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Faces on Mars (2003)
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Overview
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'A dark comedy about the Social Darwinism of Nobodies in Hollywood'Plot:
Two British immigrants, on the run from the INS, hide in an apartment in Los Angeles, only to fall into the deluded world of a wounded Hollywood receptionist. | add synopsisUser Comments:
What Cinema should be moreCast
(Credited cast)| Alexa Jago | ... | Blair / Beatrice | |
| Riley Novak | ... | Colin | |
| Barry O'Rourke | ... | Ian | |
| Gianin Loffler | ... | Geoffrey | |
| Barry Papick | ... | Larry | |
| Stephanie Venditto | ... | Gwen | |
| Sarah Scott Davis | ... | Liz | |
| John Forde | ... | Frank | |
| rest of cast listed alphabetically: | |||
| Christopher Rossi | ... | Dave | |
| Christopher Yohe | ... | Phillipe | |
Additional Details
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USALanguage:
EnglishColor:
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1.78 : 1 moreFilming Locations:
Silver Lake, Los Angeles, California, USAFun Stuff
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Gary Oldman did coaching for the English accent of the lead actor, and his mother, Kay Delahunty Oldman, is in the movie as a neighbor of the group of immigrants. moreFAQ
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If you like films like Withnail and I and television shows such as The Young Ones, you will simply adore this gem from the director of past Sundance hit Little Noises.
A mixture of Brecht, British Social Realism and Reality TV - this low budget indie digital film, dark comedy depicts the true underbelly of "artists as struggling workers" in Los Angeles (or rather in a city on the outskirts of Tinsel Town) - all competing and conspiring against one another in a society geared toward unbridled individualism and self-promotion.
Two Brits on the run from the INS in Los Angeles find themselves hiding out in an apartment inhabited by struggling actors - all of whom are taking advantage of a rich man with a trust fund who owns the apartment and wants to create an experimental/egalitarian habitat.
What ensues is a hilarious examination of human behavior and the excesses of the pursuit of self-interest at the expense of solidarity.
Moreover, Director Jane Spencer is highly successful on giving the film some depth through psychological side stories for our main characters. Everyone has a wound - everyone is trying to resolve it in some way. Everyone needs love and attention - but can't find it in a society where everything is for sale.
The cinematography is functional and serves the chaotic purpose of the narrative.
This director should make more movies - as substance of storytelling and political focus is sorely lacking in todays hyper stylized monstrosities masquerading as cinema.