6.0/10
1,008
53 user 29 critic

Charlotte Sometimes (2002)

Michael, a young mechanic, is forced to choose between a daring tryst with an alluring stranger and the habitual comfort of his bittersweet obsession: his beautiful young tenant.

Director:

Writers:

(screenplay), (story) | 1 more credit »

On Disc

at Amazon

3 wins & 2 nominations. See more awards »
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Cast

Credited cast:
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Darcy / Charlotte
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Lori
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Michael (as Michael Idemoto)
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Justin
Shizuko Hoshi ...
Aunt
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Annie
Rest of cast listed alphabetically:
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Jason on TV
...
Nightclub Owner
Andrew J. Turner ...
Andrew
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Storyline

Michael, a young mechanic, is forced to choose between a daring tryst with an alluring stranger and the habitual comfort of his bittersweet obsession: his beautiful young tenant.

Plot Summary | Add Synopsis

Taglines:

Sometimes the truth is in the lie.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content and some language

Parents Guide:

 »
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Details

Official Sites:

|

Country:

Language:

| |

Release Date:

11 March 2002 (USA)  »

Also Known As:

Duplex  »

Filming Locations:

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Box Office

Budget:

$80,000 (estimated)

Opening Weekend:

$3,284 (USA) (2 May 2003)

Gross:

$83,500 (USA) (4 July 2003)
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Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

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Did You Know?

Trivia

The title of the film is taken from a song by The Cure. See more »

Connections

Featured in The 2003 IFP Independent Spirit Awards (2003) See more »

Soundtracks

My Women, My Guitars
Written and Performed by Cody ChesnuTT
By Arrangement with Ready Set Go!
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User Reviews

 
an excellent film, worth tracking down
13 March 2004 | by (Chapel Hill, NC, USA) – See all my reviews



Oft-remarkable, the lone flaw here is its' energy level - with very impressive performances, and through great use of shadows and silences, CHARLOTTE SOMETIMES often generates an unforgettable tension, but this isn't sustained effectively 100% of the time. Aside from this complaint, this is a fantastic film - subtle in its' story, the characters reveal themselves slowly, and come across as real people, with some very real dysfunctions. Eric Byler's direction is careful, measured and free of gimmicks; and the story is notable as a story with an Asian-American cast that isn't about ethnicity, but instead zeroes in on general human dilemmas. A striking and strong debut (and a GREAT model for non-white American filmmakers), this film is worth seeking out.


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