A story told quietly of Vincent a welder at a large and seemingly toxic plant along the Rhône, living in a village with his sons, wife, and mother, saying little to each other. Vincent ... See full summary »
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »
Radio commentator, Thomas Bach, runs for the U.S. Senate in Minnesota. Through a circumstance, he ends up in the middle of L.A.'s brutal homeless community. What he does with his new awareness is pitted against the forces. of security.
Young woman who lives under the gaze of her overprotective stepmother falls for a young man she meets. He is infatuated by her beauty, but is also a sociopath. She wants to leave her stepmother's hold and he is ready to kill.
At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They ... See full summary »
A story told quietly of Vincent a welder at a large and seemingly toxic plant along the Rhône, living in a village with his sons, wife, and mother, saying little to each other. Vincent paints; some of what he sees is artifice. The sounds are of trains, boats, factory horns, and people singing. Men watch women, sometimes priests join in the looking, sometimes not. A crocodile appears in a garden. With money his father gives him, Vincent takes a journey to Venice. He sees the city from a roof top, the view is a gift from a friend. One of his sons hang-glides with a girl friend. Vincent comes home to go back to work. What is it to taste wine and to be alive? Written by
This film is such a rare mixture of place, character and time that one element seems never to upstage the other. The blend is unique and evolves into an organic presentation where each is essentially dependent upon the other. For example,scenes are so impeccably designed that a scene itself becomes a character in time. The blue car, the mud shoes, the factory, the bikes, the flowers, and so on all fit into a carefully crafted philosophical whole which defines temporal existence. This is true of other like scenes, such as the city of Venice or living conditions of the transvestite hatcheck person with the two pet Norway rats. The characters fit perfectly into each scene in the same way that the subjects of Norman Rockwell fit into his paintings. Time becomes the cultural lag which slows down everything, from the chemical factory workers to the boatmen in Venice. Even the most absurd scenes flow into a gentle homogenaity. "Where did you get the crocodile?" Vincent asks his young son as if he were inquiring about an ice cream cone. In the final analysis, Monday Morning is the nonviolent triumph of humanity over contemporary absurdity.
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