| Photos (See all 19 | slideshow) | Videos (see all 6) |
| Paulo Araujo | ... | Young Michael | |
| Daniel Tay | ... | Young Bobby | |
| Ty Thomas Reed | ... | Young Carmine (as Ty Reed) | |
| Freddie Prinze Jr. | ... | Michael Turner | |
| Alec Baldwin | ... | Caesar | |
| Scott Caan | ... | Carmine Mancuso | |
| Jerry Ferrara | ... | Bobby Canzoneri | |
| Christian Maelen | ... | Gino | |
| Mena Suvari | ... | Ellen | |
| Chris Caldovino | ... | Philly Cabrese | |
| John Cenatiempo | ... | Bouncer #1 | |
| Alexa Havins | ... | Blonde | |
| Staci Rudnitsky | ... | Allison | |
| Annie Golden | ... | Dottie | |
| Monica Keena | ... | Amy | |
| Tibor Feldman | ... | Professor Foster | |
| Dan McCabe | ... | Eugene | |
| P.J. Brown | ... | Earl Webber | |
| Marc Alan Austen | ... | Rabbi | |
| Rome Kanda | ... | Dealer | |
| Robert Turano | ... | Mr. Canzoneri | |
| Phyllis Kay | ... | Mrs. Canzoneri | |
| Lin Tucci | ... | Aunt Louise | |
| Kevin Thoms | ... | Drunk Preppie (as Kevin Anderson) | |
| James Thompson | ... | Addiction Bouncer | |
| Richard Perello | ... | Bartender | |
| Anthony Paolucci | ... | Truck Driver | |
| Ursula Abbott | ... | Angela | |
| Anthony Vincent | ... | Thug #1 | |
| Frank Lapetina | ... | Jimmy Bags | |
| Bern Cohen | ... | Jeweler #1 | |
| Ed Rubeo | ... | Jeweler #2 | |
| Elyse Seiden | ... | Woman in Crowd | |
| Frank Ferrara | ... | Shooter #1 | |
| Jeffrey M. Marchetti | ... | Shooter #2 | |
| Larry Nuñez | ... | Bus Boy (as Lawrence Nunez) | |
| Brian O'Neill | ... | Priest | |
| rest of cast listed alphabetically: | |||
| Jacqueline Lovell | ... | 80s Clubber (unconfirmed) | |
| Benny Salerno | ... | Doorman | |
| Karla Cavalli | ... | Flirty Girl (uncredited) | |
| Anthony Ferriso | ... | Altar Server (uncredited) | |
| Anne Clare Gibbons-Brown | ... | Catholic School Girl (uncredited) | |
| John Heinlein | ... | Construction Worker (uncredited) | |
| Jessica Jennings | ... | Student (uncredited) | |
| Anna Kendrick | ... | Club Girl (uncredited) | |
| Stefanie Marco | ... | Carmine's Bride (uncredited) | |
| Lisa Maris | ... | Gino's Girlfriend (uncredited) | |
| Nicholas E. Pagani | ... | Social Club Wise Guy (uncredited) | |
| Kevin Paul | ... | Bouncer (uncredited) | |
| Alison Raimondi | ... | Girl from Addiction (uncredited) | |
| Vincent James Russo | ... | Diner Customer (uncredited) | |
| Keri Uribe | ... | Rosie (uncredited) | |
Directed by | |||
| Michael Corrente | |||
Writing credits(WGA) | ||
| Terence Winter | (written by) | |
Produced by | |||
| Julie Bertrand | .... | associate producer | |
| Steven Bowman | .... | executive producer | |
| Bonnie Comley | .... | executive producer | |
| Michael Corrente | .... | producer | |
| Billy Heinzerling | .... | executive producer | |
| Caroline Jaczko | .... | line producer | |
| Stewart Lane | .... | executive producer | |
| Richard Barton Lewis | .... | producer | |
| Darren Manelski | .... | executive producer | |
| Chloe Kai O'Connor | .... | associate producer | |
| Richard Perello | .... | co-producer | |
| Mark Petruzzi | .... | associate producer | |
| Marisa Polvino | .... | producer | |
| Paul Sciala | .... | executive producer | |
| Peter Sciala | .... | executive producer | |
| Rachel Winter | .... | executive producer (as Rachel Rothman) | |
| Terence Winter | .... | executive producer | |
Original Music by | |||
| Benny Rietveld | |||
Cinematography by | |||
| Richard Crudo | (director of photography) (as Richard P. Crudo) | ||
Film Editing by | |||
| Kate Sanford | |||
Casting by | |||
| Sig De Miguel | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
| Cathy Sandrich | (as Cathy Sandrich-Gelfond) | ||
| Wendy Weidman | |||
Production Design by | |||
| Bob Shaw | |||
Art Direction by | |||
| Mario Ventenilla | |||
Set Decoration by | |||
| Jacqueline Jacobson Scarfo | (as Jackie Jacobson) | ||
Costume Design by | |||
| Juliet Polcsa | |||
Makeup Department | |||
| Caryn Brostoff | .... | key makeup artist | |
| Dionne Pitsikoulis | .... | makeup artist | |
| Amanda Ross | .... | makeup artist | |
| Mary Anne Spano | .... | additional makeup artist | |
Production Management | |||
| Sean Garrett Fogel | .... | unit production manager | |
| Paul A. Levin | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Timothy Bird | .... | first assistant director | |
| Heather Grierson | .... | second assistant director | |
| Vanessa Hoffman | .... | second second assistant director | |
Art Department | |||
| Jill Alexander | .... | property master | |
| Ray Fisher | .... | lead man: reshoots | |
| Isaac Gabaeff | .... | props | |
| Emily Gaunt | .... | charge scenic artist | |
| Katie Kemsley | .... | scenic artist | |
| Jon Kim | .... | props | |
| Erik Knight | .... | art department coordinator | |
| Jennifer Massi | .... | art department assistant | |
| Julio Palma | .... | set dresser | |
| Joseph Proscia | .... | leadman | |
| Richard Tenewitz | .... | construction coordinator | |
| Holly Watson | .... | graphic designer | |
Sound Department | |||
| Allan Byer | .... | sound mixer | |
| Vincent Camuto | .... | boom operator | |
| Ryan Collison | .... | foley engineer | |
| Dan Korintus | .... | dialogue editor | |
| Tony Martinez | .... | supervising sound editor | |
| Eric McAllister | .... | supervising sound assistant | |
| Jay Peck | .... | foley artist | |
| Jacob Ribicoff | .... | sound effects editor | |
| Greg Steele | .... | adr mixer | |
| Eric Strausser | .... | second assistant sound editor | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Nick Taylor | .... | adr artist | |
| Noah Timan | .... | sound mixer: additional photography | |
| Greg Zimmerman | .... | adr recordist | |
Visual Effects by | |||
| Berj Bannayan | .... | software engineer: SOHO VFX | |
| Michael Kowalski | .... | production supervisor: Soho VFX | |
| Matthew Lynch | .... | producer: Soho VFX | |
| Allan Magled | .... | visual effects supervisor: Soho VFX | |
| Mike Mombourquette | .... | digital compositor: SOHO VFX | |
| Shervin Shoghian | .... | digital compositor: SOHO VFX | |
| Michael Todd Smith | .... | systems administrator: Soho VFX | |
| Michael Ventresco | .... | title designer: Redscare Inc. (uncredited) | |
Stunts | |||
| Myra 'Dakota' Bown | .... | stunts | |
| Peter Bucossi | .... | stunt coordinator | |
| John Cenatiempo | .... | stunts | |
| John Copeman | .... | stunt double: Freddie Prinz, Jr. | |
| Frank Ferrara | .... | stunt performer | |
| Larry Nuñez | .... | stunt performer | |
| Anthony Vincent | .... | stunts | |
Camera and Electrical Department | |||
| Denise Bailie | .... | first assistant camera: "b" camera | |
| Denise Bailie | .... | second assistant camera: "a" camera | |
| Robert Barocci | .... | camera operator | |
| Michael Burke | .... | gaffer | |
| Tim Davies | .... | best boy grip | |
| Kris Enos | .... | loader | |
| Kris Enos | .... | second assistant camera: b | |
| Glenn Fishel | .... | grip | |
| Brian Hamill | .... | still photographer | |
| Douglas C. Hart | .... | first assistant camera | |
| Gary Jackiewicz | .... | grip | |
| Alec Jarnagin | .... | Steadicam operator | |
| Jendra Jarnagin | .... | additional electrician | |
| Jared Jordan | .... | camera production assistant | |
| Gary Martone | .... | key grip | |
| Jessica Miglio | .... | additional still photographer | |
| Anna Novick | .... | grip | |
| Justin Panzanaro | .... | best boy rgging grip | |
| Jon W. Rosenbloom | .... | dolly grip | |
| William Trautvetter | .... | camera operator | |
| Marilou Vetter | .... | additional assistant camera | |
| Robert Vuolo | .... | electrician | |
Casting Department | |||
| Lori Eastside | .... | extras casting | |
| Samantha Finkler | .... | casting associate | |
| Bruce Winant | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Elizabeth Feldbauer | .... | wardrobe supervisor | |
| Eileen Goh | .... | costumer | |
Editorial Department | |||
| Ivan Chittick | .... | post-production production assistant | |
| Donald Freeman | .... | final colorist | |
| Agnes Grandits | .... | first assistant editor (as Agnes Challe-Grandits) | |
| Victoria Lang | .... | post-production intern | |
| James Nichols Jr. | .... | assistant editor (as Eddie Nichols) | |
| Josh Olive | .... | colorist: dailies | |
| Joe Violante | .... | dailies advisor | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Clair Marlo | .... | songs by | |
| Brienne Rose | .... | music coordinator | |
| Sally Swisher | .... | music editor | |
| Benson Taylor | .... | composer: additional music | |
| Margaret Yen | .... | music supervisor | |
Thanks | |||
| Bill Bertrand | .... | dedicatee: my friend | |
| Nicholas Leiter Mele | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
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| When was this filmed? | bmcwalt |
| i thought it was decent | goopi83 |
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| Freddie Prinze Jr. from Brooklyn or Boston? | nydiner |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
This film was written by Terence Winter, one of the driving forces behind the Sopranos TV series and, given the reputation of that show (which I have to admit to never having seen), I was quite surprised by the routine nature of this film. Freddie Prinze Jr. finds himself out of his depth as Michael, a Brooklyn kid half-scamming his way through law school while trying to avoid becoming sucked into the mob life so adored by Carmine (Scott Caan), one of his closest friends.
Much of the problem lies with the fact that everything that happens here we have seen before in better, more original gangster flicks. The story is OK, but the script rarely rises above the pedestrian and, despite some rather clumsy attempts to insert a number of 80s pop culture references there is no real feeling for time or place. Alec Baldwin, who appears as the local mob ruler is by far the best thing about this film. In fact, Baldwin's pretty good in everything he does these days, having successfully negotiated the thorny transition from leading man to character actor without falling foul of the pitfalls encountered by some of his contemporaries. The best scenes in the film are the ones in which he appears and aren't just the most violent incidents. There is more insight into the workings of the mob in the scene in which Baldwin sits down with another gangster to iron out a few issues between Michael and the local mob psycho than there is in the beatings and shootings, etc.
Scott Caan is memorable, but it's difficult to be sure whether it is because he gives a good performance in his own right or because in a number of scenes he is so reminiscent of his father playing Sonny Corleone.
While there's nothing new here, the picture is entertaining enough and is a relatively painless experience.