A story told quietly of Vincent a welder at a large and seemingly toxic plant along the Rhône, living in a village with his sons, wife, and mother, saying little to each other. Vincent ... See full summary »

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Cast

Cast overview, first billed only:
Jacques Bidou ...
Vincent
Anne Kravz-Tarnavsky ...
La femme de Vincent
Narda Blanchet ...
La mère de Vincent
Radslav Kinski ...
Le père de Vincent
Dato Tarielachvili ...
Nicolas, l'aîné de Vincent (as Dato Tarielashvili-Iosseliani)
Adrien Pachod ...
Gaston, le cadet de Vincent
Pascal Chanal ...
Michel, le voisin
Myriam Laidouni-Denis ...
La femme de Michel
Laura-Kay Monnet ...
La fille de Michel
Nicolas Ponthus ...
Le fils de Michel
Pierre Tricaud ...
Le père de Michel
Armand Chagot ...
Le frère de Michel
Vincent Douhadji ...
Le fermier
Anne-Jacqueline Bousch ...
La bonne
Anna Flori-Lamour ...
L'amie de Nicolas (as Anna Lamour-Flori)
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Storyline

A story told quietly of Vincent a welder at a large and seemingly toxic plant along the Rhône, living in a village with his sons, wife, and mother, saying little to each other. Vincent paints; some of what he sees is artifice. The sounds are of trains, boats, factory horns, and people singing. Men watch women, sometimes priests join in the looking, sometimes not. A crocodile appears in a garden. With money his father gives him, Vincent takes a journey to Venice. He sees the city from a roof top, the view is a gift from a friend. One of his sons hang-glides with a girl friend. Vincent comes home to go back to work. What is it to taste wine and to be alive? Written by <jhailey@hotmail.com>

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Genres:

Comedy | Drama | Romance

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Release Date:

20 February 2002 (France)  »

Also Known As:

Montag morgen  »

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User Reviews

 
So typically French!
9 June 2005 | by (United Kingdom) – See all my reviews

This just popped up on BBC 4, a digital station in the UK and the review tempted me. Had no really idea what it was all about but was fascinated throughout. The French know how to let a movie take its course without heavy editing and cutting. Very little dialogue yet you sink straight into the rut and routine of life in a tiny French village; and then the contrast of the romance of Venice. The characters are well defined, and I loved the way the family children looked after the grandparents, while the husband - the central character - seemed to live just for his cigarettes. The realisation that working life is much the same anywhere sent him home where he's received as if he'd never been gone! Anyone who's seen "Etre & Avoir" will feel right at home with this.


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