| Photos (see all 22 | slideshow) |
| Laura Regan | ... | Julia Lund | |
| Marc Blucas | ... | Paul Loomis | |
| Ethan Embry | ... | Sam Burnside | |
| Dagmara Dominczyk | ... | Terry Alba | |
| Jon Abrahams | ... | Billy Parks | |
| Alexander Gould | ... | Young Billy | |
| Desiree Zurowski | ... | Mary Parks | |
| Mark Hildreth | ... | Troy | |
| Jonathan Cherry | ... | Darren | |
| Peter LaCroix | ... | David Parks (as Peter Lacroix) | |
| Jessica Amlee | ... | Young Julia | |
| Jay Brazeau | ... | Dr. Booth | |
| L. Harvey Gold | ... | Professor Crowley | |
| David Abbott | ... | Professor Adkins | |
| Jodelle Ferland | ... | Sarah (as Jodelle Micah Ferland) | |
| Mark Brandon | ... | Newscaster #1 | |
| Colin Foo | ... | Chinese Chef | |
| Claire Riley | ... | Newscaster #2 | |
| Tamara Taggart | ... | Newscaster #3 | |
| Wendy Morrow Donaldson | ... | Waitress | |
| Bob Wilde | ... | Ghoulish Man | |
| Bill Waters | ... | Priest | |
| Ken Roberts | ... | Male Tenant | |
| John Hainsworth | ... | Old Man | |
| Henry O. Watson | ... | Subway Engineer |
Directed by | |||
| Robert Harmon | |||
Writing credits(WGA) | ||
| Brendan Hood | (written by) (as Brendan William Hood) | |
Produced by | |||
| Tony Blain | .... | co-producer | |
| Tom Engelman | .... | producer | |
| Ted Field | .... | executive producer | |
| Barbara Kelly | .... | co-producer | |
| Scott Kroopf | .... | producer | |
| David Linde | .... | executive producer | |
| John Mariella | .... | associate producer | |
Original Music by | |||
| Elia Cmiral | |||
Cinematography by | |||
| Rene Ohashi | (director of photography) | ||
Film Editing by | |||
| Chris Peppe | |||
Casting by | |||
| Anya Colloff | |||
| Jennifer Fishman | (as Jennifer Fishman Pate) | ||
| Amy McIntyre Britt | |||
Production Design by | |||
| Douglas Higgins | |||
Art Direction by | |||
| Patrick Banister | |||
Set Decoration by | |||
| Lin MacDonald | (as Lin Macdonald) | ||
Costume Design by | |||
| Karen L. Matthews | (as Karen Matthews) | ||
Makeup Department | |||
| Melina Calogiros | .... | hair stylist: supplemental photography (as Melina Caligourous) | |
| Michelle Hrescak | .... | makeup artist: supplemental photography | |
| Lisa Leonard | .... | hair stylist | |
| Christine O'Connor | .... | first assistant hair stylist | |
| Sydney Silvert | .... | first assistant makeup artist | |
| Faye von Schroeder | .... | makeup artist (as Faye Von Schroeder) | |
Special Effects by | |||
| Oana Bogdan | .... | effects producer: Patrick Tatopoulos Designs | |
| Darin Bouyssou | .... | mold technician | |
| Norman Cabrera | .... | sculptor: Patrick Tatopoulos Designs | |
| Wes Campbell | .... | moldmaker: Patrick Tatopoulos Designs | |
| A. Robert Capwell | .... | mechanics: Patrick Tatopoulos Designs (as Robert Capwell) | |
| Brett Collen | .... | best boy special effects: supplemental photography (as Brett Kollen) | |
| Mike Elizalde | .... | mechanics: Patrick Tatopoulos Designs | |
| Darren English | .... | special effects assistant | |
| John Paul Fedele | .... | moldmaker: Patrick Tatopoulos Designs (as Jon Fedele) | |
| Damian Fisher | .... | special effects technician | |
| Robert Freitas | .... | moldmaker: Patrick Tatopoulos Designs | |
| Jake Garber | .... | sculptor: Patrick Tatopoulos Designs | |
| Dave Grasso | .... | sculptor: Patrick Tatopoulos Designs (as David Grasso) | |
| James Hall | .... | moldmaker: Patrick Tatopoulos Designs (as James N. Hall) | |
| Aaron Hill | .... | shop runner: Patrick Tatopoulos Designs | |
| Guy Himber | .... | project supervisor: Patrick Tatopoulos Designs | |
| Don Lanning | .... | sculptor: Patrick Tatopoulos Designs (as Don Lonning) | |
| Robert Lan | .... | moldmaker: Patrick Tatopoulos Designs | |
| Mike Larivee | .... | special effects coordinator: supplemental photography (as Mike L'Arrivee) | |
| Dean Lockwood | .... | special effects coordinator | |
| Ben Mankowski | .... | project accountant: Patrick Tatopoulos Designs | |
| Julie Mankowski | .... | director of business development: Patrick Tatopoulos Designs | |
| Clayton Martinez | .... | moldmaker: Patrick Tatopoulos Designs | |
| Reg Milne | .... | best boy special effects | |
| Brian Namanny | .... | mechanics: Patrick Tatopoulos Designs | |
| Gary Pawlowski | .... | moldmaker: Patrick Tatopoulos Designs | |
| Johnnie Saiko | .... | moldmaker: Patrick Tatopoulos Designs (as Johnnie Saiko Edpiritu) | |
| Russell Seifert | .... | moldmaker: Patrick Tatopoulos Designs (as Russ Seifert) | |
| Patrick Tatopoulos | .... | creatures designer and supervisor | |
| Melanie Tooker | .... | office coordinator: Patrick Tatopoulos Designs | |
| Steve Wang | .... | art department supervisor: Patrick Tatopoulos Designs | |
| Lisa Welton | .... | seamer: Patrick Tatopoulos Designs (as Lisa Welton Fornadley) | |
| Hiroshi Yada | .... | moldmaker: Patrick Tatopoulos Designs | |
Visual Effects by | |||
| Stephanie Allen | .... | visual effects executive producer: C.O.R.E. Digital Pictures | |
| Paul Anderson | .... | lead animator: C.O.R.E. Digital Pictures (as Paul Ross Anderson) | |
| Amro Attia | .... | concept artist: C.O.R.E. Digital Pictures | |
| Berj Bannayan | .... | software engineer: C.O.R.E. Digital Pictures | |
| Lisa Bechard | .... | visual effects production manager: C.O.R.E. Digital Pictures | |
| Terry Bradley | .... | animator: C.O.R.E. Digital Pictures | |
| Lisa Carr-Harris | .... | compositor: C.O.R.E. Digital Pictures | |
| Howard P. Cassidy | .... | animator: C.O.R.E. Digital Pictures (as Howard Cassidy) | |
| Leo Chan | .... | software development: C.O.R.E. Digital Pictures | |
| Brian Davidson | .... | animator: C.O.R.E. Digital Pictures | |
| Paul DeOliveira | .... | compositor: C.O.R.E. Digital Pictures (as Paul de Oliveira) | |
| Maria A. Gordon | .... | compositor: C.O.R.E. Digital Pictures | |
| Dipankar Goswamy | .... | animator: C.O.R.E. Digital Pictures | |
| Dipankar Goswamy | .... | creature modeler: C.O.R.E. Digital Pictures | |
| Andrew Ho | .... | systems support: C.O.R.E. Digital Pictures | |
| Michael F. Hoover | .... | digital artist | |
| Matthew Horner | .... | animator: C.O.R.E. Digital Pictures | |
| Nick Hsieh | .... | lead compositor: C.O.R.E. Digital Pictures | |
| Garfie James | .... | animator: C.O.R.E. Digital Pictures | |
| Kelvin Kanagaraj | .... | creature modeler: C.O.R.E. Digital Pictures | |
| Stan Klychko | .... | systems support: C.O.R.E. Digital Pictures | |
| Michael Kowalski | .... | visual effects production manager: C.O.R.E. Digital Pictures | |
| Warren J.W. Leathem | .... | lead animator: C.O.R.E. Digital Pictures (as Warren Leathem) | |
| Daniel Lee | .... | compositor: C.O.R.E. Digital Pictures | |
| Aaron Linton | .... | animator: C.O.R.E. Digital Pictures | |
| Allan Magled | .... | creature modeler: C.O.R.E. Digital Pictures | |
| Barbara Mah | .... | visual effects production coordinator: C.O.R.E. Digital Pictures (as Barb Mah) | |
| John Mariella | .... | lead creature modeler: C.O.R.E. Digital Pictures | |
| Ray McMillan | .... | visual effects process/traveling plate photography supervisor | |
| Kyle Menzies | .... | animator: C.O.R.E. Digital Pictures | |
| Kyle Menzies | .... | visual effects supervisor: C.O.R.E. Digital Pictures | |
| Eric Murray | .... | animator: C.O.R.E. Digital Pictures | |
| Gary O'Brien | .... | animator: C.O.R.E. Digital Pictures | |
| Ken Ouellette | .... | lead animator: C.O.R.E. Digital Pictures | |
| Ken Ouellette | .... | lead creature modeler: C.O.R.E. Digital Pictures | |
| Costa Roussakis | .... | systems support: C.O.R.E. Digital Pictures | |
| Jim Rutherford | .... | animator: C.O.R.E. Digital Pictures | |
| Derek Sakai | .... | animator: C.O.R.E. Digital Pictures | |
| John A. Shaw | .... | systems support: C.O.R.E. Digital Pictures | |
| Jay Stanners | .... | compositor: C.O.R.E. Digital Pictures | |
| Ji Hyung Sung | .... | animator: C.O.R.E. Digital Pictures (as Ji Sung) | |
| Ji Hyung Sung | .... | creature modeler: C.O.R.E. Digital Pictures (as Ji Sung) | |
| Tracey Vaz | .... | compositor: C.O.R.E. Digital Pictures | |
| Mark Visser | .... | software development: C.O.R.E. Digital Pictures | |
| Kurt D. Williams | .... | animator: C.O.R.E. Digital Pictures (as Kurt Williams) | |
| David Willows | .... | creature modeler: C.O.R.E. Digital Pictures | |
| Alphonso Young | .... | compositor: C.O.R.E. Digital Pictures | |
Stunts | |||
| Scott J. Ateah | .... | stunt coordinator: supplemental photography (as Scott Ateah) | |
| Crystal Dalman | .... | stunt double | |
| Ashlea Earl | .... | stunt double | |
| Leanne Hindle | .... | stunt double (as Leanne Buchanan) | |
| Ron James | .... | stunt driver | |
| Zachary Kemper | .... | stunt double | |
| Tony Morelli | .... | stunt coordinator | |
| Jeffrey C. Robinson | .... | stunt double (as Jeff Robinson) | |
| Heath Stevenson | .... | stunt double | |
| Duane Dickinson | .... | stunts (uncredited) | |
| Dave Hospes | .... | stunts (uncredited) | |
| Trevor Jones | .... | stunts (uncredited) | |
| Kimani Ray Smith | .... | stunts (uncredited) | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| Andrea Brown | .... | extras casting | |
| Sean Cossey | .... | casting: Canada | |
| Frank Patt | .... | casting assistant: Canada | |
| Chadwick Cohn | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Sondra Durksen | .... | costumer | |
| Debbie Geaghan | .... | set costume supervisor | |
| Janice MacIsaac | .... | assistant costume designer | |
| Cindy L. Russell | .... | costume set supervisor: supplemental photography (as Cindy Russell) | |
Editorial Department | |||
| Sharon Bloedorn | .... | apprentice film editor: Canada | |
| Amy Flint | .... | first assistant editor | |
| Caroline Hardon | .... | first assistant editor: Canada | |
| Richard Long | .... | second assistant editor: Canada | |
| Ricardo Olivero | .... | color timer | |
| Nick Smith | .... | second assistant editor (as Nick J. Smith) | |
Music Department | |||
| Thomas Bartke | .... | additional music editor | |
| Thomas Bartke | .... | conductor | |
| Thomas Bartke | .... | orchestrator | |
| Elia Cmiral | .... | additional orchestrator | |
| Mike Flicker | .... | supervising music editor | |
| Matt Friedman | .... | music editor | |
| Scott Glasgow | .... | assistant composer | |
| Simon James | .... | contractor: Seattle | |
| Jeff Lingle | .... | music editor | |
| Alan Meyerson | .... | score mixer | |
| Joe Rangel | .... | music supervisor | |
| Reed Ruddy | .... | score recordist | |
| Michael Stern | .... | score recordist: non-orchestral (as Mick Stern) | |
| Chris Walden | .... | additional orchestrator | |
| Joshua Winget | .... | music editor (as Josh Winget) | |
Other crew | |||
| Lian Anson | .... | production assistant | |
| Matthew Aufdenspring | .... | assistant: Mr. Kroopf | |
| Patricia Barry | .... | script supervisor: supplemental photography (as Pat Berry) | |
| Anthony Beaudoin | .... | production financing (as Tony Beaudoin) | |
| Bob Bedard | .... | catering head chef | |
| Tim Bennett | .... | production assistant | |
| Karen Bergen | .... | assistant accountant | |
| Karen Bergen | .... | payroll accountant | |
| Susan H. Bodine | .... | legal services: Focus Features (as Sue Bodine) | |
| Andrea Boorman | .... | production coordinator: supplemental photography | |
| David J. Bowler | .... | office production assistant (as David Bowler) | |
| Kerri Boyce | .... | accounts payable clerk | |
| David Boyle | .... | business and legal affairs: Radar Pictures | |
| Kymn Brettoner | .... | post-production accountant | |
| Simon Bright | .... | production assistant | |
| Casey Charleson | .... | production assistant | |
| Cristiana Chieu | .... | production assistant (as Cristina Chieu) | |
| Alison Cohen | .... | legal services: Focus Features | |
| Emily Coutts | .... | craft service | |
| Emily Coutts | .... | first aid | |
| Wes Craven | .... | presenter | |
| Debbie Derkach | .... | craft service (as Debra Derkach) | |
| Debbie Derkach | .... | first aid (as Debra Derkach) | |
| Danielle de Smit | .... | script supervisor: second unit | |
| Byron Drinkle | .... | playback coordinator | |
| Jessica Emerson-Fleming | .... | business and legal affairs: Radar Pictures | |
| Alix Falkiner | .... | production assistant: second unit | |
| Jennifer Graham | .... | extras wrangler | |
| Allison Halderman | .... | assistant: Mr. Field | |
| Simon Hall | .... | video synchronization operator | |
| Michael Hansen | .... | unit publicist | |
| Michelle Harris | .... | production assistant | |
| Alison Haskovec | .... | assistant: Mr. Engelman | |
| Andrea Hughes | .... | extras wrangler | |
| Amy Kaufman | .... | production executive: Focus Features | |
| Shelly Kennedy | .... | craft service | |
| Shelly Kennedy | .... | first aid | |
| Alexandra La Roche | .... | script supervisor (as Alexandra Laroche) | |
| Shane Lennox | .... | production assistant | |
| Scott Litsinger | .... | finance: Radar Pictures | |
| John MacCuspie | .... | underwater safety: diver | |
| Helen MaComb | .... | production coordinator | |
| Kenneth Meisenbacher | .... | assistant location manager: second unit (as Ken Meisenbacker) | |
| Emily Milias | .... | business and legal affairs: Radar Pictures | |
| Stephanie K. Mitchell | .... | assistant: Mr. Engelman (as Stephanie Mitchell) | |
| Zoë Nash | .... | office production assistant | |
| Scott Outhwhaite | .... | production assistant: second unit (as Scott Outhwaite) | |
| Eric Papa | .... | assistant: Ms. Kaufman, Focus Features | |
| Bennett Pozil | .... | production financing | |
| Mavis Quek | .... | trainee assistant location manager | |
| Lorraine Rennison | .... | payroll clerk | |
| Jeff Roth | .... | production executive: Focus Features | |
| S. Steven Sach | .... | location manager | |
| Steve Sangster | .... | assistant location manager (as Stephen Sangster) | |
| Wonder Fortune Serra | .... | assistant: Mr. Kroopf | |
| Jason Wayne Spencer | .... | production assistant | |
| Debora Stanton | .... | finance: Radar Pictures | |
| Susan Stefanyshyn | .... | production accountant | |
| David Tamkin | .... | production assistant | |
| Jennifer Tanami-Hendriks | .... | assistant coordinator (as Jennifer Tanami) | |
| Paul Tartaglio | .... | assistant: Mr. Harmon | |
| Debbie Van Dusen | .... | first assistant accountant | |
| Suzanne Welch | .... | assistant: Mr. Field | |
| David Weslowsky | .... | first assistant chef | |
| Adina Yashar | .... | assistant: Mr. Engelman | |
| Tamara Young | .... | second assistant chef | |
Thanks | |||
| Chris Aziz | .... | the producers wish to thank: City of Delta | |
| Evan Blum | .... | acknowledgment: Leaf Mask from building on 106th Street, New York City courtesy of, Irreplaceable Artifacts, Inc. (as Mr. Evan Blum) | |
| Pamela Fedyk | .... | the producers wish to thank: City of Vancouver | |
| James Glander | .... | the producers wish to thank (as Jim Glander) | |
| Colleen Gould | .... | the producers wish to thank: City of New Westminster | |
| Muriel Honey | .... | the producers wish to thank: City of Vancouver | |
| Patty Laravee | .... | the producers wish to thank: City of North Vancouver | |
| Andrea Wertheim | .... | the producers wish to thank | |
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| Darkness Falls | The Boogeyman | It | The Unborn | The Morgue |
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Rating: *** out of ****
In this era of modern horror, it's really the little films that come through and surprise me the most, so I'm glad to include They among this recent bunch (which also includes the terrifically frightening Dead End and the surprisingly funny Monster Man). I must admit to having relatively low expectations; the film was promoted with the heading "Wes Craven presents" and the film's director, Robert Harmon, hasn't done anything worth mentioning in years.
But the movie works, and if it's not particularly original or outstanding, it's at least very well made and makes smart decisions (i.e. a more atmospheric, quietly creepy approach) that lesser films would have avoided. In fact, the movie is so low-key I'm surprised it wasn't just given a straight-to-video release, as nothing in this picture screams box office success the way a noisy, thrill ride approach that Darkness Falls employed might.
They stars the very cute Laura Regan (sporting an adorable haircut!) as Julia Lund, a psychology grad student who's contacted by an old friend of hers. They reunite in a coffee shop, with the friend mentioning some half-comprehensible blather about "they," then kills himself right before her eyes. At his funeral, Julia meets a couple of his more recent friends (played by Ethan Embry and Dagmara Dominczyk), and upon a few conversations, discover they all have something in common. They've experienced night terrors as kids and believe something in the dark that once branded them as children is now back to collect.
Even running at a scant ninety minutes, it could be debated They still runs too long. The subplot with Embry and Dominczyk doesn't really go anywhere and only provides the opportunity for two lengthy sequences where we know these two are going to meet a particularly horrifying fate. Had these two scenes been less effective, I might have complained, but these setpieces are directed with the right amount of build-up, tension, and atmosphere, making the pay-off worth it. And at least those two aren't as fundamentally useless as Marc Blucas, who plays Julia's disbelieving boyfriend. It's a cliché role and nothing about him stands out in the slightest (see The Grudge for a very similar role).
As the lead, Laura Regan proves a very competent performer who's sympathetic and likable. The little discoveries she makes are creepy and intriguingly enthralling. There's hints of an alternate "universe" these creatures live in and the brief views we get of this world are among the film's most visually engrossing moments.
The monsters themselves are mostly kept out of plain sight, kept hidden in shadows and darkness so that what little we can see only enhances the scares. The sounds they make also build a nice sense of unease, a trilling noise that gives the creatures an otherwordly feel to them, not unlike the mysterious creatures in Signs.
The film is mostly a collection of effectively frightening setpieces. Most of the concepts the movie introduces are left both satisfyingly and frustratingly unresolved; there's just enough to fascinate, but maybe just a few more answers or theories would have been appreciated. They comes to an abrupt end, but that works in favor of the movie, finishing things off on a startlingly high note.