A high-school girl makes a wish to marry her crush, the star of the football team who doesn't even know she's alive. Then a solar eclipse magically transports them 17 years into the future to the day of their wedding.
At the age of six years, Suzanne (Katee Sackhoff) saw her mother kill her father. Twenty-five years later, she is a professor of psychology and lives in fear of becoming a criminal like her... See full summary »
Based on a true story, 15 year old Tina Spangler discovers she is pregnant. Her choices are abortion, adoption, or a lonely, exhausting life as a single parent. Abandoned by her boyfriend, ... See full summary »
Three very different dating couples end up in the same late Chinese restaurant where a seer gives each diner a personalized fortune. A teen geek is dining with a blond cheerleader, who is ... See full summary »
New York is the setting for this courtroom drama about a jury of 12 different men and women delibrating various capital crime cases while under the supervision of the courthouse staff ... See full summary »
This failed TV pilot for ABC's 2001-2002 season is based on the popular British soap opera, but is now a one-hour drama set in San Francisco and following an ensemble of college friends five years after college graduation.
Michael M. Robin
Apparently, the creators of "The Education of Max Bickford," have LEFT the show, because the honchos at CBS want to make Max more "sympathetic."
Why does corrupt corporate marketing constantly encroach upon quality television? One of the things that makes "Bickford" such a delight is its departure from one-dimensional characters and caricatured portrayals which are so endemic to network programming. Yes, Max is hypocritical, contradictory, enervating and downright offensive. And yet, amidst all his spiritual blemishes, Max's good intentions, deep respect for his colleagues and love for his family shine through. As opposed to the black-and-white world of the cop-medical legal dramas that pervade our airwaves these days, the main character's complexity enhances his humanity, rather than diminishes it. Sound like someone you know? Look around...there's more than just a little bit of Max Bickford in each of us.
Perhaps the lower ratings are due to the uniquely American need for blinding escapism, albeit at the cost of introspection. God forbid network television should be an instrument of self-reflection. No, they need those ratings, those delicious and oh-so-informative demographics, which translate into advertising revenue and profit. Where is our profit as the intelligent, discriminating TV viewer, huh? HUH?
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