David loves his wife, Gillian. Unfortunately, she died two years ago. David deals with his grief by continuing his romance with Gillian during walks with her "ghost" on the beach at night. ... See full summary »
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
Robert John Burke
John came to Hollywood to get that one big break in life. Years have passed since and all he has to show for are a menial job, unpaid bills and airhead friends and he's getting sick of it all. Is there a way out of this downward spiral?
Astrid Magnussen is a 15 year old girl, living in California. Her mother, Ingrid, is a beautiful, free-spirited poet. Their life, though unusual, is satisfying until one day, a man named Barry Kolker (that her mother refers to at first as "The goat man") comes into their lives, and Ingrid falls madly in love with him, only to have her heart broken, and her life ruined. For revenge, Ingrid murders Barry with the deadly poison of her favourite flower: The White Oleander. She is sent to prison for life, and Astrid has to go through foster home after foster home. Throughout nearly a decade she experiences forbidden love, religion, near-death experiences, drugs, starvation, and how it feels to be loved. But throughout these years, she keeps in touch with her mother via letters to prison. And while Ingrid's gift is to give Astrid the power to survive, Astrid's gift is to teach her Mother about love. Written by
When Astrid, Starr, and Carolee are driving to go get clothes, Starr refers to the reverend of their church as "Reverend Thomas." However, in every other scene before and after this, the reverend is referred to as "Reverend Daniels." Perhaps his name is Thomas Daniels. See more »
I made you. I'm in your blood. You don't go anywhere until I let you go
Then let me go
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With no expectations of anything beyond the average I was aware as I viewed this film that it was a quality beyond most mainstream films currently available. We all left fairly stunned and stumbling into the daylight at the conclusion. Slowly devastatingly and utterly integral, at no point was the audience's intelligence insulted, the depth of characters, plot and script evenly executed with no room for anything but knowing we the audience were in for something special. Don't expect any black and white conclusions or answers, just the complexities of dynamics between kin and otherwise. . . brilliantly cast. I hope Michelle Pfieffer earns her first oscar here . . . comparable to American Beauty, I don't know why - but as poignant, beautiful, truthful and important. Beautiful soundtrack and to look at, pace perfect.
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