LAPD Detective Sergeant Mitch Preston cares only about doing his job and nailing crooks. LAPD Patrol Officer Trey Sellars joined the force as a day job until his acting career took off. During an undercover drug buy Mitch was working that Trey botched by calling in for backup and drawing media attention, Mitch's partner is shot with a very exotic 12-gauge automatic weapon; Mitch then shoots the video camera out of the hands of a reporter filming the action when the cameraman refused to shut it down. Faced with a $10 million lawsuit, the department agrees to let producer Chase Renzi film Mitch's investigation for a new reality TV show, and constantly tries to make everything more "viewer friendly" by changing everything about Mitch's life to fit the stereotypical view of police officers--and partners him with Trey.
Written by Jeff Cross <blackjac_1998@yahoo.com>
A Russian SAIGA auto-shotgun that appeared in the film was later heavily modified into Jayne Cobb's "Callahan Fullbore Autolock, with the customized trigger and double cartridge thorough-gage" for the short running Firefly Series. Her name was Vera.
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Goofs
Crew or equipment visible:
In the beginning of the movie when Trey is following Preston and thinks he is a bad guy, Trey crouches behind Preston's car the license plate is dark and suddenly it gets bright as if someone turned on a light.
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Quotes
William Shatner:
[advising Trey on how TV cops taste drugs]
You spear the knife into the bag... then pick some of the drugs up with the knife... then lightly press it on your tongue. And that is how TV cops taste drugs! Detective Mitch Preston:
What if it's cyanide? There's a reason real cops don't taste drugs. See more »
Crazy Credits
After all the credits, there are some 'confessional' scenes with Murphy's
character, talking about DeNiro's.
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