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Directed by | |||
| Tom Dey | |||
Writing credits(WGA) | ||
| Jorge Saralegui | (story) | |
| Keith Sharon | (screenplay) and | |
| Alfred Gough | (screenplay) & | |
| Miles Millar | (screenplay) | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Thomas Kloss | (director of photography) | ||
Film Editing by | |||
| Billy Weber | |||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Jeff Mann | |||
Art Direction by | |||
| Geoff Hubbard | (as Geoffrey Hubbard) | ||
| David Sandefur | |||
Set Decoration by | |||
| Tessa Posnansky | |||
Costume Design by | |||
| Christopher Lawrence | |||
Makeup Department | |||
| Rena Andreoli | .... | makeup department head | |
| Enzo Angileri | .... | hair stylist | |
| Ilona Herman | .... | hair stylist: Mr. De Niro | |
| Ilona Herman | .... | makeup artist: Mr. De Niro | |
| Cathrine A. Marcotte | .... | hair stylist (as Catherine Marcotte) | |
| Vera Steimberg Moder | .... | makeup artist: Mr. Murphy (as Vera Moder) | |
| Stacey Morris | .... | hair stylist: Mr. Murphy | |
| Cheryl Ann Nick | .... | makeup artist (as Cheryl Nick) | |
| Shane Paish | .... | makeup artist | |
| Michelle Weiss | .... | hair department head | |
| Michelle Vittone | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Michael Amundson | .... | first assistant director: second unit | |
| Marcei A. Brown | .... | second assistant director (as Marcei A. Brubaker) | |
| Marisa Ferrey | .... | second second assistant director | |
| E.J. Foerster | .... | second unit director | |
| Jack Gill | .... | second unit director | |
| Evan Gilner | .... | assistant second second assistant director | |
| Josh King | .... | first assistant director | |
| Frederic Roth | .... | first assistant director: second unit (as Fred Roth) | |
| Jonathan Watson | .... | first assistant director: second unit | |
| Nicole Burke | .... | assistant director: second unit (uncredited) | |
| Nicole Burke | .... | second second assistant director (uncredited) | |
| Hilbert Hakim | .... | third assistant director (uncredited) | |
Art Department | |||
| Jonathan Bobbitt | .... | lead | |
| Robert J. Carlyle | .... | construction coordinator (as Robert Carlyle) | |
| Mike Carrillo | .... | assistant property master (as Mike Carillo) | |
| Peter C. Clarke | .... | property master (as Peter Clarke) | |
| Laura J. DeRosa | .... | art department coordinator | |
| Chuck Eskridge | .... | stand-by painter | |
| Randy Gunter | .... | assistant property master | |
| William Hiney | .... | set designer (as Bill Hiney) | |
| Gregory S. Hooper | .... | assistant art director (as Gregory Hooper) | |
| George Lee | .... | set designer (as George R. Lee) | |
| Randy Martens | .... | greens | |
| Nick Navarro | .... | set designer | |
| Enrico Paronelli | .... | paint foreman | |
| David Saltzman | .... | assistant property master | |
| Grant Sawyer | .... | on-set dresser | |
| Beck Taylor | .... | set designer | |
| Craig Bernatzke | .... | propmaker gangboss (uncredited) | |
| Jon Bush | .... | art department production assistant (uncredited) | |
| David Corral | .... | greensman (uncredited) | |
| Shannon Curfman | .... | set dresser (uncredited) | |
| Steven P. Duchscherer | .... | set dresser (uncredited) | |
| Jimmy Flores | .... | construction foreman (uncredited) | |
| Martin J. Gibbons | .... | welding supervisor (uncredited) | |
| William G. Hall | .... | labor foreman (uncredited) | |
| James R. Lord | .... | welder (uncredited) | |
| James F. Orendorff | .... | general foreman (uncredited) | |
| Franklin T. Perry | .... | propmaker (uncredited) | |
| Jamie Rama | .... | illustrator (uncredited) | |
| Wil Rees | .... | production illustrator (uncredited) | |
| David Scott | .... | graphic artist (uncredited) | |
| Gary Stel | .... | construction buyer (uncredited) | |
| Gary Thomas | .... | storyboard artist (uncredited) | |
Visual Effects by | |||
| Thad Beier | .... | technical supervisor: Hammerhead Productions | |
| Constance Bracewell | .... | CG supervisor: Hammerhead Productions | |
| Aliza Corson Chameides | .... | animator: Hammerhead Productions (as Aliza Chameides) | |
| Thomas Dadras | .... | animator: Hammerhead Productions | |
| Jamie Dixon | .... | visual effects supervisor: Hammerhead Productions | |
| Michelle Eisenreich | .... | visual effects producer: Hammerhead Productions | |
| Gilbert Gonzales | .... | animator: Hammerhead Productions | |
| Justin Jones | .... | animator: Hammerhead Productions | |
| Jacqueline Lopez | .... | visual effects producer (as Jacqui Lopez) | |
| Robert Lurye | .... | animator: Hammerhead Productions | |
| Joel Merritt | .... | animator: Hammerhead Productions | |
| Arek Komorowski | .... | digital artist (uncredited) | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title (uncredited) | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Susie Farris | .... | casting associate | |
| Kristan Berona | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Fetteroff Colen | .... | costumer: Mr. Murphy | |
| Deborah Myles Davis | .... | costumer | |
| Erik Lemoss | .... | costumer (as Erik Lemoss-Rettner) | |
| Kelly Lindquist | .... | costumer | |
| Tom Numbers | .... | costume supervisor | |
| Marcie Olivi | .... | costumer: Mr. De Niro (as Marci Olivi) | |
| Elaine Perlmann | .... | costumer (as Elaine Davis) | |
| Jean Rosone | .... | key costumer: second unit | |
| Deborah Slate | .... | costumer | |
| Lisa Wong | .... | costumer: second unit | |
| Valerie Zielonka | .... | costume supervisor | |
| Philip Maldonado | .... | costumer (uncredited) | |
| Robert Velasquez | .... | set costumer: second unit (uncredited) | |
Editorial Department | |||
| Gena Bleier | .... | first assistant editor | |
| Charles Bunn | .... | assistant editor | |
| Carlos M. Castillón | .... | post-production assistant (as Carlos Castillon) | |
| Mo Henry | .... | negative cutter | |
| Richard B. Molina | .... | assistant editor (as Richard A. Molina) | |
| David Orr | .... | color timer | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| David Bifano | .... | music score programmer | |
| Will Kaplan | .... | music editor | |
| Kenneth Karman | .... | music editor (as Ken Karman) | |
| Mark McKenzie | .... | orchestrator (as Mark Mckenzie) | |
| Michael McQuarn | .... | music supervisor | |
| Dennis S. Sands | .... | music score mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | score recordist (as Dennis Sands) | |
| Joel Sill | .... | music supervisor | |
| Alan Silvestri | .... | conductor | |
| Alan Silvestri | .... | orchestrator | |
| Jacqueline Tager | .... | assistant music editor (as Jacqui Tager) | |
| Anna D. Wilborn | .... | assistant music editor (as Anna Wilborn) | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
| George Doering | .... | musician (uncredited) | |
Transportation Department | |||
| Ted Basso | .... | production van driver operator | |
| Ron Poniewaz | .... | transportation captain | |
| John M. Woodward | .... | transportation coordinator (as John Woodward) | |
| Darrell Dubovsky | .... | driver (uncredited) | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
| Anthony S. Loguzzo | .... | picture car coordinator (uncredited) | |
| Rita Lundin | .... | transportation (uncredited) | |
| Thomas O'Donnell | .... | driver: production van (uncredited) | |
| Ron Poniewaz Jr. | .... | transportation captain (uncredited) | |
| Tom Sweeney | .... | transportation office administrator (uncredited) | |
| Jeff Woodward | .... | driver (uncredited) | |
Other crew | |||
| Heather Anderson | .... | staff assistant | |
| Raymond Bulinski | .... | craft service | |
| Joe Buscaino | .... | police technical advisor | |
| David Eastman Carey | .... | assistant: Mr. Dey (as Dave Carey) | |
| Robin Chambers | .... | assistant: Mr. De Niro | |
| Brian Clark | .... | set medic | |
| Jason Columbus | .... | staff assistant | |
| Chic Daniel | .... | police technical advisor | |
| Robert Dawson | .... | title designer | |
| Jan Dennehy | .... | production accountant (as Jan Dennehy-Deaton) | |
| Karen Dexter | .... | assistant: Mr. Dey | |
| Joel Elliott | .... | staff assistant | |
| Stephanie Fauger | .... | production coordinator: second unit (as Stephanie Jo Feiger) | |
| Kathleen Feeney | .... | assistant: Ms. Rosenthal (as Kate Feeney) | |
| S.J. 'JoJo' Fieger | .... | assistant production office coordinator | |
| Oscar J. Flores | .... | staff assistant | |
| Eric Glasser | .... | staff assistant | |
| Joanne S. Grant | .... | first assistant accountant | |
| Jemal Guillory | .... | support staff: Mr. Murphy (as Jemal D. Guillory) | |
| Shannon Hamed | .... | production coordinator | |
| Justin Haut | .... | production secretary | |
| Charisse M. Hewitt | .... | assistant: Mr. Murphy (as Charisse M. Hewitt-Webster) | |
| Desiree Horton | .... | helicopter pilot | |
| William James | .... | staff assistant | |
| Donnie Johnson | .... | support staff: Mr. Murphy (as Donnie R. Johnson) | |
| Keith Jones | .... | staff assistant | |
| Hanjo Kell | .... | helicopter pilot | |
| Luca Kouimelis | .... | script supervisor | |
| Susan B. Kreutz | .... | craft service (as Susan Kreutz) | |
| Natalie Lieberman | .... | assistant: Mr. Saralegui | |
| Meghan Lyvers | .... | assistant: Ms. Rosenthal | |
| Tali Mansfield | .... | assistant production coordinator: second unit | |
| Jonas C. Matz | .... | production medic | |
| Saveria T. Mazzola | .... | production associate | |
| Elion Olson | .... | staff assistant | |
| Richard G. Orozco | .... | staff assistant | |
| William Ostroff | .... | staff assistant (as Bill Ostroff) | |
| John Panzarella | .... | location manager | |
| Alan D. Purwin | .... | helicopter pilot (as Alan Purwin) | |
| Daisy Schwartz | .... | assistant: Mr. De Niro | |
| Heide Schwartz | .... | assistant: Ms. Russo | |
| Julie Shack | .... | staff assistant | |
| Deborah Simmrin | .... | publicist | |
| Ben Skorstad | .... | helicopter pilot | |
| Kelli Sturges | .... | staff assistant | |
| Nicole Terry | .... | assistant: Mr. Saralegui | |
| Thomas Terry | .... | helicopter pilot | |
| Beth Theriac | .... | assistant: Mr. Mcleod | |
| Leslie Thorson | .... | location manager | |
| Kenny Vasquez | .... | staff assistant | |
| Randy Webster | .... | support staff: Mr. Murphy (as Randy L. Webster) | |
| Rick Wheeler | .... | helicopter pilot | |
| Larry Zanoff | .... | gun handler | |
| Crisoforo Aguilar | .... | additional set production assistant (uncredited) | |
| Robert Alonzo | .... | fight choreographer (uncredited) | |
| Lori A. Balton | .... | location scout (uncredited) | |
| Joanie Blum | .... | script supervisor (uncredited) | |
| Sara Burton | .... | location scout (uncredited) | |
| Kevin A. Canamar | .... | medic: second unit (uncredited) | |
| Matthew Cassel | .... | assistant location manager (uncredited) | |
| Cory Cate | .... | set production assistant: second unit (uncredited) | |
| Steve Clayton | .... | set security (uncredited) | |
| Anna L. Coats | .... | assistant location manager (uncredited) | |
| Michael Crawford | .... | post-production accountant (uncredited) | |
| John Martin Davis | .... | set production assistant (uncredited) | |
| Natalie Ferrara | .... | file clerk (uncredited) | |
| Greg Gabel | .... | accounting clerk (uncredited) | |
| Dan Gorman | .... | location scout (uncredited) | |
| Jane E. Graves | .... | assistant location manager (uncredited) | |
| Chris Gutierrez | .... | location manager (uncredited) | |
| Marc W. Havener | .... | set production assistant (uncredited) | |
| Jean Hodges | .... | food stylist (uncredited) | |
| John Humber | .... | production assistant (uncredited) | |
| Kenneth Hunter | .... | location scout (uncredited) | |
| Patrick G. Ingram | .... | medic: construction (uncredited) | |
| David O. Krupnick | .... | set medic (uncredited) | |
| Alexis Loughran | .... | assistant: Mr. De Niro (uncredited) | |
| Harry Lu | .... | armorer: second unit (uncredited) | |
| Huey Redwine | .... | stand-in (uncredited) | |
| Steffen Schlachtenhaufen | .... | production assistant: second unit (uncredited) | |
| Lou Sumien Jr. | .... | projectionist (uncredited) | |
| Donna Tegan | .... | additional set production assistant (uncredited) | |
| Kim Thio | .... | construction medic (uncredited) | |
| David Van Dam | .... | assistant location manager (uncredited) | |
| W. Kale Whorton | .... | production assistant (uncredited) | |
| Lisa Womble | .... | production assistant (uncredited) | |
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| Bad Boys II | Beverly Hills Cop | Lethal Weapon 2 | Bad Boys | Gone in Sixty Seconds |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
When Detective Mitch Preston is filmed while trying to catch a criminal using a powerful new gun, he loses his patience and shoots the camera. Seeing the public reaction to this bad cop image, TV producer Chase Renzi makes a deal to drop the civil case against the precinct in exchange for Preston being the focus of a new cop reality show. The search for a partner draws the attention of actor-wannabe Officer Trey Sellars; Preston dislike and contempt for Sellars makes him the first choice to be his partner and the two find themselves lumbered together in the show. However, this is reality television and very soon the reality of a criminal with a powerful and deadly new weapon at his disposable raises the stakes beyond what even the network could have hoped for.
When I went to hire a video to watch for a night in, I was in a rush but was told at the counter that I could get one more out under their deal and actually save a pound so I just grabbed the nearest film with no intention of watching it. That film was Showtime and funnily enough it was the film out of the selection that I ended up watching. 'Why?' you might ask 'did you watch the only one you didn't pick?'. Well, it was a lazy and chilling Friday night in and Showtime pretty much delivers just what I needed by being quite fun but never once causing you to think or really engage your brain by being original or clever. The plot is basically the standard mismatched buddy stuff and the actual crime story is merely the set up and something that allows the story to have an ending to speak of. As a buddy cop movie it does nothing new at all but still manages to be fun even if it doesn't really have anything approaching big consistent laughs. Many viewers will be annoyed, considering what a high profile movie it is, that it just trundles along the tired old clichés and jokes but others will find it forgettable and basic fun I supposed it depends on your mood and you expectations.
The cast is maybe part of the reason expectations would be high since both have had some success with the mismatched buddy genre before (Midnight Run and, to a lesser extent, Beverly Hills Cop). De Niro is always watchable but he is very much on autopilot here, plying his usual moody self without ever giving an indication that he was doing more than taking money and aiming for an easy popular hit. Murphy also wheels out his usual shtick with sub-BHC banter and 'that' laugh. Together they manage to have just enough energy and natural screen presence to make a mark despite the tired material but really they have both been much better elsewhere. Russo has nothing to do and is really just a distraction in a role that could have been better served with a less well-known actress in it. The cameos are mixed and this is best demonstrated by the presence of Mos Def and Wiliam Shatner. Mos Def offered me hope because he is so often the best thing in average films; sadly here he was boring and I was surprised he had taken such an uninteresting role. Shatner however is much better and steals the film from the other stars in his scenes as he wonderfully sends himself and TJ Hooker up.
Overall this is far from being a great film, despite the budget and big name actors involved. It is unoriginal, lazy and rather uninspiring, however this is not to say that it is not some degree of simple fun to watch if the genre weren't then they would have stopped kicking them out some time ago. If you approach it in the mindset of looking for basic entertainment with no real expectations on it then you should enjoy it, however if you think that it will rise above the pack solely on the basis of being a high profile film then think again and approach with caution.