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Transfixed (2001)
"Mauvais genres" (original title)

 |  Drama  |  8 August 2001 (France)
5.5
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Ratings: 5.5/10 from 237 users   Metascore: 34/100
Reviews: 7 user | 5 critic | 5 from Metacritic.com

Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »

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(scenario and dialogue), (scenario and dialogue), 1 more credit »
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Title: Transfixed (2001)

Transfixed (2001) on IMDb 5.5/10

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Cast

Cast overview, first billed only:
...
Huysmans
Robinson Stévenin ...
Bo
Stéphane Metzger ...
Johnny
...
Maeva
Frédéric Pellegeay ...
Alex
Ginette Garcin ...
Louisette Vincent
...
Pryzuski (as Stéphane de Groot)
...
Courtois
Veronica Novak ...
Elvire
...
Violette Ancelin
Marcel Dossogne ...
Professeur Ancelin
Thibaut Corrion ...
Marlène
Jean-Michel Leray
Catherine Claeys
Julien Arame
Edit

Storyline

Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of transexual murders. In order to clear herself she must turn detective. Written by havan_ironoak@bigfoot.com

Plot Summary | Add Synopsis

Genres:

Drama

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Release Date:

8 August 2001 (France)  »

Also Known As:

Transfixed  »

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2.35 : 1
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Connections

Featured in 2005 Glitter Awards (2005) See more »

Soundtracks

Ich bin von Kopf bis Fuß auf Liebe eingestellt
Performed by Marlene Dietrich
(extracts from Marlene Dietrich starring film The Blue Angel (1930))
Music by Friedrich Hollaender
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User Reviews

An excellent and original thriller
19 May 2014 | by (United Kingdom) – See all my reviews

I was initially not optimistic about this thriller. The unappealing cover picture plus the IMDb synopsis and mixed reviews lead me to be rather dubious about watching it. Also I'd seen the superficially similar and awful Mascara (1987) which covers some of the same ground, namely, a Belgian location, corrupt police, serial killers targeting trans prostitutes, and opera. I'm very glad I did watch Mauvais Genre though; this is an excellent and original thriller.

The lead character in the film is Bo (played by Robinson Stevenin) who comes from a haute bourgeoisie Belgian family and whose father is a famous and politically well connected doctor. The twenty year old Bo is now living in reduced circumstances in a seedy part of Brussels and working in a cabaret after becoming estranged from her Father and her mother having committed suicide. Most of her friends now are prostitutes (though note that the IMDb synopsis is incorrect in saying Bo is a prostitute; she isn't).

The film opens with Bo's father being arrested for molestation and it's also at that point we learn that Bo is trans. The investigation of Bo's father forms a tightly contained subplot which adds depth to the main serial killer story.

The police's treatment of Bo and her friends range from the over familiar and intimidating to violence and worse. The senior policeman on the case, Huysmans played by Richard Bohringer, is excellently sinister. You never really know what his angle on all this is until the very end. He is in a power struggle with another senior policeman, Pryzuski (Stéphane de Groot). It's good cop bad cop or is it really bad cop bad cop? It's made clear throughout the film how socially privileged Bo was and to some extent still is. She regularly intellectually outmanoeuvres the police. Huysman is constantly going on about how incredibly intelligent Bo is and at one point Huyman actually says to Bo "You could be a famous doctor, lawyer or prosecutor. Society needs you." However, Bo still has charm, good looks, and 'Bon Chic Bon Genre' style.

At heart Mauvais Genre is a fairly traditional thriller and all the better for it. There are lots of maguffins and red herrings.

As the film progresses Bo starts a relationship with her abusive neighbour Johnny. Robinson Stevenin didn't really manage to convince me in his portrayal that Bo was falling obsessively in love with a man who treats her very badly. That was on of the films few weak points. The other was that Bo really can't walk in heels and keeps falling over throughout the film. This gets really distracting after a while. The idea that someone as together as Bo wouldn't be able to walk in heels seems unlikely. It seems to be a crude cinematic device to show that "Bo is not a 'real' woman" and really belongs in Carry On Films or the Dick Emery show.

Rather amusingly if you believe this film and Mascara everyone in Belgium seems to like opera and senior policemen have offices which look like art galleries and museums.

Overall this is a very enjoyable film. In particular if you like LGBT cinema then this is an absolutely must see. I watch a lot of LGBT cinema and can't think of another film with such a strong trans character as a lead.


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