Je rentre à la maison (2001)

Director:

Manoel de Oliveira

Writers:

Manoel de Oliveira (scenario and dialogue)
Jacques Parsi (scenario consultant: literature)

Release Date:

8 June 2001 (Italy)

Genre:

Comedy | Drama

Plot:

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife...

Plot Keywords:

Actor | Aging | Car Crash | Theater | Film In Film

Awards:

3 wins & 2 nominations

Cast

Michel Piccoli	...	Gilbert Valence
Catherine Deneuve	...	Marguerite
John Malkovich	...	John Crawford, Film Director
Antoine Chappey	...	George
Leonor Baldaque	...	Sylvia
Leonor Silveira	...	Marie
Ricardo Trêpa	...	Guard
Jean-Michel Arnold	...	Doctor
Adrien de Van	...	Ferdinand
Sylvie Testud	...	Ariel
Isabel Ruth	...	Milkmaid
Andrew Wale	...	Stephen
Robert Dauney	...	Haines
Jean Koeltgen	...	Serge
Mauricette Gourdon	...	Guilhermine, the Housekeeper

Also Known As:

I Go Home (Australia) (TV title)
I'm Going Home (Portugal)
Vou Para Casa (Portugal)

Runtime:

90 min

Country:

France | Portugal

Language:

French | English

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Stereo

Certification:

Singapore:PG | Australia:G | Finland:K-11 | France:U | Netherlands:AL | Portugal:M/12 | Spain:T | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:PG

Company:

Madragoa Filmes

Trivia:

Le Figaro is considered a right-wing newspaper in France. Therefore, the Café scenes are a joke with the average conservative French man.

Goofs:

Continuity: From the 2nd to the 3rd Café scene, the headlines on both Le Figaro and Liberátion do not change, and it is supposed to be another day.

Movie Connections:

Referenced in Faust - Der Tragödie erster Teil (2009)

Soundtrack:

LOHENGRIN - Prélude (Vorspiel 1 Aufzug)

After losing wife, daughter and son-in-law in a car accident, an old actor tries to overcome his grief bringing his grandson to live with him.

It´s amazing how Manoel de Oliveira, who's 93 years old, accomplishes so much in this film using so little. The story is quite simple and there´s nothing very unusual about the characters. But the film captures the audience´s attention in a remarkable way. We get to know so much about the characters that sometimes we feel that we´re reading a book, when the author has pages and pages to tell everything about them. Michel Picoli plays a successful stage actor who, after losing wife, daughter and son-in-law in a car accident, learns to overcome his grief bringing his young grandson to live with him. Manuel de Oliveira doesn't use exciting camera angles nor spectacular takes. Everything is quite simple in his film. It's the simplicity of a master, who knows perfectly well what's he's doing. Acting is superlative. Picoli's work is on the level of the best performances of Ingmar Bergman's actors. And, of course, there's John Malkovich, with very few lines but an enormous intensity, in the role of an American film director who's shooting a movie version of James Joyce's "Ulysses". This is one of the most intelligent, delicate and touching films I've seen in many years.