| Michael Nouri | ... | Brad | |
| Marina Sirtis | ... | Alex | |
| Matthew Ewald | ... | Dylan | |
| David Wells | ... | Russ | |
| Timothy Busfield | ... | Elliot | |
| Audrey Wasilewski | ... | Kathy | |
| Robert Covarrubias | ... | Kenny | |
| Rick Cramer | ... | Detective | |
| David Storrs | ... | Recruit | |
| Kim Delgado | ... | Franklin | |
| Jane Yamamoto | ... | Miriam | |
| Robert Leon Casey | ... | Pilot (as Robert Casey) | |
| Scott Clifton | ... | Jock | |
| rest of cast listed alphabetically: | |||
| Jason Tatum | ... | Plant Engineer (uncredited) | |
Directed by | |||
| John Murlowski | |||
Writing credits(WGA) | ||
| T.L. Petrie | (written by) | |
Produced by | |||
| William T. Baumann | .... | executive producer | |
| Joseph Broido | .... | executive producer (as Joe Broido) | |
| Joseph Broido | .... | producer (as Joe Broido) | |
| Bari Carrelli | .... | co-producer | |
| Michael Jacobs | .... | co-executive producer (as Michael D. Jacobs) | |
| Bruce D. Johnson | .... | executive producer | |
| Jordan Leibert | .... | producer | |
| John Lind | .... | associate producer | |
Original Music by | |||
| James T. Sale | |||
Cinematography by | |||
| Philip Lee | (as Phil Lee) | ||
Film Editing by | |||
| Joy Zimmerman | (as Joy S. Zimmerman) | ||
Casting by | |||
| Dean E. Fronk | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Yuda Acco | |||
Art Direction by | |||
| Brad Douglas | |||
Set Decoration by | |||
| Joseph Fedo | |||
Costume Design by | |||
| Erin Farrell | |||
Makeup Department | |||
| Silvia Leczel | .... | key makeup artist | |
| Kim Perrodin | .... | makeup department head | |
Production Management | |||
| Jordan Leibert | .... | unit production manager | |
| Tom Shell | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Vito J. Giambalvo | .... | second unit director | |
| John Lind | .... | first assistant director | |
| Lori Mellman | .... | second assistant director | |
Art Department | |||
| David Delvalle | .... | set dresser | |
| Chip Mefford | .... | property master | |
| Lily Scott | .... | scenic artist | |
Sound Department | |||
| David Cook | .... | boom operator | |
| Steven Erickson | .... | adr editor | |
| Steven Erickson | .... | dialogue editor | |
| Jeremy Hoenack | .... | sound re-recording mixer | |
| Jeremy Hoenack | .... | supervising sound editor | |
| Tony Kucenski | .... | foley artist | |
| Noah Southall | .... | sound editor | |
| Craig Wood | .... | sound mixer | |
Special Effects by | |||
| Edward Bishop | .... | special effects | |
| Bob Gleason | .... | special effects crew | |
| Jeff Marsh | .... | pyrotechnician | |
| Jeff Marsh | .... | special effects supervisor | |
| Chip Mefford | .... | special effects crew | |
| Elyse Plantico | .... | special effects crew | |
| Nathan Prince | .... | special effects assistant | |
Visual Effects by | |||
| David Ellzey | .... | visual effects supervisor | |
| Kelly Ellzey | .... | visual effects | |
Stunts | |||
| Brad Havens | .... | stunt performer (as Brad Haight) | |
| Stephen R. Hudis | .... | stunt double: Matthew Ewald | |
| Stephen R. Hudis | .... | stunt driver | |
| Steven Leavitt | .... | stunt double: Matthew Ewald | |
| Chip Mefford | .... | stunt rigger | |
| Dorenda Moore | .... | stunt double: Marina Sirtis | |
| Peewee Piemonte | .... | stunt double: Michael Nouri | |
| Nick Plantico | .... | stunt coordinator | |
| Nathan Prince | .... | stunt rigger | |
Camera and Electrical Department | |||
| Ross Addiego | .... | dolly grip | |
| Tim Bartlett | .... | electrician | |
| Rebecca Bauscher | .... | still photographer | |
| Jerry Biron | .... | best boy electric | |
| Guus Floor | .... | gaffer | |
| Charles Gruet | .... | director of photography: second unit | |
| Matt Horochowski | .... | best boy grip | |
| Gaylan Andrew Hussain | .... | key grip | |
| John C. Jennings | .... | first assistant camera (as John Jennings) | |
| Dave McFarland | .... | electrician | |
| Tobin Oldach | .... | assistant camera: second unit | |
| Quinn Pawlan | .... | grip | |
| Adam Peabody | .... | key grip: second unit | |
| Bill Pitcher | .... | electrician | |
| Megan Schoenbachler | .... | grip | |
| David Charles Sullivan | .... | gaffer | |
| David Charles Sullivan | .... | gaffer: second unit (as David Sullivan) | |
| Wayne Swab | .... | electrician | |
| Mariana Sánchez de Antuñano | .... | second assistant camera (as Mariana Sanchez) | |
| Erik von Wodtke | .... | gaffer: second unit | |
| Chris Waisanen | .... | best boy electric | |
| Jeff Warrin | .... | grip | |
Casting Department | |||
| Debe Waisman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sonia Woodfield | .... | wardrobe supervisor | |
| Kristi Heckman | .... | wardrobe assistant (uncredited) | |
Transportation Department | |||
| Matthew Ballard | .... | transportation coordinator | |
| Tobi Wurth | .... | transportation captain | |
| Recent Posts (updated daily) | User |
|---|---|
| This film is ace | BobbyOnions |
| Best scene ever recorded in the history of movies: | Doombringer55 |
| Okay movie | degrate0110 |
| bad ending | chessimprov |
|
|
|
|
|
| Demon Seed | The Matrix | 2001: A Space Odyssey | Eagle Eye | The Animatrix |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | IMDb Thriller section |
| IMDb USA section |
In the '50s the standard low budget movie monster was some innocent insect enlarged by radiation; today, it's a computer or similar technological device run amuck, often infected with a virus or some such. Neither premise was ever much grounded in science, but at least followed a series of familiar conventions, both with respect to the human and non-human protagonists. "Terminal Error" fits the genre, though, of course, made for the drive-in has succumbed to direct to video or (in this case)made for cable .
That said, this is an ominous enough little film that its ambitious, but ultimately cheesy special effects (thankfully limited to a small screen) and entirely predictable plot don't keep it from being entertaining in the same way those old drive-in films kept you watching.
In brief, a disgruntled employee uses the teenaged son of his ex-boss to infect the company's computers with a virus designed for revenge. Since these computers are widely used as control devices, the area's power grids, elevators, traffic signals, Army missiles are all put in the hands of our evil doer until the virus begins to mutate and turn on humankind in general.
The acting is competent enough, and there is even a bit of witty dialog between the boss and his Stephen Hawking-like associate.
If you don't expect much from this movie and need a monster fix, that's what you'll get, and you probably won't be too disappointed.