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Directed by | |||
| Cédric Klapisch | |||
Writing credits(in alphabetical order) | ||
| Cédric Klapisch | ||
Produced by | |||
| Bruno Levy | .... | producer | |
| Jacques Royer | .... | line producer | |
Cinematography by | |||
| Dominique Colin | |||
Film Editing by | |||
| Francine Sandberg | |||
Casting by | |||
| Pep Armengol | |||
| Lucy Boulting | |||
| Emmanuelle Gaborit | |||
Production Design by | |||
| François Emmanuelli | |||
Costume Design by | |||
| Anne Schotte | |||
Makeup Department | |||
| Gemma Planchadell | .... | makeup artist | |
| Manuela Taco | .... | key makeup artist | |
Production Management | |||
| Victoria Borrás | .... | production manager: Spain | |
| Jacques Royer | .... | production manager | |
| Antoine Théron | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Lola Doillon | .... | first assistant director | |
| Ophélie Gelber | .... | second assistant director | |
| Manel Martínez | .... | second second assistant director: Spain | |
Art Department | |||
| Marie Cheminal | .... | assistant art director | |
Sound Department | |||
| Dominique Dalmasso | .... | sound mixer | |
| Cyril Moisson | .... | sound | |
| John Soukup | .... | sound transfer (uncredited) | |
Visual Effects by | |||
| Christophe Belena | .... | scan and conforming technician: Duboicolor | |
| Seb Caudron | .... | visual effects director | |
| Rip Hampton O'Neil | .... | technical director: DuboiColor | |
| Tina Lin | .... | scan and conforming technician: Duboicolor | |
| Nicolas Daniel | .... | video operator: Duboicolor (uncredited) | |
| François Dupuy | .... | digital transfers (uncredited) | |
| Sylvian Fabre | .... | Flame artist (uncredited) | |
| Abdel Ali Kassou | .... | processing: DuboiColor (uncredited) | |
Camera and Electrical Department | |||
| Jérôme Plon | .... | still photographer | |
| Salva Castellarnau | .... | key grip (uncredited) | |
| Bertrand Etienne | .... | assistant camera (uncredited) | |
| Frédéric North | .... | pilot: camera helicopter (uncredited) | |
Casting Department | |||
| Pep Armengol | .... | casting: Spain | |
| Jeanne Millet | .... | extras casting | |
| Annette Borgmann | .... | casting: Germany (uncredited) | |
Editorial Department | |||
| Jean-René Nébot | .... | digital color timer | |
| Jenny Frenck | .... | assistant editor (uncredited) | |
Other crew | |||
| Sandra Bensadón | .... | press attache | |
| Agathe Sallabery | .... | script supervisor | |
| Géraldine Toitot | .... | administrator | |
| Arno Salters | .... | production assistant (uncredited) | |
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| Russian Dolls | My Own Private Idaho | Bitter Moon | Nowhere | The Kids Are All Right |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Cliché-avoidance is one of this film's main achievements. When you hear a vague outline of the story Erasmus students of mixed nationalities sharing a flat in Barcelona you predict a collection of Euro-stereotypes in a farcical tangle. Pas du tout! In fact, it's a finely judged comedy about a young Frenchman, Xavier, trying to make sense of human relationships. There are some excellently observed minor roles (the arrogant French neurologist, the insufferably irrepressible brother of the English girl, Xavier's forlorn mother) and some fine visual humour, especially in the opening scenes mocking the bureacratic complexity of the application procedure. So what does Xavier learn about relationships? Nothing positive. In place of a conventionally happy ending, there is a regrettably portentous finale about `Identity' Xavier has become' all the friends he made. Nevertheless, this highly enjoyable film deserves its great success. I saw it in Luxembourg with a mixed Euro-audience, who enjoyed themselves hugely and even applauded at the end.