Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by... See full summary »
Depicts the struggles of reservation-dwelling Native Americans in the North Central United States. The main character is an introspective and lovable person in a process of seeking pride ... See full summary »
In South Dakota, in an Indian reservation, an old storyteller Indian asks his grandson Shane, who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to ... See full summary »
A story of life on a First Nation reserve in Ontario: Silas and Frank are trying to get into college to train to be mechanics but they find themselves having to deal with girls, family ... ... See full summary »
Ryan Rajendra Black,
Rudy Yellow Lodge is an investigator with the police department and witnesses firsthand the painful legacy of Indian existence. Although rampant unemployment, alcoholism and domestic violence are the norm for many reservation inhabitants, Rudy has largely escaped this cycle of despair. His brother Mogie, however, has not. Now faced with the discovery of a bloodied body, a flaming liquor store just off native land that sells millions of cans of beer a year to the native population, and his brother's ongoing self-destruction, Rudy goes on a quest to avenge himself, his family, and his culture and to seek justice. Written by
Sujit R. Varma
The crew would have to drive an hour each day since there was no local hotel or other infrastructure available. Three cars rolled travelling on gravel roads on the way to or from production. See more »
A drunken Mogie attempts to shoot a beer can with his shotgun as Rudy approaches. Near the end of the scene Mogie drops the shotgun and it discharges, hitting the beer can. Rudy picks up the shotgun and breaks open the chamber; there are however no spent shells evident in the shotgun. See more »
Thought-provoking, meaningful and sad commentary of reservation life
Chris Eyre is a genius. To be able to capture such poignant details of reservation life and convey it successfully to an audience is a work of art. His commitment to a quality product continues, as evidenced by his earlier movie SMOKE SIGNALS (1998).
Highly recommended. Solicit your local theaters to run this movie, as dissemination appears very limited. It will be well-worth your effort.
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