| Photos (See all 28 | slideshow) | Videos (see all 3) |
| Kevin Kline | ... | William Hundert | |
| Emile Hirsch | ... | Sedgewick Bell | |
| Embeth Davidtz | ... | Elizabeth | |
| Rob Morrow | ... | James Ellerby | |
| Edward Herrmann | ... | Headmaster Woodbridge | |
| Harris Yulin | ... | Senator Bell | |
| Paul Dano | ... | Martin Blythe | |
| Rishi Mehta | ... | Deepak Mehta | |
| Jesse Eisenberg | ... | Louis Masoudi | |
| Gabriel Millman | ... | Robert Brewster (as Gabe Millman) | |
| Chris Morales | ... | Eugene Field | |
| Luca Bigini | ... | Copeland Gray | |
| Michael Coppola | ... | Russell Hall | |
| Sean Fredricks | ... | Mr. Harris | |
| Katherine O'Sullivan | ... | The Nun | |
| Melissa Brown | ... | Blonde Girl | |
| Sophie Wise | ... | Brunette | |
| Emily Doubilet | ... | Redhead (as Emily Dara Doubilet) | |
| Michelle Foody | ... | Real Redhead | |
| Caitlin O'Heaney | ... | Mrs. Woodbridge | |
| Charu R. Mehta | ... | Deepak's Mom | |
| Pamela Wehner | ... | Senator Bell's Wife | |
| Molly Regan | ... | Miss Peters | |
| Roger Rees | ... | Mr. Castle | |
| Helen Carey | ... | Miss Johnston | |
| Matthew Douglas | ... | Well Wisher / Good Luck Boy | |
| Charles McConnell | ... | Third Form Boy | |
| Allan M. Care | ... | Other Student | |
| Joel Gretsch | ... | Older Sedgewick Bell | |
| Steven Culp | ... | Older Martin Blythe | |
| Rahul Khanna | ... | Older Deepak Mehta | |
| Patrick Dempsey | ... | Older Louis Masoudi | |
| Jimmy Walsh | ... | Robert Bell | |
| Elizabeth Hobgood | ... | Victoria Bell | |
| Purva Bedi | ... | Anna Mehta | |
| Deirdre Lorenz | ... | Dr. Kelly Ryan | |
| Anthony Vincent Bova | ... | Older Robert Brewster | |
| Mark Nichols | ... | Older Copeland Gray | |
| George F. Miller | ... | Older Eugene Field (as George Miller) | |
| David C. Hatch | ... | Older Deibel | |
| Tom Bloom | ... | Maitre'D | |
| Matthew Clark | ... | Waiter | |
| James Shanklin | ... | Valet | |
| Denis Gawley | ... | Sound Board Mixer | |
| Nick Hagelin | ... | Martin Blythe the 4th | |
| Henry Glovinsky | ... | William Simon | |
| Duane McLaughlin | ... | George Duncan | |
| Jessica Brooks Grant | ... | Kathryn Scott | |
| Charles Estes | ... | Howard Hollander | |
| Dominique Deverau | ... | Tawana Carver | |
| Ben Levin | ... | Steven Wong | |
| Jase Blankfort | ... | Alec Matthews | |
| rest of cast listed alphabetically: | |||
| Peter Charuza | ... | Julius Ceaser Competition Scene Extra (uncredited) | |
| April Crisafulli | ... | Faculty Wife (uncredited) | |
| Julie E. Davis | ... | Faculty Member's Wife (uncredited) | |
| Jovette Elise | ... | Estate Server (uncredited) | |
| Rick Kain | ... | School Administrator (uncredited) | |
| Rick Karatas | ... | Alma Mater Singer #1 (uncredited) | |
| Justin Leader | ... | Student (uncredited) | |
| Tim Realbuto | ... | Jackson Pheiffer (uncredited) | |
Directed by | |||
| Michael Hoffman | |||
Writing credits(WGA) | ||
| Ethan Canin | (short story "The Palace Thief") | |
| Neil Tolkin | (screenplay) | |
Produced by | |||
| Marc Abraham | .... | producer | |
| Sean Bailey | .... | executive producer | |
| Armyan Bernstein | .... | executive producer | |
| Thomas A. Bliss | .... | executive producer | |
| Lisa Bruce | .... | co-producer | |
| Andrew S. Karsch | .... | producer (as Andy Karsch) | |
| Sidney Kimmel | .... | executive producer | |
| Cooper Layne | .... | executive producer | |
| Eric Newman | .... | executive producer | |
| Michael O'Neill | .... | co-producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Lajos Koltai | |||
Film Editing by | |||
| Harvey Rosenstock | |||
Casting by | |||
| Katharina Eggmann | |||
| Sheila Jaffe | |||
| Georgianne Walken | |||
Production Design by | |||
| Patrizia von Brandenstein | |||
Art Direction by | |||
| Dennis Bradford | |||
Set Decoration by | |||
| George DeTitta Jr. | |||
| Beth Kushnick | |||
Costume Design by | |||
| Cynthia Flynt | |||
Makeup Department | |||
| Milton Buras | .... | assistant hair stylist | |
| Joseph Farulla | .... | assistant makeup artist | |
| Leslie Fuller | .... | key makeup artist | |
| Heidi Kulow | .... | makeup artist | |
| Werner Sherer | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Fareshta Ahmadi | .... | dga trainee | |
| Timothy Donohue | .... | second assistant director (as Timothy S. Donohue) | |
| Denis Doyle | .... | additional second assistant director | |
| Takahide Kawakami | .... | second second assistant director | |
| Alexandra E. Perce | .... | additional first assistant director (as Alexandra Perce) | |
| Todd Pfeiffer | .... | first assistant director | |
Art Department | |||
| Joel Barkow | .... | property master | |
| Liz Bonaventura | .... | scenic charge (as Elizabeth Bonaventura) | |
| Kevin Brink | .... | set dresser | |
| Gary Cergol | .... | graphic artist | |
| Tamar M. Cohn | .... | scenic artist | |
| Gerald DeTitta | .... | lead man | |
| Anthony Dimeo | .... | property master | |
| Anne Donovan | .... | scenic artist | |
| Donna L. Drinkwater | .... | set dresser | |
| Tony Gamiello | .... | set dresser (as Tony S. Gamiello Sr.) | |
| Kalina Ivanov | .... | storyboard artist | |
| Robert H. Klatt | .... | set dresser | |
| Eric M. Metzger | .... | property assistant (as Eric Metzger) | |
| Mark Newell | .... | on-set dresser | |
| Gennaro Proscia | .... | construction coordinator | |
| Jeremy Rosenstein | .... | art department assistant | |
| Cathy Scorsese | .... | assistant property master (as Catherine Scorsese) | |
| Stephen Siersema | .... | scenic artist | |
| Nancy Stroud | .... | scenic artist | |
| Jeff Taisey | .... | construction foreman | |
| Irapaul Turner | .... | construction shop manager | |
| John Wolanczyk | .... | stand-by scenic (as John P. Wolanczyk) | |
| Peter Regnier | .... | set dresser (uncredited) | |
Special Effects by | |||
| Syd Dutton | .... | special effects | |
| Bill Traynor | .... | special effects coordinator | |
Visual Effects by | |||
| Steven Fagerquist | .... | visual effects | |
| Mark Kenaston | .... | digital artist | |
| Christopher Grandel | .... | trailer digital effects, Howard Anderson Company (uncredited) | |
| Michael Kory | .... | digital artist (uncredited) | |
Stunts | |||
| Jay Carrado | .... | stunt double | |
| Roy Farfel | .... | stunt coordinator | |
| Don Hewitt | .... | stunt rigger | |
Casting Department | |||
| Trevor P. Jenkins | .... | casting assistant | |
| Anna Maniscalco | .... | background casting associate | |
| Grant Wilfley | .... | background casting | |
Costume and Wardrobe Department | |||
| Elizabeth Feldbauer | .... | wardrobe supervisor | |
| Irene Feldbauer | .... | wardrobe assistant | |
| Gail A. Fitzgibbons | .... | assistant wardrobe supervisor | |
| Anne Gorman | .... | costume shop supervisor | |
| Barrett Hong | .... | costumer | |
| Thomas Lee Keller | .... | assistant costume designer (as Thomas L. Keller) | |
| Jessica T. Sinoway | .... | costume assistant | |
| Rose Wells | .... | wardrobe supervisor (as Rosie Wells) | |
Editorial Department | |||
| Elizabeth Dean | .... | post-production coordinator (as Elizabeth Dionne) | |
| Tim Fox | .... | assistant editor | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Peter Mergus | .... | associate editor | |
| Dana Mulligan | .... | assistant editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Jeff Atmajian | .... | orchestrator | |
| Tom Boyd | .... | musician: oboe soloist | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Peter Doell | .... | music recordist (as Pete Doell) | |
| George Doering | .... | musician | |
| Mark Eshelman | .... | scoring crew | |
| Mark Graham | .... | music librarian | |
| James T. Hill | .... | electronic scoring mixer | |
| James Newton Howard | .... | orchestrator | |
| James Newton Howard | .... | score producer | |
| Robin Lee | .... | music editor | |
| Jason Lloyd | .... | scoring crew | |
| Shawn Murphy | .... | scoring mixer | |
| David Olson | .... | music editor | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: french horn | |
| Robin Urdang | .... | music supervisor | |
| Pat Weber | .... | scoring technician | |
| Jim Weidman | .... | supervising music editor | |
Transportation Department | |||
| Ed Battista | .... | transportation co-captain (as Edward Battista) | |
| Jim Buckman | .... | transportation captain (as James S. Buckman) | |
Other crew | |||
| Peter Anders | .... | caterer | |
| Alexis Arnold | .... | production office coordinator | |
| Mark Barclay | .... | assistant: Thomas A. Bliss | |
| Denver Beattie | .... | assistant: Michael Hoffman | |
| David Brotsky | .... | location scout | |
| Al Cerullo | .... | helicopter pilot | |
| Susan Chun | .... | production office assistant | |
| Paul Codiga | .... | location assistant | |
| Robyn J. Davis | .... | production coordinator | |
| Richard Devinki | .... | production services manager: Beacon | |
| Gregory Dunn | .... | production assistant | |
| Emily Engler | .... | assistant: Ms. Stone | |
| Andrew Fiero | .... | production assistant | |
| David Garcia | .... | production office assistant | |
| Jule Ann Jappe | .... | location scout (as Jule Jappe) | |
| Arabella Johannes | .... | assistant: Mr. Bernstein | |
| Todd Judson | .... | production office assistant | |
| Kenneth M. Kroll | .... | production accountant | |
| Connie Kunz | .... | post-production accountant | |
| Jessica Lacy | .... | production assistant | |
| Chiara Mazzella | .... | set intern | |
| Hillary Meyer | .... | payroll accountant | |
| Robert Nickson | .... | production consultant | |
| Michael K. Reynolds | .... | caterer | |
| Marsha Robertson | .... | unit publicist | |
| Jeff Robinson | .... | office intern | |
| Tanya Sakolsky | .... | assistant: Mr. Kline and Mr. Karsch | |
| Betsy Shankin | .... | assistant location manager | |
| Raygun Sharpadero | .... | accounting clerk | |
| Julie Solomon | .... | location scout | |
| Robin Squibb | .... | script supervisor | |
| David Steiner | .... | location coordinator | |
| Susan Strine | .... | assistant accountant (as Susan L. Strine) | |
| Anna Strout | .... | assistant: Ms. Bruce | |
| Anita Sum | .... | additional production coordinator | |
| Wendy Taylor | .... | location assistant | |
| Irapaul Turner | .... | shop manager | |
| Rose Viggiano | .... | location manager | |
| Catherine Wheatley | .... | assistant: Marc Abraham | |
| Stacey Truett White | .... | production secretary | |
| Jaime Wilson | .... | assistant production coordinator | |
| Alex Bowen | .... | adr voice (uncredited) | |
| Matt Hedge | .... | adr artist (uncredited) | |
Thanks | |||
| Robert Nickson | .... | special thanks | |
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| Notes on a Scandal | The Reader | Machuca | Au Revoir Les Enfants | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The Emperor's Club looks and smells like a teacher-feature film set in a stultifying but uplifting 19th-century classroom, with busts of Homer and Aristotle looking on watchfully and a learned and inspirational educator in the Mr Chipps mould drawing a class of well-mannered boys to enlightenment. At least that's its first 15 minutes or so, until the arrival of Sedgwick Bell, a bright but belligerent senator's son who thinks classical history is utterly pointless. From then on it takes the form of parable as the teacher, Mr Hundert, turns around Sedgwick's anti-everything chest-beating and propels him - with an unethical shove - into the finals of 'Mr Julius Caesar', an interesting if unlikely quiz competition with a toga, laurel wreath and enormous prestige as the prize. The narrative becomes much more interesting at this point, though in a philosophical rather than a traditional cinematic sense (this movie may be too slow and 'wordy' for the average viewer).
The ethical dilemma created is indeed worthy of Socrates or Plato themselves. Hundert lays claim to moulding the character of his students, though in reality - as he is told by Sedgwick's hawkish father - this is not his job. He strives to offer them a virtuous role model, though his own ethics are compromised in helping Sedgwick reach the finals of the competition. And he also claims that contribution and virtue have their own rewards, though he is denied the headmaster's position that he has coveted. The moral ambiguities of Hundert's character are laid open in the movie, just as it seeks to paint a glowing portrait of him as both person and teacher. The end scenes, when he is reunited with his students as successful men, crystallise this moral twist for both us and Hundert's character: sometimes it's better to fail and learn a lesson from failure than to succeed using illegitimate means. Or, as the school's motto reads, finis origine pendet (the end depends on the beginning).
The Emperor's Club doesn't deserve that title. It gives it the ring of Dead Poet's Society, which it assuredly is not: it is a far more cerebral film than that. Like many teacher-based films it cannot quite capture the essence in relationships where bad students are transformed by good teachers - in this one, it's achieved far too easily through the gift of a book. And the dominance of ivy league schools in these films is most concerning, as if filmmakers aren't brave enough to look at the other end of the spectrum. But for all that, The Emperor's Club is a well-made, well-produced and very well-written film that turns out deeper and more profound than you suspect it might.