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Havoc (2005)

R  |   |  Crime, Drama  |  16 October 2005 (Armenia)
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Ratings: 5.5/10 from 15,285 users  
Reviews: 145 user | 31 critic

Two affluent suburban girls who clash with the Latino gang culture of East LA.



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Cast overview, first billed only:
Jose L. Vasquez ...
Manuel (as Johnny Vasquez)
Mr. Rubin


A pair of naive young girls learn that even the most insignificant actions can have lasting consequences. Influenced by the hip-hop thug lifestyle and seeking to explore life outside of their insulated, culturally homogenized suburb, pretty young teenagers Allison and Emily set their sights on East L.A. to experience the "gangsta" lifestyle firsthand. By the time the pair meet a ruthless Mexican drug dealer named Hector, some true-life Latino gang-bangers, and realize just how far out of their element they really are, it may already be too late to turn back. Written by Giancarlos Calderon

Plot Summary | Plot Synopsis


Sex! Crime! Drugs! We are Kids in America! (German 2011 DVD re-release) See more »


Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, pervasive language, violence, drug and alcohol use - all involving teens | See all certifications »

Parents Guide:







Release Date:

16 October 2005 (Armenia)  »

Also Known As:

The Powers That Be  »

Filming Locations:


Box Office


$9,000,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


| (unrated)

Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The song that Allison sings at the high school party is "How Do You Want It?" by Tupac Shakur See more »


When Allison is asking the boy shooting the film if he wants to sleep with her and begins seducing him, her pants go from buttoned to unbuttoned and back again. See more »


Hector: [to Allison] I know everything about you. Yeah, I can see right through you. Everything to you is a fucking game. You ain't real. There's nothing real about you. Your talk ain't real, Your walk ain't real, the way you dress ain't real. You don't even copy it from the real thing, you fucking get it from the TV.
See more »


Followed by Normal Adolescent Behavior (2007) See more »


How Do U Want It
Written by Tupac Shakur, Johnny Jackson, Bruce Fisher, Leon Ware, Quincy Jones,
Stanley Richardson and Johnny Cash
Courtesy of BMG Songs Inc. Under license from BMG Film & TV Music
Warner-Tamerlane Publishing Corp. o/b/o Quicksand Music Co. & Almo Music and Songs of Universal,
Inc. o/b/o Music Corp. of America, Inc. and Joshua's Dream Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A promising premise and a solid performance wasted
28 January 2009 | by (United States) – See all my reviews

Despite the fact that this movie is like the umpteenth variation of Rebel Without A Cause, anybody who has gone to a high school in an affluent area in the last decade and seen the amount of pampered young 'wiggers' there are knows that the premise of this flick is relevant to today's youth and is worth exploring. Unfortunately, the movie fails to deliver on this promising premise and only succeeds in wasting a fine performance from Anne Hathaway.

The movie WANTS to make a powerful statement about spoiled, naive, pseudo-disillusioned youths searching for identity in the superficial only to receive a colossal reality check when they realize the life they've been imitating isn't as glamorous as they had thought. Unfortunately, this noble message is lost in a weak script and characters that are either one-dimensional, unbelievable or both. Although one must consider the fact that the screenplay was for the most part written by a 16-year-old girl before judging it, it is disappointing that an Academy Award-winning co-writer with some experience with this genre of film (Stephen Gaghan) could not give the screenplay and characters a more authentic feel.

Even if it was the screenwriter's intention to make the script's dialogue horrible for the sake of legitimizing just how inane the gang of rich white teens are acting, the horrid screen writing comes off so cartoonish that the viewer will have an extremely difficult time accepting the dialogue, and consequently the behavior, of these characters as being legitimate. As a result, the gang of rich white wannabe thugs come off, for the most part, as being overwrought caricatures saddled with some of the most laughably horrible dialogue ever heard in a motion picture. As for the gang of cholo thugs in the movie, they come off as being far too nice and too stereotypical to Latinos, and thus seem only marginally less cartoony that the gang of rich white kids.

The movie's lone saving grace is Anne Hathaway. Playing a role that shares some parallels with and could be considered a natural extension of her smart-girl-with-a-rebellious-streak Meghan Green character from the short-lived TV series Get Real, hers was the only character in the movie that had any sort of depth and believability. The script, despite its many shortcomings, succeeds in making it clear just how self-aware, intelligent, and capable of good Hathaway's character is, in spite of her actions as a member of the gang of rich white teens, giving the film its lone three-dimensional character. Because of Hathaway's talent as an actress, as well as her successful exploitation of the public's predominant perception of her as a wholesome girl next door for this film, it is easy for the audience to believe that Hathaway's character is the rebel-without-a-clue fish out of water that the script is trying to portray her as. Hathaway's acting is superb, head and shoulders above anyone else in the film, which adds to her character's legitimacy. However, the people who see this movie will likely be too busy snickering at the inane lines of dialogue she's repeatedly forced to drop or, more likely, be gaping at their TV thinking "O...M...G! The chick from The Princess Diaries is actually TOPLESS!" to notice her solid performance.

Which leads to a discussion of arguably the biggest reason most people even know this film exists. Hathaway has claimed in interviews that she only does nudity in films if she deems it necessary to the story. While a case can be made that most of the nudity in the film was appropriate when considering the context of the scenes in which it was featured, I find myself questioning just how "necessary" it is, for example, to show Hathaway's character popping her top while making out with her boyfriend (or for that matter, to see Bijou Phillips' character in the film topless while taking a bubble bath). That's not to say this movie should be mistaken for a late-night film on Skinemax; it most certainly isn't. But Hathaway is topless just enough in this film to make this obvious attempt to expand her acting repertoire beyond the roles in family films she had previously been limited to seem heavy-handed and maybe even a little desperate. Anne, take it from me, you're a wonderful actress. That alone will do more to land you mature roles than taking off your top for sex scenes in a poorly-scripted indie movie ever will.

When all is said and done, the amount of nudity in this movie only made it worse; when you factor the amount of it in along with in how disappointing the movie is, it only adds evidence to the argument that the only reason this movie exists was for Hathaway to prove to us just how far she was willing to go to avoid being typecast as Princess Mia Thermopolis for the rest of her acting career...which is a shame, considering her legitimately solid acting job in this movie.

Rent "Kids" or "Thirteen" instead; both films are about topics similar to this movie and both are far better.

13 of 19 people found this review helpful.  Was this review helpful to you?

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On the situation of the Rape scene LilacRose1821
Bijou Phillips umpa1793
For the sex scene qweretyq8
Things We Learned From Havoc MierdaDeToro
Does anybody even care about Hector RS-Bundy
Anne Naked david-2566
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