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Steve Coogan (written by)
Henry Normal (written by)
10 August 2001 (Ireland) more
Steve Coogan Is....[The Parole Officer] more
A failed parole officer framed for murder must enlist the help of his former clients to clear his name. full summary | add synopsis
2 nominations more
I saw a man strangle a human being - well, an accountant anyway. more (63 total)
| Steve Coogan | ... | Simon Garden | |
| Emma Gilmour | ... | Secretary | |
| Susan Jane Tanner | ... | Stern Woman | |
| Iain Mitchell | ... | Tribunal Chairman | |
| James Smith | ... | Tribunal Man | |
| Om Puri | ... | George | |
| Steven Waddington | ... | Jeff | |
| Ben Miller | ... | Colin | |
| Emma Williams | ... | Kirsty | |
| Stephen Dillane | ... | Inspector Burton | |
| Bruce McGregor | ... | First Policeman | |
| Lena Headey | ... | Emma | |
| Justin Burrows | ... | Mills | |
| Marc Goodhall | ... | Death / Student (as Marc Goodall) | |
| Clive Kneller | ... | Deacon | |
| John Henshaw | ... | Cochran | |
| Buster Reeves | ... | First Hardman | |
| Brian Nickels | ... | Second Hardman (as Brian 'Sonny' Nickels) | |
| Terence Mann | ... | Desk Sergeant | |
| Jake Abraham | ... | Seedy Bloke | |
| Jo-Anne Knowles | ... | TV Interviewer (as Jo Anne Knowles) | |
| Eiji Kusuhara | ... | Japanese Businessman | |
| Togo Igawa | ... | Japanese Businessman | |
| Kate Deakin | ... | Club Receptionist | |
| David Nicholls | ... | Bill (as Dave Nicholls) | |
| Francesca Hall | ... | Club Manageress | |
| Olga Grahame | ... | Jeff's Mam | |
| Jenny Agutter | ... | Sarah Bonderenko - Victor's Wife | |
| Hazel Douglas | ... | Old Lady in Art Gallery | |
| Victoria Gould | ... | First Security Guard | |
| Natasha Alexander | ... | Second Security Guard | |
| Simon Pegg | ... | Deflated Husband | |
| Julia Davis | ... | Insinuating Wife | |
| Bernard Wrigley | ... | Bike Group Leader | |
| Alan Clarke | ... | Lycra Crusty | |
| Kevin Malloy | ... | Alarm Company Operator | |
| Richard Sinnott | ... | Bank Manager | |
| Iain McKee | ... | Second Policeman | |
| Peter Rylands | ... | Third Policeman | |
| Donna Henry | ... | WPC at Service Station | |
| Sue McCormick | ... | Customer | |
| Elaine Barnett | ... | Sales Assistant | |
| June Broughton | ... | Old Lady | |
| Geoff Oldham | ... | Mayor | |
| Peter Armitage | ... | Chief Constable | |
| Andrew Norris | ... | Fourth Policeman | |
| Nayef Rashed | ... | Victor in Disguise | |
| Will Tacey | ... | Fifth Policeman | |
| Omar Sharif | ... | Victor | |
| rest of cast listed alphabetically: | |||
| Peter Martin | ... | Tom | |
| Glen Mortimer | ... | Night Club Doorman | |
| Amy Shaw | ... | Old Lady | |
| Sarah Desmond | ... | Zoe (uncredited) | |
| Steve Farrell | ... | Extra (uncredited) | |
Directed by | |||
| John Duigan | |||
Writing credits(in alphabetical order) | ||
| Steve Coogan | written by | |
| Henry Normal | written by | |
Produced by | |||
| Duncan Kenworthy | .... | producer | |
| Andrew Macdonald | .... | producer | |
| Callum McDougall | .... | producer | |
Original Music by | |||
| Alex Heffes | |||
Cinematography by | |||
| John Daly | (director of photography) | ||
Film Editing by | |||
| David Freeman | |||
Casting by | |||
| Michelle Guish | |||
Production Design by | |||
| Tom Brown | |||
Art Direction by | |||
| Sue Booth | |||
| Ricky Eyres | |||
Set Decoration by | |||
| Shelly Pond | |||
Costume Design by | |||
| Alexandra Caulfield | (as Alex Caulfield) | ||
Makeup Department | |||
| Janita Doyle | .... | makeup artist | |
| Emma Ferguson | .... | makeup artist | |
| Jill Sweeney | .... | hair designer | |
| Jill Sweeney | .... | makeup designer | |
Production Management | |||
| Robert How | .... | production supervisor | |
| Clare St. John | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jane Burgess | .... | third assistant director | |
| Sean Guest | .... | first assistant director | |
| James Haven | .... | second assistant director | |
Art Department | |||
| Stuart Hudson | .... | chargehand | |
| Tony Rycyk | .... | stand-by propman | |
Sound Department | |||
| Sandy Buchanan | .... | adr mixer | |
| Sandy Buchanan | .... | foley mixer | |
| Rudi Buckle | .... | additional sound | |
| Gillian Dodders | .... | adr editor | |
| Gillian Dodders | .... | dialogue editor | |
| Glenn Freemantle | .... | supervising sound editor | |
| Susan French | .... | adr editor | |
| Susan French | .... | dialogue editor | |
| John Hayward | .... | sound re-recording mixer | |
| Alex Hudd | .... | sound consultant: dolby | |
| John Midgley | .... | sound | |
| Richard Pryke | .... | sound re-recording mixer | |
| John Rodda | .... | sound mixer | |
| Tom Sayers | .... | sound effects editor | |
| Sven Taits | .... | sound effects editor | |
| Andrew Caller | .... | sound technician (uncredited) | |
Special Effects by | |||
| Neal Champion | .... | special effects supervisor | |
| Jim Francis | .... | special effects supervisor | |
| James Francis Jr. | .... | special effects technician | |
| Nick P. Phillips | .... | special effects technician (as Nick Phillips) | |
| Edward Smith | .... | senior special effects technician (as Ed Smith) | |
Visual Effects by | |||
| Tabitha Dean | .... | visual effects editorial: CFC | |
| Robert Duncan | .... | visual effects supervisor: CFC | |
| Julia Egerton | .... | digital lab operator: CFC | |
| Ian Fellows | .... | digital paint artist: CFC | |
| Ruth Greenberg | .... | visual effects line producer: CFC | |
| Darrel Griffin | .... | data wrangler: CFC | |
| Jan Hogevold | .... | digital lab producer: CFC | |
| Adam Inglis | .... | digital lab operator: CFC | |
| Merrin Jensen | .... | digital lab coordinator: CFC | |
| Drew Jones | .... | visual effects executive producer: CFC | |
| Penny Leyton | .... | CG animator: CFC | |
| Scott Marriott | .... | digital paint artist: CFC | |
| Jolene McCaffrey | .... | digital compositor: CFC | |
| Chad Rogers | .... | data wrangler: CFC | |
| Jennifer Simonds | .... | digital lab operator: CFC | |
| Maria Stroka | .... | digital lab operator | |
| Maria Stroka-Robinson | .... | digital lab operator: CFC | |
| Matthew Twyford | .... | digital compositor: CFC | |
| Victor Wade | .... | digital paint artist: CFC | |
| Corrina Wilson | .... | digital paint artist: CFC | |
Stunts | |||
| Joss Gower | .... | stunt double | |
| Rowley Irlam | .... | stunt driver | |
| Gareth Milne | .... | stunt coordinator | |
| Peter Pedrero | .... | stunt driver | |
| Andreas Petrides | .... | stunt driver | |
| Buster Reeves | .... | stunts | |
Camera and Electrical Department | |||
| Phil Brookes | .... | rigging gaffer | |
| Dave Fowler | .... | electrician | |
| Graham Frake | .... | additional camera operator | |
| Lee Howarth | .... | stand-by rigger | |
| Gary Hymns | .... | grip | |
| Gary Hymns | .... | key grip | |
| Howard Smith | .... | Steadicam operator | |
| Roger Tooley | .... | Steadicam operator | |
| Ken Westbury | .... | additional camera operator | |
| Vince McGahon | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
| Gaby Kester | .... | casting assistant | |
Editorial Department | |||
| Marcus Alexander | .... | assistant conforming editor | |
| Steve Farman | .... | negative cutter | |
| Steve Harrow | .... | post-production consultant | |
| Anthony Houghton | .... | assistant editor | |
| Angelica Landry | .... | first assistant editor | |
| Andrew Melhuish | .... | assistant editor | |
Music Department | |||
| Isobel Griffiths | .... | orchestra contractor | |
| Michael Higham | .... | music editor | |
| Andy Richards | .... | score mixer | |
| Adam Tudhope | .... | music clearances | |
Other crew | |||
| Candice Fonseca | .... | production coordinator | |
| Jane Houston | .... | script supervisor | |
| Sarada McDermott | .... | production secretary | |
| Joanne Smith | .... | general manager | |
| Adam Tudhope | .... | assistant to producer | |
| Dean Williamson | .... | floor runner | |
Rated R for some sexual content/nudity and language.
93 min
Color (Technicolor)
1.78 : 1 more
Finland:K-11 | Australia:PG | Sweden:7 | Argentina:13 | Australia:M | Germany:12 | Spain:T | UK:12 | USA:R
Blackpool Pleasure Beach, Blackpool, Lancashire, England, UK more
A CGI shot of a wasp flying up Steve Coogan's nose took 12 hours and 10,000 feet of 35mm film before the wasp flying in a small glass cabinet could be coaxed into the nostril of green wax head more
Continuity: A car disappears from behind Simon as he rings Gerorge's doorbell. more
Colin:
What we don't need is a curly headed wanker trying to be Captain Kirk.
Simon Garden:
At least he got things done. Imagine you looking for Spock in Star Trek 4: "Oh, sorry, we couldn't find him".
Colin:
[laughs] That was Star Trek 3. It was called "The Search for Spock"!
more
References Krótki film o zabijaniu (1988) more
Let's Get It On more
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Simon Garden is an annoying Parole Officer who tries to see the best in everyone, fills them with inspirational anecdotes and hope that they'll see the error of her ways, however, as it is hardened criminals he deals with it is about as successful as a Bush Presidency. Forced out by his colleagues at Blackpool he is offered a position in Manchester, but things here go from bad to worse as he witnesses a corrupt cop kill an accountant and is forced out from there as well. As he recalls that the security system in the building will have acted as a second witness to the crime he galvanises the skills of the three men who have gone straight in order to rob the bank that houses the security tape.
This is a pretty standard British comedy that is marked out by a number of good gags (the roller coaster scene in particular) and the actual raid itself. The performances in the film are all as good as they can be with Steve Coogan in fine form as the meek Parole Officer trying to be a role model for people who don't want one. The support of Ben Miller, Lena Hedley, Steven Waddinton, Om Puri (He's always good) and Emma Williams are all fine and the cameo at the end of the film is one that is worth waiting for.
The script is a simple tale that is made as good as it can be and is kind of a throwback to the great Ealing comedies of the forties and fifties with a more contemporary edge and for the most part it is successful. The only downside for me is that, knowing Manchester the way I do, I know that certain buildings aren't where they appear in this film and that is a bit of an issue, but that said this is still essentially an enjoyable Sunday afternoon film for people who want to see Steve Coogan as something other than support in successful American films.
Worth a watch.