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White Oleander (2002)

PG-13 | | Drama | 11 October 2002 (USA)
A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.

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Writers:

(novel), (screenplay)
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3,056 ( 184)

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From $2.99 (SD) on Amazon Video

ON DISC
3 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Elisa Bocanegra ...
Girl in Fight
Darlene Bohorquez ...
Prisoner
Solomon Burke Jr. ...
Scott Allan Campbell ...
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Teacher
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Vernon Haas ...
Sean Happy ...
Dirt Bike Boyfriend
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Ray
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Storyline

Astrid Magnussen is a 15 year old girl, living in California. Her mother, Ingrid, is a beautiful, free-spirited poet. Their life, though unusual, is satisfying until one day, a man named Barry Kolker (that her mother refers to at first as "The goat man") comes into their lives, and Ingrid falls madly in love with him, only to have her heart broken, and her life ruined. For revenge, Ingrid murders Barry with the deadly poison of her favourite flower: The White Oleander. She is sent to prison for life, and Astrid has to go through foster home after foster home. Throughout nearly a decade she experiences forbidden love, religion, near-death experiences, drugs, starvation, and how it feels to be loved. But throughout these years, she keeps in touch with her mother via letters to prison. And while Ingrid's gift is to give Astrid the power to survive, Astrid's gift is to teach her Mother about love. Written by wyrd_sista_187 <wyrd_sista_187@yahoo.com.au>

Plot Summary | Add Synopsis

Taglines:

Where does a mother end and a daughter begin?

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements concerning dysfunctional relationships, drug content, language, sexuality and violence | See all certifications »

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Details

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Release Date:

11 October 2002 (USA)  »

Also Known As:

Laurier blanc  »

Filming Locations:

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$5,607,480 (USA) (11 October 2002)

Gross:

$16,346,122 (USA) (6 December 2002)
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Company Credits

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Technical Specs

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Many people in the film industry felt sure that Michelle Pfeiffer would receive an Oscar nomination for her turn as the murderous mother, but the film's failure at the box-office coupled with the aggressive marketing campaign for Chicago (2002) actresses Queen Latifah and Catherine Zeta-Jones in the same category, Pfeiffer failed to get a nomination. See more »

Goofs

When Astrid, Starr, and Carolee are driving to go get clothes, Starr refers to the reverend of their church as "Reverend Thomas." However, in every other scene before and after this, the reverend is referred to as "Reverend Daniels." Perhaps his name is Thomas Daniels. See more »

Quotes

Ingrid: Of course I was jealous. I live in a cell with a women who has a vocabulary of 25 words.
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Connections

Referenced in Film Geek (2005) See more »

Soundtracks

Happy Hour
Written by Davey von Bohlen, Jason Gnewikow, Dan Didier and Scott Shoenbeck
Performed by The Promise Ring
Courtesy of Jade Tree
By Arrangement with Crusty Old Timer, L.L.C.
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User Reviews

 
Ingrid and Astrid work it out
14 October 2002 | by (L A.) – See all my reviews

Although not a perfect film by any stretch (too many things happen without any seeming rationale behind them and some of the most important plot points are too vague), White Oleander still kept me intrigued, thanks mainly to the great performances by Pfeiffer (extraordinary in her restraint - brilliant characterization), Renee Zellweiger (achingly vulnerable here) and the extremely talented Alison Lohman (who's in nearly every scene and never hits a false note - and the fact that she sort of looks like Kirsten Dunst doesn't hurt either).

A lot of critics are saying the film is too melodramatic or not 'weepy' enough, when in fact I found the movie's greatest strength (along with the performances) to be in how UNmelodramatic it is; there's a lot of restraint taken in the scenes that could have played like an afternoon soap, and I also appreciated how the film DIDN'T wind up as a tearjerker but rather took a grittier approach by portraying Astrid as an ultimate survivor in her sad and lonely journey toward independence.


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