq | |
| Therese Ukkalianuk | ... | Saku | |
| Felix Alaralak | ... | Tulimaq | |
| Elizabeth Nutarakittuq | ... | Pittaluk | |
| Jenny Irngaut | ... | Oki's wife | |
| Rita Ijjiraq | ... | Pittiulak's wife | |
| Andrew Uyarasuk | ... | Young Sigluk | |
| Cindy Paniaq | ... | Young Sigluk's wife | |
| Lou Paula Kunuk | ... | Young Uttuqiaq | |
| Maggie Ukkalianuk | ... | Young Uttuqiaq's wife | |
| Arsene Ivalu | ... | Qillaq | |
| Racheal Uyarasuk | ... | Elder lady | |
| Catherine Arnatsiaq | ... | Elder lady | |
| Reena Qulitalik | ... | Child Kigutikaajuk | |
| Bernice Ivalu | ... | Child Kumaglak | |
| Mark Alaralak | ... | Child Amaqjuat | |
| Isa Akkitirq | ... | Child Oki | |
| Laurent Arnatsiaq | ... | Baby Atanarjuat | |
| Isa Ammaq | ... | Child | |
| Cora Akkitirq | ... | Child | |
| Steven Akkitirq | ... | Child | |
| Wilma Ammaq | ... | Child | |
| Daniel Akkitirq | ... | Child | |
| Hayley-June Ammaq | ... | Child | |
| Colleen Ulayuruluk | ... | Child | |
| rest of cast listed alphabetically: | |||
| Andrew Micheli | ... | (uncredited) | |
Directed by | |||
| Zacharias Kunuk | |||
Writing credits(in alphabetical order) | ||
| Paul Apak Angilirq | ||
| Norman Cohn | additional writer | |
| Zacharias Kunuk | additional writer | |
| Herve Paniaq | additional writer | |
| Pauloosie Qulitalik | additional writer | |
Produced by | |||
| Paul Apak Angilirq | .... | producer: Igloolik Isuma | |
| Sally Bochner | .... | executive producer: NFB | |
| Norman Cohn | .... | producer: Igloolik Isuma | |
| Zacharias Kunuk | .... | producer: Igloolik Isuma | |
| Germaine Wong | .... | producer: NFB (as Germaine Ying Gee Wong) | |
Original Music by | |||
| Chris Crilly | |||
Cinematography by | |||
| Norman Cohn | |||
Film Editing by | |||
| Norman Cohn | |||
| Zacharias Kunuk | |||
| Marie-Christine Sarda | |||
Production Design by | |||
| James Ungalaaq | |||
Costume Design by | |||
| Atuat Akkitirq | |||
Makeup Department | |||
| Therese Ipkarnak | .... | hair stylist | |
| Therese Ipkarnak | .... | makeup artist | |
| Susan Kublu | .... | assistant makeup artist | |
| Bob Pritchard | .... | hair consultant | |
| Bob Pritchard | .... | makeup supervisor | |
| Sidonie Ungalaaq | .... | assistant makeup artist | |
Production Management | |||
| Norman Cohn | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pakak Innuksuk | .... | second assistant director | |
| James Ungalaaq | .... | first assistant director | |
Art Department | |||
| Stephen Qrunnut | .... | assistant props | |
| James Ungalaaq | .... | props supervisor | |
Sound Department | |||
| Don Ayer | .... | sound effects editor | |
| Serge Boivin | .... | sound re-recording mixer | |
| Chris Crilly | .... | sound post-production supervisor | |
| Natalie Fleurant | .... | dialogue editor | |
| Henry Godding Jr. | .... | adr recordist (as Henry Godding) | |
| Thomas Kodros | .... | stereo sound consultant: Dolby | |
| Goro Koyama | .... | foley artist | |
| Richard Lavoie | .... | sound recordist | |
| Eric Lemoyne | .... | music mix | |
| Oleksa Lozowchuk | .... | sound mixer | |
| Andy Malcolm | .... | foley artist | |
| Ron Malligers | .... | foley mixer (as Ron Mellegers) | |
| Jean-Paul Vialard | .... | sound re-recording mixer | |
| Rebecca Wright | .... | foley assistant | |
Special Effects by | |||
| Walter Klassen | .... | special effects | |
Visual Effects by | |||
| Stanley Monahan | .... | optical effects | |
Camera and Electrical Department | |||
| Marie-Hélène Cousineau | .... | still photographer (as Marie-Helene Cousineau) | |
| Viviane Delisle | .... | still photographer | |
Costume and Wardrobe Department | |||
| Micheline Ammaq | .... | wardrobe manager | |
| Simeonie Ukkalianuk | .... | costume assistant | |
Editorial Department | |||
| Laurent Arnatsiaq | .... | assistant editor | |
Other crew | |||
| Samueli Ammaq | .... | dog wrangler | |
| Amelia Angilirq | .... | continuity | |
| Peter-Henry Arnatsiaq | .... | dog wrangler | |
| Norman Cohn | .... | script editor | |
| Anne Frank | .... | script editor | |
| Anne Frank | .... | story consultant | |
| Jocelyne Loiselle | .... | production accountant | |
| Raymond Taqqaugaq | .... | production coordinator | |
|
|
|
|
|
| Avatar | Appaloosa | Poor Boy's Game | Beowulf | Black Robe |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
I saw this movie last night and went to bed without words. After having a chance to sleep on it, it is now starting to sink in how truly amazing this movie was. You will be first blown away by the fact that this movie even exists. It is truly unprecedented in every sense of the word. I don't remember seeing anything like it, since maybe "Nanook of the North", which would be a stretch. Unlike "Nanook", this movie is shot from the Inuit perspective, the characters are not looked upon as anthropological specimens. They are people living in a fragile existence, where any wrong move could mean sure death.
The actors are astonishing, and it must have been so terribly cold up there, that you know this was a labor of love for the production team. The scenery is astonishing. Almost everyone who participated in this production was full-blooded Inuit. It is a beautiful story based on an Inuit legend that exists on many different levels and subplots, etc. All told on the frozen tundra without ANY indication given about the timeframe, or even century, in which it was set.
I am just astonished at the painstaking attention to historical detail. I have read many books on Inuit culture, and most everything I have read was visualized in this movie, the social structure, the power of the patriarch, the constant looming of starvation, the role of the hunter/husband, the insubordination of women (pre-arranged marriages), the obsession with taboo and curses, the fine art of building igloos and staying warm in -60 temps, and yet, through all the hardships, there was so much happiness. They even showed how the dogs were handled and treated, even down to the way they would slicken their sledge rails by spitting small amounts of water on them until a layer of slick frozen ice formed, which makes the sledges slide easier over the pack ice. The one thing that I thought of today was how the movie was TOTALLY absent of the white, European influence. Their knives were made from caribou horns; they had no metal knives or metal cookware, which indicates that the movie was purposely based on a time before the Inuit's first contact with white men.
It has a slow start, it's only fault. You will be a bit confused at first, trying to understand the characters and what exactly is happening, but then it starts to really suck you in, you begin to love the protagonists, who are physically beautiful people, and then you will grow to hate the antagonists, who are mean and undesirable. Afterwards, you will realize that almost all of these people, cast and crew, were full-blooded Inuit. You will then want to immediately see it again and demand a documentary on the making of this film. You will want to know who these people are, what they do in their normal lives, because most of these actors are making their big screen debut. The end of the movie gives you a quick behind-the-scenes peek, but it serves as only a small appetizer to a bigger feast. Most importantly, your respect for their pride and perseverance of their culture will increase ten-fold