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I'm Going Home (2001)
"Je rentre à la maison" (original title)

7.0
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Ratings: 7.0/10 from 1,381 users   Metascore: 86/100
Reviews: 23 user | 50 critic | 21 from Metacritic.com

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. ... See full summary »

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(scenario and dialogue), (scenario consultant: literature), 3 more credits »
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Cast

Cast overview, first billed only:
...
Gilbert Valence
...
Marguerite
...
John Crawford, Film Director
Antoine Chappey ...
George
Leonor Baldaque ...
Sylvia
Leonor Silveira ...
Marie
Ricardo Trêpa ...
Guard
Jean-Michel Arnold ...
Doctor
Adrien de Van ...
...
Isabel Ruth ...
Milkmaid
Andrew Wale ...
Stephen
Robert Dauney ...
Haines
Jean Koeltgen ...
Serge
Mauricette Gourdon ...
Guilhermine, the Housekeeper
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Storyline

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire. Written by Markku Kuoppamäki

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

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Details

Country:

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Language:

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Release Date:

12 September 2001 (France)  »

Also Known As:

I'm Going Home  »

Box Office

Budget:

FRF 18,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Le Figaro is considered a right-wing newspaper in France. Therefore, the Café scenes are a joke with the average conservative French man. See more »

Goofs

From the 2nd to the 3rd Café scene, the headlines on both Le Figaro and Liberátion do not change, and it is supposed to be another day. See more »

Connections

Referenced in Faust. Der Tragödie erster Teil (2009) See more »

Soundtracks

Le Pont Mirabeau
Lyrics by Guillaume Apollinaire (as Appolinaire)
Written by Léo Ferré
(c) 1952 by Les Nouvelles Edition Méridian - Paris, Fr.
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User Reviews

 
A beautiful subject, beautifully delivered, but not for a feature film
26 January 2002 | by (Montreal, Canada) – See all my reviews

This is a superbly played, superbly framed film about a very interesting idea. It is simply three times too long. The film follows an aging actor, Gilbert Valence (Michel Piccoli), from the moment he learns his wife, their only child and her husband died in a car accident, to the moment he suddenly turns old.

Valence, who is either shown or heard in every scene, has very few words to say except when playing, first in Ionesco's Le Roi se meurt, then in the Tempest (both in French) and last while shooting a film in English, Joyce's Ulysses. That last role ends with the title words, I'm going back home, when Valence simply walks out rather than deal with his failure to master Joyce's words while keeping the wanted character and pacing.

The remaining minutes show him walking in a Paris suburb, from the studio to his home, while mumbling his role in English. This gives us the time to realize that all the while, since his wife's death, he's been sticking close to home, going through the well-known daily habits of his life, and equally well-known roles. Only the short appearance in Ulysses would have taken him into new territory. Turning old is choosing not to go outside the life one knows. In Valence's case, it's rather not going outside of what is left of his life, once the most important people in it have been killed.

The only other major speaking role belongs to Valence's agent, Georges (Antoine Chappey). Unfortunately, it is marred by an absence of those concrete details that convince the viewer that this is not sketch for a character, but a living human being. One scene, for instance, has Valence refuse a TV role which Georges is pushing because of the money involved, but Georges only gets to call it "lots", without giving even an approximation.

That deficiency in realistic detail mars other aspects of the film too. However, John Malkovich, playing the American film director, breaks through, he is quite convincing. My suspicion is that he wrote his own lines.

Even if the deficiency were fixed, though, Oliveira would still only have material for thirty minutes. His own failure is in not facing up to that. But Piccoli's playing is sublime, and the wordless showing of Valence's implicit choices through well-framed moments, is also a lesson in filming.


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