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L'Auberge Espagnole (2002)
"L'auberge espagnole" (original title)

 -  Comedy | Drama  -  19 June 2002 (France)
7.3
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Ratings: 7.3/10 from 28,593 users   Metascore: 65/100
Reviews: 142 user | 86 critic | 31 from Metacritic.com

A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.

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Title: L'Auberge Espagnole (2002)

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Cast

Cast overview, first billed only:
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Wendy (as Keilly Reilly)
...
Federico D'Anna ...
Alessandro (as Fédérico D'anna)
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Xavier De Guillebon ...
Wladimir Yordanoff ...
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Neus (as Irène Montala)
Javier Coromina ...
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Storyline

As part of a job that he is promised, Xavier, an economics student in his twenties, signs on to a European exchange program in order to gain working knowledge of the Spanish language. Promising that they'll remain close, he says farewell to his loving girlfriend, then heads to Barcelona. Following his arrival, Xavier is soon thrust into a cultural melting pot when he moves into an apartment full of international students. An Italian, an English girl, a boy from Denmark, a young girl from Belgium, a German and a girl from Tarragona all join him in a series of adventures that serve as an initiation to life. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Je ne sais pas pourquoi le monde est devenu un tel bordel See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »
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Details

Country:

|

Release Date:

19 June 2002 (France)  »

Also Known As:

L'Auberge Espagnole  »

Filming Locations:

 »

Box Office

Budget:

€5,300,000 (estimated)

Opening Weekend:

$59,309 (USA) (16 May 2003)

Gross:

$3,895,664 (USA) (19 September 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the English subtitles, several sections are purposefully translated incorrectly to preserve the humorous nature of the film. The list of strange names around Paris is changed to "Honolulu, Punxsutawney, Piccadilly, Massachusetts, Saskatoon and Machu Picchu;" and during the scene in which Wendy mispronounces "Xavier n'est pas ici..." the English subtitles say "Xavier eez not here..." See more »

Goofs

When Xavier is at the airport getting ready to leave for Barcelona, he goes to talk to Martine and then returns to his mother and picks up his small backpack. He then goes back to Martine, without his backpack, returns to his mother and picks up his backpack again. See more »

Quotes

Isabelle: It's contradictory to defend Catalan at the very moment we're creating a European Union.
Catalan Student 2: I don't agree. First of all, because we're dicussing identity. There's not one single valid identity, but many varied and perfectly compatible identities. It's a question of respect. For example, I have at least two identities: my Gambian identity, which I carry internally, and my Catalan identity. It's not contradictory to combine identities.
See more »

Crazy Credits

In the opening credits, each actor is credited along with the flag of the country where their character is from. See more »

Connections

Featured in Russian Dolls (2005) See more »

Soundtracks

Que viva la noche
Performed by Sonia & Selena
(X. Ten / J. Guillem / G. Galofre)
© Punto Music Publishing, S.L. / Novel Music, 2001
Courtesy of (P) Vale Music Spain, S.L., 2001
See more »

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User Reviews

 
an initiation to life
15 September 2004 | by See all my reviews

One of the biggest French success of the year 2002, "l'auberge espagnole" was also very well greeted abroad which is quite extraordinary for a French film. It is not difficult to define the reasons of this success. This movie made by one of the most interesting French film-makers of these last years, Cédric Klapisch, presents students coming from all over Europe and gathered all together under the same roof in Barcelona. These students are described like the ones you imagine or you see in everyday life: either untidy, either serious or with a sense of humor. I guess that if the movie worked so well, it is because a lot of students must have recognized themselves in the main characters' portraits and especially Xavier's.

We follow the movie and so his experience abroad as an Erasmus student through his eyes. Xavier is really an ordinary student with his qualities, his faults. An intelligent making with quite a lot of ingenious ideas perfectly expresses his lost mind and his anxiety about the world and being an Erasmus student. On that subject, the best examples can be found in two sequences. The first one is when Xavier asks a woman at university for the papers he has to send to prepare his DEA. When the same woman informs him about the different necessary procedures, all the papers appear on the screen when she is naming them! In the next sequence, Xavier's voice-over confides to the spectator his vision of the modern world. Now, where to find the second example? Well, the scene where Xavier has a thorough medical examination during which Klapisch films his visions is widely sufficient to speak of itself.

Moreover, the director wasn't really interested by his main character's studies. He left this point low-key. He rather put a lot of effort into Xavier's private life, of course, in his love affair with Anne Sophie but also and especially in his relations with his fellow tenants. It is a real friendship story that Klapisch shows us with its moments of happiness but also its arguments and its tensions. Through Xavier's adventure and at the end of his stay, he will have been initiated into life which will make him more mature. The message that the author wanted to transmit isn't difficult to guess. You naively believe that you live in an untidy and complicated world. You mustn't give up but intensively search to get what you want even if it is difficult.

Apart from this, we could also fear that with the topic, Cédric Klapisch wouldn't avoid a trap: the clichés. Let's be frank about it: they are included in the screenplay but the director does his best not to spread them too much in his movie. Then, the screenplay contains convenient and predictable moments: at the airport and before boarding we see Xavier shedding a tear after he left his family. But fortunately the shortcomings of the script stop here. Quite funny dialogs and cool young actors perfectly at ease in their roles make up the whole.

In spite of its weaknesses, "l'auberge espagnole" is to be taken for a success in the movie of young people. Besides, the whole atmosphere it brings out lets us think that this movie is directed primarily to a young audience. Ultimately, the end of the movie and its big success let us suggest that Klapisch succumbed to a fashion that goes right for American cinema: the elaboration of sequels. And indeed, the film-maker currently works on a sequel entitled "les poupées russes". Let's hope that it will be as good as "l'auberge espagnole".


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