Directed by | |||
| Agustín Díaz Yanes | |||
Writing credits(in alphabetical order) | ||
| Agustín Díaz Yanes | ||
Produced by | |||
| Mariela Besuievski | .... | associate producer | |
| Eduardo Campoy | .... | producer | |
| Thierry Forte | .... | co-producer | |
| Mercedes Gamero | .... | associate producer | |
| Edmundo Gil | .... | executive producer (as Edmundo Gil Casas) | |
| Edmundo Gil | .... | producer (as Edmundo Gil Casas) | |
| Gerardo Herrero | .... | producer | |
| José Manuel Lorenzo | .... | associate producer | |
| Fernando Martín Sanz | .... | associate producer | |
| Paloma Molina | .... | line producer | |
| Andrea Occhipinti | .... | co-producer | |
| Tadeo Villalba hijo | .... | associate producer | |
Original Music by | |||
| Bernardo Bonezzi | |||
Cinematography by | |||
| Paco Femenia | |||
Film Editing by | |||
| José Salcedo | |||
Casting by | |||
| Beatriz Sequeira | (as Béatriz Sequeira) | ||
Production Design by | |||
| Javier Fernández | |||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| Montse Damas | .... | additional crowd makeup | |
| Manolo García | .... | hair stylist | |
| Whitney James | .... | makeup designer | |
| Ana Lozano | .... | makeup designer | |
| Antonio Panizza | .... | hair stylist | |
| Mamen Peña | .... | assistant hair stylist | |
| Pilar Ureña | .... | assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| Richard Diment | .... | second assistant director | |
| Juan Jiménez | .... | second assistant director | |
| Charlie Lázaro | .... | assistant director | |
Art Department | |||
| Gonzalo Ansó | .... | props | |
| Abraham Arias | .... | assistant art director | |
| Paco Calonge | .... | property master | |
| Raúl Fernández | .... | props | |
| Javier Mampaso | .... | assistant decorator | |
| David Muñoz | .... | props | |
| Nacho Ordás | .... | storyboard artist | |
Sound Department | |||
| Nacho Arenas | .... | assistant sound editor | |
| José Antonio Bermúdez | .... | sound re-recording mixer | |
| Álex F. Capilla | .... | assistant sound editor | |
| Diego Garrido | .... | sound mixer | |
| Patrick Ghislain | .... | foley mixer | |
| Pelayo Gutiérrez | .... | sound editor | |
| Fabio Huete | .... | boom operator | |
| Iván Mayoral | .... | adr recordist | |
| Julien Naudin | .... | foley artist | |
| Antonio Rodríguez 'Mármol' | .... | sound mixer | |
| Nacho Royo-Villanova | .... | sound editor | |
| Ricardo Viñas | .... | dolby sound consultant | |
Special Effects by | |||
| Carlos Martín | .... | special effects | |
| Pedro Moreno | .... | special effects | |
Visual Effects by | |||
| Nacho Cepero | .... | digital compositor | |
| Rafa Solorzano | .... | digital effects (as Rafael Solorzano) | |
| Juan Tomicic | .... | digital effects | |
| Carlos Trijueque | .... | digital compositor | |
Stunts | |||
| Silvia Carballo | .... | stunts | |
| Ignacio Carreño | .... | stunt coordinator | |
| César Martínez | .... | stunts | |
| Eduardo Moratilla | .... | stunt performer | |
| Veronica Perona | .... | stunt double | |
| Enrique Plata | .... | stunts | |
| Juan José Rodríguez | .... | stunts | |
| César Solar | .... | stunts | |
| Vanesa Uguina | .... | stunt double | |
Camera and Electrical Department | |||
| Fabrice Anut | .... | key grip | |
| Jorge Barros | .... | electrician | |
| Maurice Bricler | .... | grip | |
| Carlos Carcas | .... | second assistant camera | |
| Rafael García Martos | .... | gaffer | |
| Laurent Héritier | .... | gaffer | |
| Igor Iglesias | .... | video assist | |
| Teresa Isasi | .... | still photographer | |
| Valentin Monge | .... | Steadicam operator | |
| Jaime Rebato | .... | assistant camera | |
| Luis Alfonso Robles | .... | grip (as Alfonso Robles) | |
| Edmundo Sanz | .... | key grip | |
| Anselmo Villalba | .... | grip | |
Casting Department | |||
| Marta Velázquez | .... | casting coordinator | |
Costume and Wardrobe Department | |||
| Paco Delgado | .... | assistant costumer | |
| Carmen Mateos | .... | wardrobe | |
| Pepe Reyes | .... | assistant costumer | |
| Victoria Velázquez | .... | wardrobe | |
Editorial Department | |||
| Patricia Martínez | .... | assistant editor | |
| Rosa Ortiz | .... | assistant editor (as Rosa María Ortiz) | |
Other crew | |||
| María Alberich | .... | production secretary | |
| Javier Bellot | .... | publicist | |
| Fabio Diéguez | .... | animal trainer coordinator | |
| Elena Gil Nagel | .... | script supervisor | |
| Mimi Godard | .... | production coordinator | |
| Blanca Li | .... | choreographer | |
| Raquel Martín | .... | production assistant | |
| Javier Rubio | .... | production assistant | |
| Diego Sabanés | .... | production assistant | |
| Cristina San Cayo | .... | production coordinator | |
| François Vila | .... | press agent | |
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| Kings & Queen | Intermission | The Air I Breathe | Paris 36 | Babel |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Spain section |
Entertaining. Unique in style. It's a story about an angel from Heaven and a fallen angel from Hell who both compete over the soul of a boxer.
Penelope's role in this film is more of a far cry than in her previous roles. Normally, she is cast as a beautiful object of desire, as in Vanilla Sky, Captain Corelli's Mandolin, All the Pretty Horses and Woman on Top. She has even been cast as a slightly less-than-attractive, but still desired woman, as in Blow and Gothika. For the first time, Penelope Cruz is actually shot in an almost undesirable way in this film - even letting herself get beat up a couple of times. She does pull it off, and the film succeeds as an off-kilter dark comedy with that Hollywood "Heaven vs. Hell" factor added in.
It is worth it, if for nothing else, to see Penelope dance around her room "Travolta style" to the song "Kung-Fu Fighting".