5.6/10
238
7 user 6 critic

Transfixed (2001)

Mauvais genres (original title)
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »

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Writers:

(scenario and dialogue), (scenario and dialogue) | 1 more credit »

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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Huysmans
Robinson Stévenin ...
Bo
Stéphane Metzger ...
Johnny
...
Maeva
Frédéric Pellegeay ...
Alex
Ginette Garcin ...
Louisette Vincent
...
Pryzuski (as Stéphane de Groot)
...
Courtois
Veronica Novak ...
Elvire
...
Violette Ancelin
Marcel Dossogne ...
Professeur Ancelin
Thibaut Corrion ...
Marlène
Jean-Michel Leray
Catherine Claeys
Julien Arame
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Storyline

Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of transexual murders. In order to clear herself she must turn detective. Written by havan_ironoak@bigfoot.com

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

8 August 2001 (France)  »

Also Known As:

Transfixed  »

Company Credits

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Runtime:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Connections

Featured in Humbert Balsan, producteur rebelle (2006) See more »

Soundtracks

Chanson d'un jour d'été
(from the soundtrack album The Young Girls of Rochefort (1967))
Lyrics by Jacques Demy
Composed and conducted by Michel Legrand
(p) 1967 Mercury France
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User Reviews

 
'Una furtiva lacrima'
29 January 2006 | by (United States) – See all my reviews

The aria from Donizetti's 'L'elisir d'amore' plays a significant role throughout this fascinating, intelligent, well made thriller by Francis Girod based on a novel by Brigitte Aubert and adapted for the screen by Girod and Philippe Cougrand. 'The secret tear' takes on many meanings as this complex story set in Brussels unfolds in the same manner as 'Diabolique'. Only this film takes even more risks and succeeds resoundingly.

Presented as simply the main character instead of an oddity, transsexual Bo (Robinson Stévenin) works as an entertainer in a drag club in Brussels. His best friends are other transsexuals, especially Maeva (William Nadylam), who perform with him. Some are also prostitutes and are falling prey to a serial killer who disfigures each of his victims in a vicious way. Bo, we learn, left home at age 13, unable to cope with sexual molestation from his father (Marcel Dossogne) and the suicide of his mother, and lives quietly in a humble apartment. Her interest is peaked when a handsome young Johnny (Stéphane Metzger) moves in next door and she fantasizes an affair with him. While Johnny appears to be infatuated with Bo, he has his dark side, living with a roommate with whom he provides sexual services for older unattractive but rich women.

The police, headed by Huysmans (Richard Bohringer) investigate the serial killings and in some way Bo is always at the scene or is familiar with the victims. The story revolves around the cat and mouse game of surveillance and complications of information regarding the killing spree. An interesting sidebar shows Bo's father arrested for sexual harassment and Bo is interrogated by the police about his childhood traumas with his father. How Bo weaves through all of the events - longing for Johnny, attempts for a consignation with Johnny which teeters on the possible versus the sadistic, gay bashing, gaining courage to speak against his father, etc - is the maze the story pulls us through. The identity of the serial killer is successfully revealed at the very end of the film.

The excitement of the suspense drama is heightened by Girod's stunning direction and by the completely convincing acting of Robinson Stévenin, but also by the superb characterizations by Richard Bohringer, Stéphane Metzger, William Nadylam, Frédéric Pellegeay, Ginette Garcin, Stéphane De Groodt, and Charlie Dupont. The musical score by Alexandre Desplat is one of this fine composer's best, and the cinematography by Thierry Jault finds just the right flavor of the seamy streets of Brussels to make the story as creepy as it should be. So with all this praise why only 8 stars for the DVD? The subtitles (the film is in French) are so out of sync with the film that they completely destroy the important conversations, so much so that many times the subtitles are finishing off a scene that is no longer on the screen! If these were corrected it would be clear to everyone why Robinson Stévenin won the French Cesar Award for best actor and why it is such a success for the daring director Francis Girod. Highly recommended...just be aware that the English subtitles will frustrate you - unless you speak French! Grady Harp


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