Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a ... See full summary »
Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to... See full summary »
Mirza Ebrahim Khan, travels past in time to introduce cinematography to the previous king who can afford to pay for the new industry. But Nasser-e-din Shah takes an interest in the actress ... See full summary »
A film comprised of three interconnected vignettes that depict women at three stages of life in Iran. The first part centers on a young girl on her ninth birthday who is told that she can ... See full summary »
The Taliban are ruling Afghanistan, they being a repressive regime especially for women, who, among other things, are not allowed to work. This situation is especially difficult for one ... See full summary »
Mohammad Arif Herati
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the ... See full summary »
Part one: A brown-haired man finds out that his wife cheats on him with a blonde-haired man. He kills his rival and is condemned to the capital punishment. Gazale takes her own life. Part ... See full summary »
Nafas is a reporter who was born in Afghanistan, but fled with her family to Canada when she was a child. However, her sister wasn't so lucky; she lost her legs to a land mine while young, and when Nafas and her family left the country, her sister was accidentally left behind. Nafas receives a letter from her sister announcing that she's decided to commit suicide during the final eclipse before the dawn of the 21st century; desperate to spare her sister's life, Nafas makes haste to Afghanistan, where she joins a caravan of refugees who, for a variety of reasons, are returning to the war-torn nation. As Nafas searches for her sister, she soon gets a clear and disturbing portrait of the toll the Taliban regime has taken upon its people. Written by
Filmed on the Iran/Afghanistan border, KANDAHAR is a semi-documentary style movie that chronicles the perilous journey undertaken by an expatriate female journalist, Nafas, to reach the city of Kandahar, where she hopes to rescue her sister from committing suicide during an impending eclipse. However, Nafas's odyssey is really little more than a device to lift the veil on the poverty and hardship of life in Taliban-controlled Afghanistan.
Through a series of vignettes, the movie succeeds beautifully in revealing insights that are both fascinating and harrowing. It is almost impossible to imagine a culture so far removed from the relatively comfortable life enjoyed by more civilised' nations. Young boys rock back and forth, reciting the Koran while learning to become Mullahs, pausing only to recite the meaning and purpose of the sabre and semi-automatic machine gun when prompted by their teacher; young girls have lessons in how to resist the temptation to pick up possibly booby-trapped dolls; a doctor treats his female patient by speaking to them via children as they sit either side of a makeshift screen, and conducts his examinations through a small hole in the screen; the threat and consequences of land-mines pervade everybody's life, and year-long waits for prosthetic legs are commonplace, so that prosthetics become a black-market currency.
True, the acting is poor most of the cast are non-professionals, many never even having seen a moving picture before appearing in this film but, the purpose of this movie was not to dazzle us with superior acting; it was to open an eye to the hardship endured by both men and women in an oppressive regime, and, at this, it succeeds beautifully.
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