In 1943, a German commando conceals a large quantity of gold in an undersea cave on the coast of Corsica. Years later, Schlumpf, the sole survivor of the commando, returns to Corsica to ... See full summary »
A man helps the victim of an auto accident, not realizing that the man has actually been shot. The men who shot him are now after the man who helped him, in order to eliminate him as a ... See full summary »
Dalila Di Lazzaro,
An archaeologist discovers an ancient artifact and scroll which starts a series of events that kills her several times over in various time periods, past lives and locations. It seems that ... See full summary »
Experienced N.Y. police detective John Harris is sent to London to help a local task force investigate a series of gangster killings organized by a new player in town - an American. Harris uses a teen wronged by gangsters to get to him.
When famous DJ Alan Partridge's radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.
Kaisa is a Scot, a successful London lawyer, who snorts coke and has one-night stands with strangers. Her mother calls from Aberdeen with some story begging her to fly to Norway and collect... See full summary »
Hans Petter Moland
Failed parole officer Simon Garden (Coogan) is framed for a murder committed by one of Manchester's leading police officers. The only evidence proving his innocence is a CCTV video tape locked inside a bank vault. With the help of four inept ex-criminals and token love interest Emma (Lena Headey), Garden must break into the bank and steal the CCTV footage in order to clear his name. Written by
Steve Coogan has said that while working in South Asian communities in northern England, that the names of Jenny Agutter and Omar Sharif cut no ice, but that that of Om Puri opened many doors to them. See more »
It is never explained how the conspirators have such detailed knowledge about the lay out of the bank. See more »
Let's Get It On
Performed by Marvin Gaye
Written by Ed Townsend and Marvin Gaye
Published by Jobete Music Co/EMI Music Publishing Ltd
Licensed by kind permission from the Film & TV Licensing division, part of the Universal Music Group See more »
Some of the criticism this film has received seems a little unfair. While its concept, plot and characters are not very inventive, the tone of the film works. The humour is often very amusing indeed, and much does amuse in the film. Even the predictable attempts at "Gross-Out" humour work in themselves, if perhaps not in the context of the film.
Questions could be raised about the film's odd mix of styles - the attempts at naturalism and post-modernism, old-fashioned lightweight adventure and Ealing whimsicality - all seem at odds with each other, yet an entertaining film emerges from this. The playing of an impressive cast is sound, with the supporting players, like Om Puri and Ben Miller making the most of limited parts. Stephen Dillane does a steady job as a smug, self-satisfied policeman baddie. I much enjoyed the absurd bit where he laughs maniacally for a while while on TV and the camera zooms into the TV screen Coogan is watching him on. Newcomer Emma Williams is an effective addition to the cast, although she doesn't have all that much to do in plot terms, come to think of it. The finely named Lena Headey is very inoffensive as the "love interest", and thankfully the romance such as it is is light-hearted and made part of the convoluted plot. Perhaps a problem is the excess of characters, a few of whom could be done without. Omar Sharif's cameo was briskly enjoyable, but hardly necessary to the plot, for example. Steve Coogan, so successful on TV with the Alan Partridge character, goes for a more likable, less intricate comic character in this film. He is often excellent, in scenes such as when he does an odd, buffoonish dance in a club. There are plenty of effective little character touches and importantly, one is made to like his character and want him and his "gang" to win out, so to speak, by the end. A film reminiscent of past British Ealing comedies, yet with a fair dose of crudity. In the context of today, this is an impressively funny film, but it does not quite match up to "The Ladykillers" or "The League of Gentlemen", for example. It is slightly overlong, but largely a winning, refreshing minor comedy.
10 of 14 people found this review helpful.
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