| Hilary Howard | ... | Ren | |
| Anthony Leslie | ... | Lyle | |
| Mitchell Riggs | ... | Mitchell |
Directed by | |||
| Josh Apter | |||
| Peter Olsen | |||
Writing credits(in alphabetical order) | ||
| Josh Apter | ||
| Hilary Howard | ||
| Anthony Leslie | ||
| Peter Olsen | ||
| Mitchell Riggs | ||
Cinematography by | |||
| Peter Olsen | |||
Film Editing by | |||
| Josh Apter | |||
Sound Department | |||
| Josh Apter | .... | sound recordist | |
Other crew | |||
| Leigh Vega | .... | production assistant | |
| Leigh Marino Vega | .... | production assistant | |
Thanks | |||
| Steve Garfinkel | .... | special thanks | |
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| Jerome | The Dream Catcher | Heaven's Burning | Jimmy Zip | The Bros. |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb USA section |
A young married couple is going away for a romantic weekend, when on a whim they pick up a hitchhiker. Things go from good to bad to worse in a plot that is fairly predictable until near the end when there is a twist that saved it for me.
The other factor was a very strange editing technique, which at first looked like a mistake: you hear a person speaking and the camera is showing that person, but *not* talking. After this happens several times it becomes clear that it was not a mistake and you wonder why it was done. I thought perhaps the idea was to make the person seem emotionally cold, while another idea I heard was that it made the person seem like two people. I would love to hear others' opinions.
Seen at Cinequest (the San Jose, CA film festival) on 2/25/2002.