Two down on their luck childhood friends struggle to figure out their lives. Ray a drummer in a rock and roll band, and Owen an aspiring film maker spend most of their time working menial ... See full summary »
Freddie Prinze Jr.,
Jack is a NYC advertising exec with a life as glossy as the ads he spins. Jill is new to the city, with nothing to stand on but her fiery personality and romantic ideals. Opposites attract, and together they author their own manifesto of "rules to live by." But Jill betrays Jack by violating rule one - Be Honest.
Freddie Prinze Jr.,
Tai, a young man arrested on a crime charge, is discharged thanks to his twin brother Tan's dogged help. After being set free, he finds Tan in a coma with severe injuries. Tan's girlfriend,... See full summary »
Melba is a Californian trailer-park girl who is said to look for three kings by a phone psychic, and when she meets three guys - Trent, Brad and Joel traveling to Las Vegas, she decides ... See full summary »
A retired detective becomes the key player in a murder investigation involving two policemen who carried out hits for the mob. Based on the true story of NYPD officer Tommy Dades, who ... See full summary »
The director's cut (restored version) opens and closes with theatrical curtains in homage to Georges Méliés films, and is divided into four parts, separated by title cards: I - L'insomnie [... See full summary »
Two bored housewives who use "Dewdrop" and "Tweetie" as their Internet chat room monikers are longing for a bit of excitement. Though Tweetie quickly hooks up with Fox, an older but eager ... See full summary »
The New Yoshiwara pleasure district, in the twilight years of the Edo Period. Popular prostitute Asagiri (Yumi Adachi) will soon be freed from her indentured service. One day at a local ... See full summary »
Ginko seems to be living the good life: She's the respectable owner of a neighborhood drug store in Tokyo, and her daughter Koharu is about to get married to a doctor. However, Koharu's ... See full summary »
Michael 'Mike' Turner is handsome, bright, a resourceful law student and perfect gentleman. Mike were perfect hadn't he been born in late 20th century Brooklyn, a New York borough dominated by the mob, in his case Carmine Mancuso, who luckily chooses to protect bright Mike, even against mob ruffian Gino, and his two inseparable buddies. Cocky Carmine Mancuso actually chooses to join the bloody business, sparing only his youth friends. Third mate Bobby Canzoneri, whose equally dumb parents hosted the gang as kids, naively aims no higher then tenure in the US Post. Yet Bobby ends up dead when a mob war erupts. Written by
This film was written by Terence Winter, one of the driving forces behind the Sopranos TV series and, given the reputation of that show (which I have to admit to never having seen), I was quite surprised by the routine nature of this film. Freddie Prinze Jr. finds himself out of his depth as Michael, a Brooklyn kid half-scamming his way through law school while trying to avoid becoming sucked into the mob life so adored by Carmine (Scott Caan), one of his closest friends.
Much of the problem lies with the fact that everything that happens here we have seen before in better, more original gangster flicks. The story is OK, but the script rarely rises above the pedestrian and, despite some rather clumsy attempts to insert a number of 80s pop culture references there is no real feeling for time or place. Alec Baldwin, who appears as the local mob ruler is by far the best thing about this film. In fact, Baldwin's pretty good in everything he does these days, having successfully negotiated the thorny transition from leading man to character actor without falling foul of the pitfalls encountered by some of his contemporaries. The best scenes in the film are the ones in which he appears and aren't just the most violent incidents. There is more insight into the workings of the mob in the scene in which Baldwin sits down with another gangster to iron out a few issues between Michael and the local mob psycho than there is in the beatings and shootings, etc.
Scott Caan is memorable, but it's difficult to be sure whether it is because he gives a good performance in his own right or because in a number of scenes he is so reminiscent of his father playing Sonny Corleone.
While there's nothing new here, the picture is entertaining enough and is a relatively painless experience.
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