| Photos (See all 19 | slideshow) | Videos (see all 2) |
| Jeremy Irons | ... | Valentin Valentin | |
| Patricia Kaas | ... | Jane Lester | |
| Thierry Lhermitte | ... | Thierry | |
| Alessandra Martines | ... | Françoise | |
| Claudia Cardinale | ... | Madame Falconetti | |
| Jean-Marie Bigard | ... | Dr. Larry / Pharmacist | |
| Ticky Holgado | ... | Boubou | |
| Yvan Attal | ... | David | |
| Amidou | ... | Police Inspector | |
| Sylvie Loeillet | ... | Soleil | |
| Constantin Alexandrov | ... | Monsieur Falconetti | |
| Stéphane Ferrara | ... | Sam Hernandez, the Boxer | |
| Samuel Labarthe | ... | Trumpet Player | |
| Paul Freeman | ... | English Customer | |
| Souad Amidou | ... | Chambermaid | |
| Laure Mayne-Kerbrat | ... | Jane's Friend | |
| Grégory Reznik | ... | Bartender | |
| Charles Gérard | ... | Bateau-Mouche Director | |
| Nicholas Jones | ... | London Jeweller | |
| Nabil Massad | ... | Director Jamai | |
| Mouna Fettou | ... | Receptionist | |
| Patrick Braoudé | ... | Bulgari Jeweller | |
| Simon Bakinde | ... | Boxing Opponent | |
| Géraldine Danon | ... | American Dream Waitress | |
| Matyelok Gibbs | ... | Old Woman (London) | |
| Julien Zuccolin | ... | Client Bar #1 | |
| Adam Godley | ... | Son of London Jeweller | |
| David Gulliford | ... | Young Valentin | |
| Mehdi Elouazani | ... | TV Journalist | |
| Driss Faceh | ... | Associate Inspector | |
| Raouia | ... | Healer (as Fatima Harrandi) | |
| Xavier Lecoeur | ... | Xavier | |
| Bernard Montiel | ... | Bernard | |
| Luchino Visconti di Modrone | ... | Italian Tourist | |
| Romula Walker | ... | Jenny | |
| Henry Wyndham | ... | Auctioneer | |
| Mohamed Bensouda | ... | Taxi Driver | |
| Daniela Lumbroso | ... | Herself | |
| Pierre-William Glenn | ... | Motard 1 | |
| Boris Bergman | ... | Motard 2 |
Directed by | |||
| Claude Lelouch | |||
Writing credits(in alphabetical order) | ||
| Claude Lelouch | ||
| Pierre Leroux | ||
| Pierre Uytterhoeven | ||
Original Music by | |||
| Michel Legrand | |||
Cinematography by | |||
| Pierre-William Glenn | |||
Film Editing by | |||
| Hélène de Luze | |||
Casting by | |||
| Célina Blanc | |||
| Arlette Gordon | |||
Production Design by | |||
| Johann George | |||
Art Direction by | |||
| Naïma Bouanani | |||
| Martin Izzard | |||
Costume Design by | |||
| Pierre Bechir | |||
Makeup Department | |||
| Stéphane Bragoni | .... | key hair stylist | |
| Linda DeVetta | .... | key makeup artist | |
| Marianne Jansson | .... | key makeup artist | |
| Chris Lyons | .... | special effects teeth | |
| Christian Morales | .... | key hair stylist | |
Production Management | |||
| Gregory Bruneau | .... | unit manager trainee | |
| Sophie Moulin | .... | unit manager trainee | |
| François Pulliat | .... | unit manager | |
| Grégory Valais | .... | assistant unit manager | |
| Stéphane Weibel | .... | assistant unit manager | |
| Tania Zazulinsky | .... | production manager | |
Art Department | |||
| Bernard Warnas | .... | property master | |
Sound Department | |||
| Philippe Bouchez | .... | sound assistant | |
| Pascal Chauvin | .... | foley artist | |
| Pascal Dedeye | .... | foley artist | |
| François Fayard | .... | sound editor | |
| François-Joseph Hors | .... | sound re-recording mixer | |
| David Lander | .... | assistant sound editor | |
| Jean-Charles Martel | .... | sound mixer | |
| Harald Maury | .... | sound | |
| Fred Mays | .... | post-synchronization | |
Stunts | |||
| Gilles Conseil | .... | stunts | |
Camera and Electrical Department | |||
| Eric Caro | .... | still photographer | |
| Michel Galtier | .... | assistant camera | |
| Sébastien Leclercq | .... | assistant camera | |
| Théo Louis Jean | .... | key grip | |
| Alexandre Léglise | .... | trainee camera | |
| Olivier Neveu | .... | electrician | |
| Frédéric North | .... | pilot: camera helicopter | |
| Stéphane Patti | .... | assistant camera | |
| Vincent Plaidy | .... | assistant camera | |
| Thierry Ramanana | .... | grip | |
| Philippe Vene | .... | camera operator | |
Casting Department | |||
| Célina Blanc | .... | extras casting | |
Editorial Department | |||
| Vanessa Basté | .... | contributing editor | |
| Nicolas Criqui | .... | digital conformation | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
Music Department | |||
| Robin Millar | .... | music arranger | |
Other crew | |||
| Rachel Corlet-Soulier | .... | script supervisor | |
| Francisco Cortes | .... | acquisitions & co-productions: Paramount Classics | |
| Anne-Simone Diep | .... | administrator | |
| Robin Higgs | .... | location manager | |
| Marianne Jenkins | .... | production coordinator: UK | |
| Lidia Lukes | .... | product placement | |
| David O'Reilly | .... | location scout | |
| Gemma Smithers | .... | assistant accountant | |
| Michèle Yvars | .... | administrator | |
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| Kings & Queen | Isadora | Toto the Hero | My Own Private Idaho | Intermission |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
I saw this on the Sundance Channel recently and its oddness kept me interested. Jeremy Irons is quite good as is the French lead actress who I am not familiar with and whose singing talent is jazzy and soulful. I think there is a very "French" ambiance to this film, although I'm not sure really what I mean when I say this. The movie takes its time in terms of hooking up the two lead characters...by the time they do meet each other (albeit in kind of a far fetched way perhaps) the audience knows a lot about each of them and I, for one, had grown to like them and was glad to see them meet up. I also liked the fact that there is a bit of mystery thrown into the storyline in the midst of them meeting. There is also a strong emotional undercurrent in this film of sadness. So if you are a Jeremy Irons fan or if you just want to see a decent contemporary story about people maneuvering middle life while still searching for themselves and love, this film is possibly worth your time.