| Videos (see all 2) |
| Sheryl Lee | ... | Elinore Murphy (as Sheryl Lee Diamond) | |
| Christopher McDonald | ... | Speedy Thorne | |
| Tom Arnold | ... | Lionel Quince | |
| Joe Pichler | ... | Billy Bob Murphy | |
| Tania Raymonde | ... | Lily Jane Bobbit | |
| Jesse Plemons | ... | Preacher Star | |
| Phyllis Frelich | ... | Mrs. Bobbit | |
| Brazhal Brewer | ... | Rosalba Cat | |
| Marilyn Dodds Frank | ... | Mrs. Quince | |
| Ritch Brinkley | ... | Acey Trump | |
| Lucina Paquet | ... | Mrs. Sawyer | |
| Paul Quaintance | ... | Pastor Williams | |
| Caitlin Collins | ... | Janice | |
| Emily Clibourn | ... | Cora Mae | |
| Cynthia Baker | ... | Ada Willingham (as Cynthia Barker) | |
| Weston Mueller | ... | Butch Star | |
| Phillip Dawkins | ... | Bubba Star | |
| John Judd | ... | Jeb | |
| Joe Van Slyke | ... | Mr. Dixon | |
| Freeman Coffey | ... | Mr. Cat | |
| Lettie Frances Walton | ... | Mrs. Cat | |
| Bobby Harrison | ... | Army Captain | |
| Tom Brainard | ... | Comedian | |
| Lara Myrene | ... | Judy Garland Impersonator (as Lara Immerman) | |
| Susan Coolidge | ... | Cowgirl Singer | |
| Don Groves | ... | College Quartet | |
| Erin Guinn | ... | College Quartet | |
| Jessica Medoff | ... | College Quartet | |
| Leslie Whistler | ... | College Quartet | |
| Harve Kolzow | ... | Domino Player | |
| Frank Novak | ... | Domino Player | |
| Rachel Harrison | ... | Captain's Sweetheart | |
| Alexander Piccolo | ... | Malcolm Doralle | |
| Kyran Hicks | ... | Brother of Rosalba Cat | |
| Khallid Shabazz | ... | Brother of Rosalba Cat | |
| Evelyn Linford | ... | Ballet Dancer | |
| Natalie Higgins | ... | Baton Twirler | |
| Michael Bunchman | ... | Talent Show Pianist | |
| Debra Marks | ... | Annoyed Woman In Audience | |
| Barbara Bushman | ... | Flower Show Judge | |
| Susan Donahue | ... | Flower Show Judge | |
| John Madden | ... | Flower Show Judge | |
| rest of cast listed alphabetically: | |||
| Mark G. Pavuk | ... | Angry Church Patron | |
| Megan Frances | ... | Churchgoer / Flower Show Contestant (uncredited) | |
| Lisa Marie Quillinan | ... | Churchgoer (uncredited) | |
Directed by | |||
| Mark Medoff | |||
Writing credits(in alphabetical order) | ||
| Truman Capote | short story | |
| Douglas Sloan | ||
Produced by | |||
| Howard Baldwin | .... | executive producer | |
| Karen Elise Baldwin | .... | executive producer (as Karen Baldwin) | |
| Billy Higgins | .... | co-producer | |
| William J. Immerman | .... | producer | |
| Ginger T. Perkins | .... | producer | |
| Paul Pompian | .... | executive producer | |
| Ray Simmons | .... | associate producer | |
| Nick Zuvic | .... | line producer: second unit | |
Original Music by | |||
| J.D. Hinton | |||
| Ross Vannelli | |||
Cinematography by | |||
| Steven Shaw | |||
Film Editing by | |||
| Sidney Levin | |||
Production Design by | |||
| Gary Baugh | |||
Art Direction by | |||
| Angel Acosta | |||
Set Decoration by | |||
| Lisa Wolff | |||
Costume Design by | |||
| Jay Hurley | |||
Makeup Department | |||
| Lisa Jelic | .... | makeup artist | |
| Aimee Lippert-Bastian | .... | assistant makeup artist | |
| Dominic Mango | .... | key hair stylist | |
| Tony Mirante | .... | assistant hair stylist | |
| Suzi Ostos | .... | key makeup artist | |
| Vicki Vacca | .... | additional makeup artist | |
| Chip Williams | .... | assistant makeup artist | |
Production Management | |||
| Billy Higgins | .... | unit production manager | |
| Barrett Taylor | .... | post-production supervisor | |
| Mike Vogler | .... | production supervisor | |
Art Department | |||
| Anthony Barracca | .... | lead man | |
| J.D. McCarthy | .... | set dresser | |
| Robert R. Volpe | .... | props (as Bob Volpe) | |
| Rob Yale | .... | assistant property master | |
Sound Department | |||
| Gary Alexander | .... | supervising sound re-recording mixer | |
| Jake Collins | .... | sound mixer | |
| Lisa Hannan | .... | sound editor | |
| Robert L. Harman | .... | sound effects | |
| Robert L. Harman | .... | sound re-recording mixer | |
| Allen Hurd | .... | sound recordist | |
| Rod O'Brien | .... | supervising sound editor | |
| Dave Rowe | .... | sound editor | |
| Ken Strain | .... | boom operator: second unit | |
| Stephen Tibbo | .... | sound mixer: second unit | |
| Patrick Giraudi | .... | sound editor (uncredited) | |
Visual Effects by | |||
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title (uncredited) | |
Stunts | |||
| Tobiasz Daszkiewicz | .... | stunt bus driver | |
| James Fierro | .... | stunts | |
| Rick Le Fevour | .... | stunt coordinator | |
| Tom Lowell | .... | stunts | |
| Jeff Marchluk | .... | stunts | |
| Deborah L. Mazor | .... | stunts | |
| Natalie M. Meyer | .... | stunt double | |
| Sean R. Padlo | .... | stunt double | |
| Brian Peters | .... | stunts | |
| Daniel Maldonado | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Thomas S. Ciciura | .... | additional assistant camera | |
| Bob Gomez | .... | best boy electric | |
| Faires A. Sekiya | .... | camera operator: "a" camera (as Faires Anderson) | |
| Dean M. Simmon | .... | first assistant camera: "a" camera, Steadicam | |
| Alan Thatcher | .... | camera operator | |
| Billy Wauer | .... | electrician | |
Casting Department | |||
| Jane Alderman | .... | casting: Chicago | |
| Darlene R. Hunt | .... | extras casting associate | |
| Mark A. Ridge | .... | extras casting | |
Costume and Wardrobe Department | |||
| Andrea E. Weaver | .... | assistant costume designer | |
Editorial Department | |||
| Lee Wimer | .... | color timer | |
Music Department | |||
| Jay Bolton | .... | music editor | |
| Susan Coolidge | .... | composer: additional music | |
| Christopher S. Parker | .... | music clearance | |
Transportation Department | |||
| Michael R. Cairo | .... | driver | |
Other crew | |||
| Bob Beltz | .... | special advisor | |
| Tom Brainard | .... | production associate | |
| Jennifer Byrne | .... | assistant production office coordinator | |
| John Chisholm | .... | studio teacher | |
| Susan Coolidge | .... | stand-in | |
| James Currie | .... | production secretary | |
| Jennifer Deigl | .... | production assistant | |
| Larry Donahue | .... | caterer | |
| Joseph R. Fitzgerald | .... | production assistant | |
| Johan Gros | .... | production accountant | |
| TJ Martin | .... | stand-in | |
| Pat McCarthy | .... | production coordinator | |
| Sean R. Padlo | .... | stand-in | |
| Lisa Marie Quillinan | .... | office production assistant/runner | |
| Maria C. Roxas | .... | location manager | |
| Nancy Sandberg | .... | senior consultant: film production | |
| Heather Sharpe | .... | production assistant | |
| Peter F. Smith | .... | craft service | |
| Monica Timmel | .... | stand-in | |
| Mark Joseph | .... | marketing (uncredited) | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
Somewhere, in an alternate reality, it could be possible for a 13-year-old girl to have the wisdom of a Socrates, the social awareness of a Martin Luther King, the vocabulary and diction of a college professor, and the grace and beauty of an Audrey Hepburn. On the other hand, putting adult lines in the mouth of a child is usually done for satire. Situation comedies often depend for their gags on having kids speak smart-alecky lines. Hearing wisecracks from a kid that no kid would ever think of makes us laugh, and that's why the formula works. In this case, however, it isn't a comedy, and the lines written for the child are not intended to be amusing.
Of course, no such alternate world exists, but what if it did? And what if such a girl turned up in the reality of a small southern town circa 1947? She would be as foreign and alien to that locality as if she had come from another universe, and in that sense becomes a kind of allegorical figure of redemption. It is presented as a "coming of age" film, but this is not just a story about the normal agonies of growing up. There is a "Twilight Zone" quality to the character of the girl. There are two boys who are "supposed" to be her age, and hence there is a sub-plot concerned with their feelings for her. But psycho-emotionally she is light-years more mature than they, and that is a point most reviewers seem to miss. It isn't so much about youth growing up over a case of first love, but a myth about a daughter of the gods sojourning among the mortals for a season.
Truman Capote, who wrote the original short-story from which this film was adapted, was something of a heretic, and it is tempting to speculate on what the screenwriter might have been thinking in regard to this character. For example: What if Jesus came back in 1947 in the form of a little girl? Wouldn't "that" be a surprise? Not that there is anything about the story to suggest such a "religious" quality, but the character of the girl is clearly mythical in comparison to her alleged contemporaries. She comes into town mysteriously, there are miraculous events associated with her actions, she is wise beyond her years and even the elders are astonished by her words. It is a different story, and a pretty good one as well.