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Millennium Mambo (2001)
"Qian xi man po" (original title)

R  |   |  Drama, Romance  |  31 October 2001 (France)
7.0
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Ratings: 7.0/10 from 2,813 users   Metascore: 73/100
Reviews: 26 user | 43 critic | 12 from Metacritic.com

Taipei. A voice off-camera looks back ten years to 2000, when Vicky was in an on-again off-again relationship with Hao-Hao. She's young, lovely, and aimless. He's a slacker. Cigarettes and ... See full summary »

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(as Hsiao-Hsien Hou)

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Title: Millennium Mambo (2001)

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Cast

Credited cast:
...
Vicky
Jack Kao ...
Jack
Chun-hao Tuan ...
Hao-Hao
Jun Takeuchi ...
Jun
Ko Takeuchi ...
Ko
...
Doze (as Chen-er Niu)
Rest of cast listed alphabetically:
Yi-Hsuan Chen ...
Xuan
Hui-ni Hsu ...
Cat
Edit

Storyline

Taipei. A voice off-camera looks back ten years to 2000, when Vicky was in an on-again off-again relationship with Hao-Hao. She's young, lovely, and aimless. He's a slacker. Cigarettes and alcohol fuel her nights. We see bits of her life: when Hao-Hao steals his father's Rolex and the police detain them; when she gets a job as a club hostess, where she meets Jack, who becomes her patron and protector; when Hao-Hao comes to the club, insisting on talking to her; when she visits Yubari, Japan, for its film festival in the dead of winter; when Jack must go to Japan to straighten out trouble caused by one of his acolytes. Does Vicky have any expectations? Does time simply pass? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Aisareru isshun ga watashi no subete ni naru [Japan]

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language, drug content and some sexuality | See all certifications »
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Details

Official Sites:

Country:

|

Language:

Release Date:

31 October 2001 (France)  »

Also Known As:

Millennium Mambo  »

Filming Locations:


Box Office

Opening Weekend:

$2,427 (USA) (9 January 2004)

Gross:

$14,809 (USA) (16 January 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (edited)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2001 (#03) See more »

Connections

Referenced in Ore 5.35. tangenziale est (2008) See more »

Soundtracks

Why does my heart fell so bad ? (Katcha remix)
Written by Moby
See more »

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User Reviews

 
Hollow but compelling
11 June 2002 | by See all my reviews

A hollow life is observed clinically but sympathetically in this melancholy, graceful film, which is itself hollow but compelling, like the dance beat it is set to. The director uses a convention I hadn't seen since early silent films: a summary description of an action, followed by its acting out. Also, the story is narrated from a time yet to come. These devices create the sense that the events have happened before--as they have, in the cyclical, purposeless life we are witnessing--and also that they are inevitable. The story is narrated in the voice of the leading character, but in the third person: an older self from a real future? or an alternate reality? or only her imagination? The narration is necessary as a comment on the characters' behavior because in the numb and mindless hedonism that draws them in and keeps drawing them (she keeps leaving the boyfriend who embodies this life style but keeps returning to him) they are never shown as capable of thought. Whether the film means to say that, or is simply limiting its view and depth of field to exclude their thoughts as peripheral to their lives, this lack works to unconvince us. The characters are shown in attitudes of thought but never speak anything like a thought, even a stupid one; they are moved entirely by want and impulse. The hedonist boyfriend is shown as having friends; how? Nobody not brain-dead exists in a state of pure mindlessness. That is the view of parents whose adolescent refuses to talk to them: who can understand these kids? This film describes a life--and this is an interesting accomplishment, but a relatively narrow one. More difficult, in this milieu, and ultimately more interesting would have been to discover the person whose life it is (or will have been).


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