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L'Auberge Espagnole (2002)
"L'auberge espagnole" (original title)

 -  Comedy | Drama  -  19 June 2002 (France)
7.3
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Ratings: 7.3/10 from 28,639 users   Metascore: 65/100
Reviews: 142 user | 86 critic | 31 from Metacritic.com

A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.

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Title: L'Auberge Espagnole (2002)

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Cast

Cast overview, first billed only:
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Wendy (as Keilly Reilly)
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Federico D'Anna ...
Alessandro (as Fédérico D'anna)
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Xavier De Guillebon ...
Wladimir Yordanoff ...
...
Neus (as Irène Montala)
Javier Coromina ...
...
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Storyline

As part of a job that he is promised, Xavier, an economics student in his twenties, signs on to a European exchange program in order to gain working knowledge of the Spanish language. Promising that they'll remain close, he says farewell to his loving girlfriend, then heads to Barcelona. Following his arrival, Xavier is soon thrust into a cultural melting pot when he moves into an apartment full of international students. An Italian, an English girl, a boy from Denmark, a young girl from Belgium, a German and a girl from Tarragona all join him in a series of adventures that serve as an initiation to life. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Je ne sais pas pourquoi le monde est devenu un tel bordel See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »
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Details

Country:

|

Release Date:

19 June 2002 (France)  »

Also Known As:

L'Auberge Espagnole  »

Filming Locations:

 »

Box Office

Budget:

€5,300,000 (estimated)

Opening Weekend:

$59,309 (USA) (16 May 2003)

Gross:

$3,895,664 (USA) (19 September 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the English subtitles, several sections are purposefully translated incorrectly to preserve the humorous nature of the film. The list of strange names around Paris is changed to "Honolulu, Punxsutawney, Piccadilly, Massachusetts, Saskatoon and Machu Picchu;" and during the scene in which Wendy mispronounces "Xavier n'est pas ici..." the English subtitles say "Xavier eez not here..." See more »

Goofs

Next to the telephone, on the board indicating how to say a roommate is not there in many languages, the colors on the German flag are wrong. (It looks like a Belgian flag rotated 90 degrees clockwise.) See more »

Quotes

Isabelle: It's a shame you're not a girl.
Xavier: The world's badly made.
See more »

Crazy Credits

In the opening credits, each actor is credited along with the flag of the country where their character is from. See more »

Connections

Followed by Russian Dolls (2005) See more »

Soundtracks

No Woman No Cry
(Vincent Ford)
With the kind authorization of Kwark Publishing
Editions Fifty-Six Hope Road Music Ltd / Odnil Music Ftd / Blue Mountain Music Ltd.
Rights administered for the entire world by Rykomusic Ltd.
See more »

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User Reviews

This film is alive with change.
23 May 2003 | by (Columbus, Ohio) – See all my reviews

I have long been torn between Madrid and Barcelona, the former a dignified repository of old Spanish architecture and customs (a Catholic parade at 11 PM!) and the latter a Ramblas-rambunctious splash of youth and energy (Oh, that Olympic harbor!). Cédric Klapisch's `L'Auberge Espagnole'(`Euro pudding') now tips the scales to Barcelona for me as I watch a group of 20 somethings negotiate life in a communal apartment. They represent the emerging melting pot of Europe, learning each other's language and purging themselves of racism and sexism. The film is alive with change.

Protagonist Xavier (Romain Duris) is moving from Paris (a city against its type here-repressive and decidedly unromantic) to Barcelona for a year in order to qualify for a business job that demands immediate experience in Spain. Leaving his girlfriend (Audrey Tautou) and his hippie mother behind, he witnesses love in forms his shy French persona would have never encountered, including adultery and lesbianism. That he will be different, more urbane and wise, is preordained by the decision to move; that the director wishes us to see the allegory of a polyglot Europe is all too obvious.

But the photography through the narrow streets, even in the barrios, is muscular and lyrical, especially when it takes us all to the top of the Gaudi Cathedral to survey the messy world below (Xavier eventually comments the world is `badly made').

Beyond my affection for Spain, this film reaffirms for me the salutary effect travel has on the uncertain heart. After one year on his own, Xavier is ready to make a serious decision, but not about Paris vs. Barcelona-it's whether the corporate world that started this string of events is the one he wants or the artful one in his heart. Tennyson's Ulysses says, `I cannot rest from travel.' Xavier, on the other hand, found his rest in travel.


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