Jack, Sydney, Irina, Vaughn and Nadia parachute into Sovogda, Russa to dismantle the giant floating red ball of the Circumfrence which is turning people into mindless, red-eyed zombies out to kill. ...
Rambaldi's catastrophic endgame begins to fall into place as a giant red ball version of the Circumference/Mueller device is found floating over a large city in Russia, driving the citizens mad with ...
Set after the events in Terminator 2: Judgment Day (1991), Sarah Connor and her son, John, try to stay under-the-radar from the government, as they plot to destroy the computer network, Skynet, in hopes of preventing Armageddon.
Fresh out of the farm, Annie Walker must adapt to the challenging life of a CIA operative under the guidance of her handler, Auggie. But soon she realizes her recruit might have to do with her last boyfriend rather than her talent.
Sydney Bristow is a young, athletic, college graduate who was recruited her freshman year as a secret agent for SD-6, a top-secret branch of the CIA. After a few years -- after Sydney confides her lifestyle to her boyfriend, the evil head of SD-6 -- Arvin Sloan, has him killed. Sydney learns that SD-6 is part of a rogue international agency called the Alliance of 12, out to rule the world. She becomes a double agent, working with the real CIA to bring down SD-6 with the assistance of her handler, Michael Vaughn, and her estranged father Jack Bristow -- also a double agent. Along the way, Sydney fights various rival agents, rival terrorist groups, and traitors all the while keeping her cloak-and-dagger lifestyle a secret from her friends. (Season 1) Written by
The number 47 is used repeatedly throughout the series. Examples: Marshall expresses a desire to improve a camera design so that it has 47 exposures; the key code Will needs to get into a computer room in order to retrieve data on SD-6 is 4747; the crate at the Vatican which contains the painting with Rambaldi's cipher-key has a 5-digit catalog number ending in 47; page 47 is always significant in a Rambaldi manuscript; and of course, there are 47 parts to Rambaldi's magnum opus. In episodes of season 3, Sydney tries to retrieve memories of when she is abducted, as she is dreaming... Masked men take her in to a room with the number 47 largely printed on its doors. And also in the dream she sees fireworks when she looks through the window as a reference to 4th of July (4/7). Interestingly, the Star Trek TV shows also feature the number 47 many times (it's usually seen in their monitors). Also server 47 is the number of the server that Sydney needed to get information from to take down sd-6. Ramboldi See more »
In virtually every episode where the characters are shown sneaking around in Eastern European or Asian countries, US-style electrical outlets are visible. See more »
[discussing Will's hickey]
It's very embarrassing.
What, the fact that I saw it or just that it's there at all?
Look at it. I feel like I'm 15 years old.
That's about the age of your intern.
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The opening credits feature J.J. Abrams' trademark lens flares. See more »
I simply cannot understand anyone who slates this show, unless perhaps they simply were not intelligent enough to follow it's superbly complex and intricate story. The immaculate acting of both Victor Garber and Ron Rifkin alone should be enough for anyone, but the incredible plot twists and threads, superb character development and, dare I mention it, exciting action sequences too, just add to this outstanding show.
Personally, I was hooked from the first episode, but I strongly urge anyone who has either never seen it, or seen a few episodes and dismissed it, to give it a chance. I agree it might be a little frustrating, particularly in the first two seasons, because (much like that other fantastic JJA show, Lost) each episode leads directly into the next and so missing an episode can be confusing, but it really is worth it.
Watching the final episode and understanding just how everything in the past five years has been building up to the conclusion made me realise just how talented the writers were. Although I am glad the show went out on a high (although there never really was a low point), I still mourn the loss of possibly the greatest television show on Earth.
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