Walter, 24, is a wrestler, competing for a spot on the national team when he learns of his sister's brutal death. He comes home to help his mother; he works out, takes a dead-end job, and ... See full summary »
David loves his wife, Gillian. Unfortunately, she died two years ago. David deals with his grief by continuing his romance with Gillian during walks with her "ghost" on the beach at night. ... See full summary »
Astrid Magnussen is a 15 year old girl, living in California. Her mother, Ingrid, is a beautiful, free-spirited poet. Their life, though unusual, is satisfying until one day, a man named Barry Kolker (that her mother refers to at first as "The goat man") comes into their lives, and Ingrid falls madly in love with him, only to have her heart broken, and her life ruined. For revenge, Ingrid murders Barry with the deadly poison of her favourite flower: The White Oleander. She is sent to prison for life, and Astrid has to go through foster home after foster home. Throughout nearly a decade she experiences forbidden love, religion, near-death experiences, drugs, starvation, and how it feels to be loved. But throughout these years, she keeps in touch with her mother via letters to prison. And while Ingrid's gift is to give Astrid the power to survive, Astrid's gift is to teach her Mother about love. Written by
Many people in the film industry felt sure that Michelle Pfeiffer would receive an Oscar nomination for her turn as the murderous mother, but the film's failure at the box-office coupled with the aggressive marketing campaign for Chicago (2002) actresses Queen Latifah and Catherine Zeta-Jones in the same category, Pfeiffer failed to get a nomination. See more »
When Uncle Ray and Astrid are outside watching the meteor shower he lights a cigarette but when he takes a puff and pulls it away to blow out the smoke there is no smoke and the cigarette is not lit. When Starr comes out and asks what he is doing the cigarette is lit and smoldering. See more »
I made you. I'm in your blood. You don't go anywhere until I let you go
Then let me go
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With no expectations of anything beyond the average I was aware as I viewed this film that it was a quality beyond most mainstream films currently available. We all left fairly stunned and stumbling into the daylight at the conclusion. Slowly devastatingly and utterly integral, at no point was the audience's intelligence insulted, the depth of characters, plot and script evenly executed with no room for anything but knowing we the audience were in for something special. Don't expect any black and white conclusions or answers, just the complexities of dynamics between kin and otherwise. . . brilliantly cast. I hope Michelle Pfieffer earns her first oscar here . . . comparable to American Beauty, I don't know why - but as poignant, beautiful, truthful and important. Beautiful soundtrack and to look at, pace perfect.
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