Je rentre à la maison (2001)

Director:

Manoel de Oliveira

Writers:

Jacques Parsi (French consultant)
Manoel de Oliveira (writer)

Release Date:

8 June 2001 (Italy)

Genre:

Comedy | Drama

Plot:

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife...

Plot Keywords:

Film In Film | Age Difference | Grandfather Grandson Relationship | Old Age | Shoe

Awards:

3 wins & 2 nominations

Cast

Michel Piccoli	...	Gilbert Valence
Catherine Deneuve	...	Marguerite
John Malkovich	...	John Crawford, Film Director
Antoine Chappey	...	George
Leonor Baldaque	...	Sylvia
Leonor Silveira	...	Marie
Ricardo Trêpa	...	Guard
Jean-Michel Arnold	...	Doctor
Adrien de Van	...	Ferdinand
Sylvie Testud	...	Ariel
Isabel Ruth	...	Milkmaid
Andrew Wale	...	Stephen
Robert Dauney	...	Haines
Jean Koeltgen	...	Serge
Mauricette Gourdon	...	Guilhermine, the Housekeeper

Also Known As:

I Go Home (Australia) (TV title)
I'm Going Home (Portugal)
Vou Para Casa (Portugal)

Runtime:

90 min

Country:

France | Portugal

Language:

French | English

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Stereo

Certification:

Singapore:PG | Australia:G | Finland:K-11 | France:U | Netherlands:AL | Portugal:M/12 | Spain:T | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:PG

Company:

Canal+

Trivia:

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2001 (#05)

Goofs:

Continuity: From the 2nd to the 3rd Café scene, the headlines on both Le Figaro and Liberátion do not change, and it is supposed to be another day.

Soundtrack:

Sous le ciel de Paris

Autobiography of an Ancient Director

This film by 92-year-old Portuguese film director Manoel De Oliveira is an 86-minute close observation of an elderly actor who seems to be mainly a stage actor. The film opens with a 15-minute scene from Ionesco's "Le roi meurt," in which the actor (Michel Piccoli) goes through the never-say-die speech of the 280-year-old king. After the performance, he is greeted backstage with the news that his wife, daughter, and son-in-law have been killed in a car accident. The rest of the film follows him in his everyday routines, into another performance (this time in Shakespeare's "The Tempest"), and then on to a film of James Joyce's "Ulysses." In between we watch him buy shoes, quarrel with his agent, play with his orphaned grandson, and drink espresso at his favorite cafe.

De Oliveira has a habit of filming performances at odd levels. For example, in "Le roi meurt," Piccoli has his back to the camera the entire time. During a quarrel with his agent, only Piccoli's feet in his new shoes are shown. He bashes the heels against the pavement when he's mad, rocks them back and forth when he's pleased--it's all there. When he is playing Buck Mulligan in "Ulysses" we only hear his performance, and gauge it by the reactions on the face of the film director (John Malkovich). The lengths De Oliveira goes to to confound his actors' egos and the audience's expectations are inventive and a bit peculiar.

I sensed that this film was more about De Oliveira than about the characters in the story. There isn't much dialog and not much character development. The theme of the king who will not die, who is egomaniacal beyond reason, perhaps is De Oliveira talking to himself. He makes movies into his 90s because it is his habit. He should be dead by now, but he's not, and because of that he has watched everyone he loves die before him. The possibility of trying to start a new life with a young starlet that is offered to Piccoli must also have happened to De Oliveira. He won't make himself ridiculous that way. "I'm not Casals," the actor says when told of the musician's marriage at the age of 82 to a teenager. I can hear our director saying that, too.

What he wants to do is stop working, rest, and mourn his losses. This is, I feel, a personal film and all the more moving for it.