London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact ... See full summary »
The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the IRA, ... See full summary »
Docu-drama based on the life of Ted Bundy, a serial killer who killed at least 19 young women during the 1970's (though some sources say as many as 30 to 35 were murdered). Set from his college student years, to his first victims, his capture, escape from prison (twice), his final killing spree to his trial, conviction and execution. Written by
Cameron Bright was offered a role but he and his mother did not want him to be associated with a serial killer. See more »
When Ted is in the grocery store near the beginning of the movie, we see a cap gun on the racks. The gun has an orange cap on the end of the barrel, a safety feature not introduced until the late '80s. See more »
Man at the Window:
[after catching Ted masturbating to the young girl undressing herself]
Aw, hell! You again?
[Ted ignores him and keeps finishing himself. The man at the window throws a cup of water on him; Ted runs to his car]
[Ted frustratingly pounds on his steering wheel as he drives away]
Fuck, fuck. FUCK!
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This movie is not for the faint-of-heart; it's a story about a vicious serial killer, and does not pretty up the subject matter. Thus there are numerous scenes of bloody and perverse sex, dead bodies galore, lots of profanity, and an overall atmosphere of sickness. None of this is pleasant to watch, but is entirely appropriate for the subject matter.
The script stays close to fact, although it leaves out some important information; neglecting, for example, to mention that one woman Bundy approached at Lake Sammamish refused to follow him into the parking lot. Her evidence provided a description and a name to a previously faceless monster, the first real lead the police had in the case. The movie also fails to give any real sense of the era in which Bundy flourished. In the swinging seventies, it was not so uncommon for women to get into cars or otherwise accept approaches from total strangers -- one reason for Bundy's success.
This film suffers from a lack of focus and purpose. It does give a good sense of the progression of Bundy's hideous career: the burglarizing, purse-snatching, shoplifting peeping tom gradually deteriorates into the brutal, raping, murdering serial killer. We see his alcoholism, his ability to be totally charming when necessary, and his knack for attracting "enabling" girlfriends into his life. What we don't see is anything of the inner Bundy. Granted, any depiction of the "inner Bundy" would be pure speculation, but a good movie would at least make an attempt to give some motive for Bundy's violent compulsions. All this movie does is make some vague references to his illegitimacy.
I need to also mention the incredibly poor taste in background music. In some sequences, light-hearted music is playing while Bundy is committing heinous acts of violence. (Christmas music in one case!) Perhaps the director meant to indicate that all this horror was just plain fun to Bundy; but the effect is to cheapen the scenes and even make them comic.
The verdict: Iffy. Lacks depth, and occasionly shows poor taste. Leaves out important information. On the plus side, it is well-acted, and does not attempt to sugar coat the ugly facts of violence. If you want a thoughtful examination of Bundy's character and the era in which he lived, this is not the right movie.
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