7.3/10
2,850
16 user 18 critic

Suchwiin bulmyeong (2001)

Romances end in blood and the frail hopes of individuals are torn apart in a vile karmic continuity of colonialism, civil war and occupation. After surviving Japanese colonization, Korea ... See full summary »

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4 wins & 3 nominations. See more awards »
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Cast

Credited cast:
...
Chang-guk
...
Eunok
Young-min Kim ...
Jihum
Eun-jin Pang ...
Chang-guk's Mom (as Eun-jin Bang)
Gye-nam Myeong ...
Jihum's father
In-ok Lee ...
Eun-ok's mother
...
Dog Eyes
Rest of cast listed alphabetically:
Yeong-im Kim
Mitch Malem
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Storyline

Romances end in blood and the frail hopes of individuals are torn apart in a vile karmic continuity of colonialism, civil war and occupation. After surviving Japanese colonization, Korea became the first war zone of the Cold War. The legacy of war remains today in this divided country. Three forlorn teenagers, Chank-guk, Jihum and Eunok are figures in the landscape of this story, which highlights the global implications of a very Korean reality. None of them is able to escape the withering pull of tragedy. All desperate pleas for love and redemption are returned stamped in red with

. Written by LJ Film

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Plot Keywords:

korea | teenager | soldier | See All (3) »

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for violence, language, sexuality and some drug content | See all certifications »
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Details

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Release Date:

2 June 2001 (South Korea)  »

Also Known As:

Domicilio desconocido  »

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References Heavy Metal (1981) See more »

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User Reviews

 
Splish Splash
8 July 2011 | by (United States) – See all my reviews

ADDRESS UNKNOWN is such a grubby and begrimed film. It features ugly characters in ugly situations and settings, and offers little or nothing in the way of artistic redemption. It is nearly impossible to believe that the same director, Ki-duk Kim, fashioned the elegant and haunting film, "3-Iron" which charted the despair and loneliness of a homeless couple who seek solace and sanctuary in the empty vacation homes of strangers. ADDRESS UNKNOWN skirts the line between pathos and bathos, and then plunges in without a backward glance. Thus, ADDRESS UNKNOWN becomes almost punch-drunk and silly instead of emotive or poignant.


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