In the near future a young biker leaves his crumbling life in rural Ireland to join a strange 'metal circus' as it tours the cities of Europe. He discovers a dark side to the circus and ... See full summary »

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Cast

Cast overview, first billed only:
...
Killer
...
Spider
Lindsey Harris ...
Grace
Tommy O'Neill ...
Alf
Phelim Drew ...
Aspro
Caitríona Ní Mhurchú ...
Tríona
Tara Lynne O'Neill ...
Marie
Donncha Crowley ...
Dr. Haze (as Donnacha Crowley)
Vawn O'Neill ...
Fire Eater
...
Jose
Jay Ledesama ...
Axel
Ciaran Bagnal ...
Max
Elvis Sebastian ...
Elvis
Deborah Davis ...
Burning Woman (as Debbie Davis)
Colm O'Maonlai ...
Barry the Factory Manager
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Storyline

In the near future a young biker leaves his crumbling life in rural Ireland to join a strange 'metal circus' as it tours the cities of Europe. He discovers a dark side to the circus and decides to leave, but finds he is caught between his love of a circus girl and the dark hand of the boss who is determined he stays. Written by Anonymous

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Plot Keywords:

f rated | post apocalypse | See All (2) »

Genres:

Sci-Fi

Motion Picture Rating (MPAA)

Rated R for violence, language and drug content

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Release Date:

26 September 2002 (Sweden)  »

Also Known As:

Death Games  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$2,676 (USA) (29 August 2003)

Gross:

$204,274 (USA) (7 September 2003)
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Did You Know?

Connections

References The Maltese Falcon (1941) See more »

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User Reviews

 
Hmmm... right
14 October 2002 | by (Cork, Ireland) – See all my reviews

When I saw the opening scenes of this movie I thought it was going to be a classic but as the increasingly preposterous plot unfolded i grew disillusioned. It's admirable in that, like _Alphaville_, _Zardoz_ and _minority report_ it tries to create a vision of the future that doesn't rely on Trickery, but it's view of where the current fascination with extreme sports might take us is seriously ill-judged. The plot is so full of holes that one often gets the impression that it was being made up as it went along.

It's a pity, because there's some beautiful cinematography and some imaginative use of location, and a genuine interest in the consequences of European integration for Ireland


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