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Jonathan Taylor Thomas,
A film crew travels to the Austrian Alps near the (former) Yugoslav border to film three extreme sports enthusiasts being chased down by an avalanche for a commercial. What they don't know, however, is that they're filming near the secret hideout of Slobodan Pavle, a Serbian war criminal. Accidentally catching him on film, they become locked in a life-or-death chase for their lives through the mountains that includes skiing, snowboarding, sky diving, white water rafting, helicopters, motorcycles and base jumping. Written by
The closing credits begin with 'To Werner' - Werner Koenig had died in an avalanche in 2000 while location scouting for this movie. See more »
At the end on the mountain there is only one camera present, yet the resulting video shows someone holding that camera. See more »
[after Ian gives them safety equipment]
This shit is for pussies!
Look it's not easy for me to admit this, but the fact of it is, over the past 24 hours, I've fallen in love with each and every one of you. We're going to be pretty high up there and it's going to be pretty dangerous. And if anything should happen, I don't think I'd forgive myself. Especially you Silo, your quiet charm has cast a spell over me.
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Pick Up the Pieces
Written by Clint Baker, David Keel, Dustin Stroud & Mark Johnson
Performed by Riddlin' Kids (as Riddlin Kids)
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing See more »
Hmm. You know, sometimes I wonder why we're screwed up as a species. I was watching Extreme Ops in the comfort of my home and suddenly the world fell silent, and a wave of emptiness fell upon me as a poorly matted Bridgette Wilson escaped a fake avalanche just in time for a ski jump to take out some excruciatingly recycled terrorists who were busy being evil for no other reason than because the script says to. I looked around to find myself in alien surroundings. My home was no longer my home, but a void of everlasting darkness in which no form of goodness, nor light, nor hope could ever be found. And from the belly of this neverending realm of pain and celluloid death could be heard the sound of English actor Rufus Sewell dismantling his once promising career with lines of dialogue like "Are you ready to know what it's like to ski in front of an avalanche?" Oh, the pain. Soon, all this agony ceased, and numbness set in. My world shrank and suddenly I felt nothing at all, and I realized that everything I had ever done was meaningless, and all I had was nothing at all so long as Devon Sawa continues to hang from a cliff and ask a girl out in the middle of a terrorist attack just before feigning suicide for "team sacrifice". My God, my God, why hast thou forsaken me?
But then, something happened. The darkness parted, and the shroud of peril lifted and I awoke from my numbness to find that I was in deed at home. My furniture was still here and all my things were as I had left them. I wondered to my self, "What happened?" And then I looked to my television and saw credits rolling. The deed was done. And the darkness had gone. But only until the sequel. (Fat chance)
This movie sucks. I hate it almost as much as it hates me. 1/10
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