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L'auberge espagnole (2002)

R | | Comedy, Drama | 20 June 2003 (USA)
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A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.

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8 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Wendy (as Keilly Reilly)
...
Federico D'Anna ...
Alessandro (as Fédérico D'anna)
...
Christian Pagh ...
...
Xavier De Guillebon ...
Wladimir Yordanoff ...
...
Neus (as Irène Montala)
Javier Coromina ...
...
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Storyline

As part of a job that he is promised, Xavier, an economics student in his twenties, signs on to a European exchange program in order to gain working knowledge of the Spanish language. Promising that they'll remain close, he says farewell to his loving girlfriend, then heads to Barcelona. Following his arrival, Xavier is soon thrust into a cultural melting pot when he moves into an apartment full of international students. An Italian, an English girl, a boy from Denmark, a young girl from Belgium, a German and a girl from Tarragona all join him in a series of adventures that serve as an initiation to life. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

They came from Paris, Rome, London and Berlin to... l'Auberge Espagnole ...where a year can change a lifetime. See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Release Date:

20 June 2003 (USA)  »

Also Known As:

L'auberge espagnole  »

Filming Locations:

 »

Box Office

Budget:

€5,300,000 (estimated)

Opening Weekend:

$1,373,992 (France) (28 June 2002)

Gross:

$3,895,664 (USA) (19 September 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the English subtitles, several sections are purposefully translated incorrectly to preserve the humorous nature of the film. The list of strange names around Paris is changed to "Honolulu, Punxsutawney, Piccadilly, Massachusetts, Saskatoon and Machu Picchu."

In the scene in which Wendy mispronounces "Xavier n'est pas la..." the English subtitles say "Xavier eez not here..." See more »

Goofs

As Xavier makes his way to his new job near the end of the film, he is wearing a coat, tie, and jeans, and he has his hands in his pockets. But when he gets there, he is wearing slacks that go with the coat, and he is carrying a briefcase. See more »

Quotes

Wendy: Why do you always have to smoke joints in *my* room?
Alessandro: Because it's comfortable.
Lars: It's the only clean place in the apartment.
[Tobias and Soledad laugh nervously, Wendy looks desperate]
Soledad: Take it easy, Wendy.
See more »

Crazy Credits

In the opening credits, each actor is credited along with the flag of the country where their character is from. See more »

Connections

Referenced in The Holiday (2006) See more »

Soundtracks

No Woman No Cry
(Vincent Ford)
With the kind authorization of Kwark Publishing
Editions Fifty-Six Hope Road Music Ltd / Odnil Music Ftd / Blue Mountain Music Ltd.
Rights administered for the entire world by Rykomusic Ltd.
See more »

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User Reviews

 
Highly enjoyable.
8 August 2002 | by See all my reviews

Cliché-avoidance is one of this film's main achievements. When you hear a vague outline of the story – Erasmus students of mixed nationalities sharing a flat in Barcelona – you predict a collection of Euro-stereotypes in a farcical tangle. Pas du tout! In fact, it's a finely judged comedy about a young Frenchman, Xavier, trying to make sense of human relationships. There are some excellently observed minor roles (the arrogant French neurologist, the insufferably irrepressible brother of the English girl, Xavier's forlorn mother) and some fine visual humour, especially in the opening scenes mocking the bureacratic complexity of the application procedure. So what does Xavier learn about relationships? Nothing positive. In place of a conventionally happy ending, there is a regrettably portentous finale about `Identity' – Xavier has ‘become' all the friends he made. Nevertheless, this highly enjoyable film deserves its great success. I saw it in Luxembourg with a mixed Euro-audience, who enjoyed themselves hugely and even applauded at the end.


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