American Psyche seeks to find the every-day American perspective on social and political life in America following the events of 9/11. Traveling from New York City to Los Angeles, two ... See full summary »
Paul van den Boom
Katherine J. Eakin,
Mahnaz M. Shabbir,
Rick Robinson is a ladder-climbing law intern from Miami with four days until the Bar Exam. Desperate to score points with his boss (McAllister), he commits to a favor he can't afford. He ... See full summary »
Marcus is a kid on Manhattan's mean streets. He's turning 15, his father is dead, his mother is in prison for smuggling undocumented aliens. His grandmother is raising him. He has four ... See full summary »
Morgan J. Freeman
Brendan Sexton III,
Norman Bates returns for this "prequel", once more having mommy trouble. This time around he is invited to share memories of mom with a radio talk show host, but the PYSCHO fears that he ... See full summary »
Kenny Wayne Shepherd's reverence for his musical roots are center-stage on Ten Days Out...Blues From The Backroads. The guitar-slinger is featured with the Double Trouble rhythm section of ... See full summary »
Doctor Baines has been conducting genetic experiments on piranhas and has made them virtually unstoppable. Unfortunately, his assistants, Maggie and Paul, accidentally release the hybrids ... See full summary »
Scott P. Levy
Rachael Newman has developed an interest for murders after she encountered psychopath Patrick Bateman. To further study the subject, she enrolls at the university department for Behavioural and Social Sciences, under the expert leadership of former FBI agent Robert Starkman. Very certain about herself, Rachael has one single goal: to become class assistant. It's a prestigious job as having that position will almost guarantee employment at the FBI. But becoming class assistant is no easy task to accomplish, as the first trouble arises when secretary Gerty Fleck decides she is too young for it. And Gerty Fleck won't be the only obstacle. Written by
Arnoud Tiele (firstname.lastname@example.org)
The second scene in Professor Starkman's class takes place two days after the first one yet everyone is wearing the same clothing and the word "Nicknames!" is still the only thing written on the blackboard. See more »
Performed by Electric Frankenstein
Written by Electric Frankenstein
Courtesy of and Published by 1999 Electric Frankenstein BGT Ent./
Pulse 8 Music / Blast O Rama / Pellamorte Publishing (ASCAP) / See more »
For those that are huge fans of the Christian Bale masterpiece should whole heartily avoid this film at all costs. There is nothing, I repeat, nothing connecting these two films together outside of a title and a slight beginning reference to a man that never should have existed in the first place one elusive Patrick Bateman. From the beginning the story makes no sense, supposed serial killer Patrick Bateman kills again, leaving a small girl to finish what he started. From that point forward, she decides to do whatever it takes to kill/capture all the serial killers of the world thus becoming one in the process. Again, what should have just been in Bateman's mind destroys the concept that this film is balanced on so, all we are left with are views, images, goofy music, and acting that honestly came from a Cracker Jack box. Our lead this time is Mila Kunis, of "That 70s Show fame", jumping or should I say "bubbling" right out of her character on FOX to a nearly identical character for this film. Her goal for the film, become William Shatner's teaching assistant so that she can get into Quantico and thus fulfilling her dreams to capture serial killers. What actually happens in the film is that she kills everyone in her way (everyone else is oblivious to the pile of bodies) to get that respected position. Nobody is safe, and as we prepare for the ending, a twist so predictable is thrown our way that we could care less about her, the story, or the semi-terrifying ending. Our only hope is that they decide to end the series with this film. What could the story be next? Patrick Bateman's ghost returns for more non-existent killing?
From every angle of this film, I was disgraced. I was such an enormous fan of the original film (the insanity, the characters, the violence), that to be handed a stick of bubble gum after eating veal just felt insulting. There are those that actually enjoyed this film, which just boggles my mind. How could anyone, either a fan of the original or not, enjoy this cookie-cutter film? In the commentary, director Morgan J. Freeman even admits to being a "director-for-hire", which means the story was already in place all he needed to do was put that "direct-to-video" feel to it, and it was ready for packaging, sealing, and delivery to those unsuspecting viewers who were tied into just the title. Nothing worked in this film. The music took me away from the horrors that were happening, and made me feel that I was camping at a carnival. The selection made me want to shake my hips and chew some bubble gum (odd, this is transforming into a theme to this film). The cinematography was juvenile at best. Errors erupted with leaps and bounds, and again, during the commentary the director wasn't afraid to point them out. From these low points, the only place to go was further down with acting that somehow connected well to the carnival music. Shatner tried his best, but just couldn't pull off the womanizing teacher with connections to Quantico. The chemistry between him and the other ladies felt scripted and old. In just a short twenty days, one probably doesn't have the chance to get to know the rest of your cast, so just read your lines and pray for the best. For those wondering how Kunis did with this role, just listen to her in the commentary. Pathetic would be a good word, amateur would be another, and just to give you that third scoop, she was unbelievable at best. Freeman attempted to make her this convincing detail oriented killer, with a killer body, but the result was anything but scary in fact one could go so far to say that it was "killer funny". Can I say it one more time? Nothing in this film worked. I don't mean to be lacking detail, but from the initial scene it was obvious that we were on a downward path did Morgan J. Freeman even see the original?
I have no sympathy for this film. "American Psycho II: All American Girl" was a debauchery to the series, to the words that Bret Easton Ellis put on the page, and to cinema itself. I have no respect for those that say that this should not be paired with the original, but instead should just be watched on its own. The original "American Psycho" was well acted, nail-bitingly genre bending, and continually asks me to question the value of a male dominated workplace on Wall Street. In the original, the question became what happens to a man that has everything in the sequel, the question transforms into "What would a girl do to get everything?" The themes are even the same. This film is a prime example of Hollywood looking to capitalize on a cult film by merely selling the title. Oh, what a horrid experiment gone wrong.
If you wanted a cheap version of the original, I suggest this one. It contains no artistic value, no moral thought-provoking moments, and definitely nothing that could be called unique or creative. The word original was never in Morgan J. Freeman's dialog. Listen to the audio commentary if you don't believe me, these Freeman and Kunis give hope to the aspiring director (who doesn't mind selling out for a paycheck) as well as a disgraceful taste to the human race.
This was cheap with a capital C.
Grade: * out of *****
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