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IMDb > Mauvais genres (2001)

Mauvais genres (2001) More at IMDbPro »

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Overview

User Rating:
5.3/10   153 votes
MOVIEmeter: ?
Down 10% in popularity this week. See rank & trends on IMDbPro.
Director:
Francis Girod
Writers:
Francis Girod (scenario and dialogue) &
Philippe Cougrand (scenario and dialogue) ...
(more)
Contact:
View company contact information for Gender Bias on IMDbPro.
Release Date:
8 August 2001 (France) more
Genre:
Drama more
Plot:
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now... more | add synopsis
Awards:
1 win & 1 nomination more
NewsDesk:
(2 articles)
Gender Bias in Theatre -- Digging a Little Deeper
 (From Huffington Post. 30 June 2009, 10:59 AM, PDT)

A Young Female Producer Says Gender Bias Here Lives On
 (From The Wrap. 20 June 2009, 3:59 PM, PDT)

User Comments:
glorious excesses more

Cast

  (in credits order)
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Directed by
Francis Girod 
 
Writing credits
Francis Girod (scenario and dialogue) &
Philippe Cougrand (scenario and dialogue)

Brigitte Aubert (novel "Transfixions")

Produced by
Humbert Balsan .... producer
Marie-Astrid Lamboray .... executive producer
 
Original Music by
Alexandre Desplat 
 
Cinematography by
Thierry Jault 
 
Film Editing by
Isabelle Dedieu 
 
Casting by
Ariane Corbiau 
Célia Ducloux 
Claire Paillotin 
 
Production Design by
Perrine Rulens 
 
Costume Design by
Nathalie Leborgne 
 
Makeup Department
Stella Bertiglia .... key hair stylist
Evelyne Byot .... key makeup artist
 
Production Management
Stéphane Lhoest .... production manager
 
Second Unit Director or Assistant Director
Vincent Bell .... second assistant director
Véronique Jadin .... third assistant director
 
Art Department
François Bautier .... swing gang
Guy Cantraine .... props
 
Sound Department
Dominique Mazière .... foley artist
Pascal Mazière .... foley artist
Henri Morelle .... sound
Claude Villand .... sound mixer
Jean-Christophe Winding .... sound editor (as Christophe Winding)
 
Camera and Electrical Department
Jacques Borguet .... key grip
Boris Bourgois .... grip
Jean Christophe Delinaoumis .... assistant camera
Michel van Laer .... second cinematographer
Olivier Merckx .... Steadicam operator
Jean-Noël Viry .... gaffer
 
Casting Department
Ariane Corbiau .... casting: Belgium
 
Editorial Department
Mathilde Cousin .... assistant editor
 
Music Department
Gaetano Donizetti .... composer: song "Una furtiva lagrima" from "L'elisir d'amore"
Friedrich Hollaender .... composer: song "Ich bin von Kopf bis Fuß auf Liebe eingestellt"
Michel Legrand .... composer: song "Chanson d'un jour d'été" from "Les Demoiselles de Rochefort"
Evelino Pidò .... conductor: "Una furtiva lagrima"
Charles Trenet .... composer: song "Vous qui passez sans me voir"
 
Other crew
Joëlle Keyser .... script supervisor
Sofie Tusschans .... assistant location manager
Peter Van den Borre .... location manager
 

Production CompaniesDistributors
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Additional Details

Also Known As:
Transfixed (Canada: English title) (festival title) (USA)
Bad Genres (International: English title) (festival title)
Gender Bias (USA)
Transfixions (France) (working title)
more
Runtime:
105 min
Country:
France | Belgium
Language:
French
Color:
Color
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Dolby Digital
Certification:
France:-12
Filming Locations:
Brussels, Belgium more
Company:
Ognon Pictures more

Fun Stuff

Movie Connections:
Featured in 2005 Glitter Awards (2005) (V) more

FAQ

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2 out of 5 people found the following comment useful:-
glorious excesses, 23 October 2007
10/10
Author: matthewscott8 from United Kingdom

This film was recently recommended to me on a forum discussion concerning the best GLBT cinema. But Mauvais Genres is so good that I wouldn't say that it appeals only to such interest groups. It is excessively Hitchcockian (an adjective used far too often, but utterly justified in this case) in it's outlook. Indeed there are so many MacGuffins in this thriller involving props such as a microfilm or a heart-shaped box that you feel it edging almost into the territory of parody. As it is the movie stays at a more gleeful, vital, tone, revelling in homage. It is glossy enough for us to suggest that its tone comes from Hitchcock via de Palma. The music though seems directly inspired by such classic Hitchock scores as that in Vertigo.

There are in my opinion two characters in this movie of outstanding interest. First we have Bo, a transsexual entertainer, played by Robinson Stévenin, in what has to be one of the most outstanding performances that I have ever seen (winning the Cesar for best new actor). She is such an alive and beautiful person that it is truly painful when we see her subjected to violence. There is a subplot in the film concerning the fact that she was abused as a child and there are implications that her retreat into femininity is a coping strategy for dealing with that abuse. I'm in no way qualified to examine the risibility or otherwise of such claims, but certainly these thoughts may have been filtering through her mind and leading towards self-destructive behaviour.

The meat of the movie, which is only ostensibly a serial-killer thriller, is her love for Johnny, a clearly violent and handsome young man who has very mixed thoughts concerning transsexuals. Her love for him is so blind as to verge on self-immolation, her approaches undeterred by even a broken arm. I watch film to see excesses of emotions, and in her love for this psychotic individual, Bo's love becomes a fiery inferno that inundates her.

Johnny is also a very interesting character, he joined up in the foreign legion to see the tropics but, we are told, ended up waiting table at headquarters in Avignon. Metaphorically speaking perhaps that's what happens to most men in modern society. And you can certainly sense the frustration in this 'red-blooded' man for whom society is effectively a cage.

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