| David Caruso | ... | John Hawkins | |
| Susan Haskell | ... | Natalie Travis | |
| Thomas Ian Griffith | ... | Gus Travis | |
| Gordon Tootoosis | ... | Standing Bear | |
| Miguel Sandoval | ... | Malcolm | |
| Eileen Pedde | ... | Lisa | |
| Alex Bruhanski | ... | Fred | |
| Travis MacDonald | ... | Eddy (as Travis Macdonald) | |
| Shawn Reis | ... | Logan | |
| Mike Dopud | ... | Ray | |
| Gus Lynch | ... | Mike | |
| John Tench | ... | Kevin | |
| Allee Friend | ... | Gabrielle | |
| Christopher R. Sumpton | ... | Homeless Man (as Christopher Sumpton) | |
| Daryl Shuttleworth | ... | Fed #1 | |
| Anthony Ulc | ... | Bar Thug | |
| Marc Baur | ... | Bartender | |
| Drew Reichelt | ... | Forensics | |
| Don House | ... | Dr. Glassman | |
| Elizabeth Bowen | ... | Nurse | |
| Colin Lawrence | ... | Patrolman | |
| Darryl Quon | ... | Bodyguard (as Daryl Quonn) | |
| Randy Lee | ... | Bodyguard | |
| Gail Gus | ... | Standing Bear's Date | |
| rest of cast listed alphabetically: | |||
| Patrick J. Phillips | ... | Dale McIntyre (uncredited) | |
| Bethoe Shirkoff | ... | Elderly Lady (uncredited) | |
Directed by | |||
| David Mackay | |||
Writing credits(WGA) | ||
| Thomas Ian Griffith | (written by) & | |
| Greg Mellott | (written by) | |
Produced by | |||
| David Bixler | .... | executive producer | |
| Raymond Massey | .... | producer | |
| André Paquette | .... | executive producer | |
Original Music by | |||
| Terry Frewer | |||
Cinematography by | |||
| Stephen McNutt | (director of photography) (as Stephen F. McNutt) | ||
Film Editing by | |||
| Bret Marnell | |||
Casting by | |||
| Audrey Skalbania | |||
| Julia Verdin | |||
Production Design by | |||
| Jason Sutherland | |||
Art Direction by | |||
| Murray Gilmour | |||
Set Decoration by | |||
| Katherine Reynolds | |||
Costume Design by | |||
| Patricia Hargreaves | |||
Makeup Department | |||
| Lori-Ann Gatto | .... | hair stylist: second unit | |
| Janie MacKay | .... | assistant hair stylist (as Janie Mackay) | |
| Hayley Miller | .... | makeup department head | |
| Lee Novak | .... | hair stylist | |
| Lori Pinsky | .... | assistant makeup artist | |
Production Management | |||
| Amy Krell | .... | post-production supervisor (as A. 'Speedy' Krell) | |
| Barbara Ann Schoemaker | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tyler Kehl | .... | trainee assistant director | |
| Bryan C. Knight | .... | additional first assistant director (as Bryan Knight) | |
| Michael Maitland | .... | second assistant director: second unit | |
| Martin Pedersen | .... | second assistant director | |
| David W. Rose | .... | first assistant director (as David Rose) | |
| Judy Slattery | .... | first assistant director: second unit | |
| Pamela Wintringham | .... | third assistant director (as Pam Wintringham) | |
Art Department | |||
| Rob Dampier | .... | lead carpenter | |
| Louise DeGagne | .... | lead painter (as Louise Degagne) | |
| David Dowling | .... | property master | |
| Troy Eirich | .... | on-set props (as Troy Erich) | |
| Liz Elves | .... | set dresser | |
| Ines Hanl | .... | painter | |
| Kelly Holst | .... | greensman | |
| Jeff Jordan | .... | carpenter | |
| Jesse Joslin | .... | construction coordinator | |
| Tyler Kehl | .... | on-set dresser | |
| Gordon Bud Lancaster | .... | head painter (as Gordon Lancaster) | |
| Cody Larson | .... | set dresser | |
| Shannon Lightfoot | .... | carpenter | |
| Sarah Martin | .... | assistant set decorator | |
| Taron Morton | .... | on-set dresser | |
| Joy Munt | .... | lead dresser | |
| Dawn Oldershaw | .... | carpenter | |
| Tyler Page | .... | lead props | |
| Michelle Pitney | .... | lead dresser | |
| Gord Propp | .... | carpenter (as Gordon Propp) | |
| Daryl Schron | .... | set dresser | |
| Lisah Smith | .... | set dresser (as Lisah Robyn Smith) | |
| Jon Swift | .... | set dresser | |
| Sharon Thompson | .... | assistant art director | |
| Anthony Ulc | .... | carpenter | |
| Steve Vandenmaagdenberg | .... | painter | |
Sound Department | |||
| Wendy Czajkowsky | .... | adr mixer | |
| Wendy Czajkowsky | .... | dialogue editor | |
| Thom 'Coach' Ehle | .... | stereo sound consultant: Dolby | |
| Perry Fifield | .... | sound re-recording mixer | |
| Matt Gillard | .... | foley recordist | |
| Greg Hewett | .... | cableman | |
| Ian Daniel Jones | .... | boom operator: second unit (as Ian Jones) | |
| Randy Kiss | .... | sound re-recording mixer | |
| Bradley Kita | .... | boom operator (as Brad Kita) | |
| Scott C. Kolden | .... | supervising sound editor | |
| James Kusan | .... | production sound mixer | |
| Curtis Nickerson | .... | adr recordist | |
| Alan Perkins | .... | dialogue editor | |
| Scott Schmidt | .... | foley mixer | |
| Trent Stewart | .... | sound mixer: second unit | |
| Geoff Turner | .... | sound re-recording mixer | |
Special Effects by | |||
| Terence J. Cox | .... | special effects third (as Terry Cox) | |
| Chris Hamilton | .... | best boy effects | |
| David Paller | .... | special effects second (as Dave Paller) | |
| Robert Paller | .... | special effects supervisor (as Rob Paller) | |
Stunts | |||
| Phil Chiu | .... | stunt performer | |
| Mike Crestejo | .... | stunt performer (as Mike Crestjo) | |
| Garvin Cross | .... | stunt performer | |
| Glenn Ennis | .... | stunt double: 'John' (as Glen Ennis) | |
| Shishir Inocalla | .... | stunt performer | |
| Yvette Jackson | .... | stunt double: 'Natalie' | |
| Brad Loree | .... | stunt double: 'Gus' | |
| Gerald Paetz | .... | stunt double: 'John' | |
| Ray Pichette | .... | stunt performer | |
| David Soo | .... | stunt performer | |
| Heath Stevenson | .... | stunt performer | |
| Rene Van Hullebush | .... | stunt performer (as Renee Vanhullebush) | |
| Luke Waidmann | .... | stunt performer | |
| Owen Walstrom | .... | stunt coordinator | |
| Phillip Mitchell | .... | stunts (uncredited) | |
| Darryl Quon | .... | stunt actor (uncredited) | |
Casting Department | |||
| Jenny Glenmark | .... | casting assistant: USA | |
| Annie Klein | .... | extras casting | |
| Bill Kravitz | .... | casting assistant: USA | |
| Jared Valentine | .... | casting associate | |
Costume and Wardrobe Department | |||
| Zoe Dominiak | .... | costumes: second unit | |
| Zoe Dominiak | .... | wardrobe assistant (as Zoe Dominak) | |
| Brenda McDermid | .... | costume set supervisor | |
| Keith Parent | .... | assistant costume designer (as Keith A. Parent) | |
| Meg Ross | .... | truck costumer | |
Editorial Department | |||
| Jesse Miller | .... | first assistant editor | |
| Dana Neville | .... | color timer | |
Music Department | |||
| Clinton Shorter | .... | music recording engineer | |
Transportation Department | |||
| Don Bell | .... | transportation coordinator: second unit | |
| James Duncan | .... | driver: cast | |
| Greg Farmer | .... | transportation coordinator | |
| Bob Flynn | .... | driver: cast | |
| Sue Mara | .... | driver: cast | |
| Clint Wilcox | .... | transportation captain | |
| Geoff Williams | .... | transportation co-captain | |
| Larry Yampolsky | .... | transportation coordinator: second unit | |
|
|
|
|
|
| The Departed | The Dark Knight | Swiri | Machete | Munich |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Canada section |
I saw this DVD at the store and decided to give it a shot. And on a quiet Wednesday night, it provided some good entertainment, though I must admit to being a David Caruso fan since his days on NYPD Blue.
It is not a major motion picture. It is a small story about a broken man and how he is pulled to even lower depths by criminal figures. In many ways it reminded me of the John Sayles picture "Limbo". Though that film played a bit less overly dramatic, many of the themes were the same.
Caruso has a good supporting cast here, and I thought the editing lent quite a bit to the plot line which is full of questionable realities, and flashbacks.
The script has some unfortunate moments were the goings on just don't seem plausible. The Ice block/neck noose scene being a fine example.
But nevertheless, as the credits began to roll, I found that I had been drawn in to the story. I had rooted for the characters, and in the end I was not disappointed that I had paid a few bills to see this flick.