Adapted from James Joyce's Ulysses, Bloom is the enthralling story of June 16th, 1904 and a gateway into the consiousness of its three main characters: Stephen Dedalus, Molly Bloom and the extraordinary Leopold Bloom.

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Cast

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Neilí Conroy ...
Eoin McCarthy ...
Alvaro Lucchesi ...
Maria Hayden ...
Aideen McDonald ...
Pat McGrath ...
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Hugh MacDonagh ...
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Storyline

Fathers and sons and lovers. June, 1904. Leopold Bloom, Dublin Jew and cuckold, attends a funeral, recalls his infant son dead 11 years, faces an anti-Semite at a pub, has a phantasmagoric dream while at a brothel, feeds a drunken young poet Stephen Dedalus, bonds briefly with Stephen as if father and son, and gets into bed next to his wife Molly. Stephen spends his day teaching, talking about literature with pals, pondering Shakespeare and "Hamlet" and fatherhood, brooding on his dead mother, drinking too much, and accepting Bloom's hand. Molly, lusty Molly, recalls vividly her courtship and affirmation of Bloom. Homer's "Odyssey" provides the story's structure. Written by <jhailey@hotmail.com>

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pub | drinking | bed | dream | jew | See All (167) »

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The enthralling story of June 16th, 1904. See more »

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Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content including dialogue | See all certifications »
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16 April 2004 (Ireland)  »

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Bl,.m  »

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Did You Know?

Trivia

Director Sean Walsh's name appears as the owner of one of the horses in the paper in one scene. See more »

Quotes

Molly Bloom: I said yes, I will, Yes.
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Crazy Credits

The film is dedicated to S... See more »

Connections

Version of Ulysses (1967) See more »

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User Reviews

 
R-U-B-B-I-S-H
17 June 2004 | by (Cork, Ireland) – See all my reviews

Bloomsday 100 should have yielded a fitting tribute to Ireland's great James Joyce. Unfortunately, this was not to be. I was insulted by this movie on so many levels. First and foremost, this film had the potential to blow audiences away. With material as rich as Ulysses, the filmmakers had a unique opportunity to bring a novel that has a reputation for being difficult to a whole new audience. What they achieved instead was a pedestrian annotation of a few of the novel's plot points. Additionally, the acting was stilted (especially the part of Stephen Dedalus), the lighting was abhorrent, the art direction lacking and the shot selection shoddy. With a veritable army of Joyce scholars spread across the globe, one would think SOMEONE would have been consulted about important themes, artistic interpretation, and the smorgasbord of visual, musical, literary and historical references in Joyce's text. And the music - absolutely insulting. Joyce included literally hundreds of references to music in Ulysses. All those fabulous resources were abandoned in favour of the singsong simplicity of the original score. Digital features can be done so well these days and independent film-making, especially with the rich textually of Ulysses behind this production, should have freed the filmmakers to follow in the revolutionary spirit of Ireland's great epic. Instead, they produced hardly the epic film the book deserved, but something akin to a first year student film. Farcical. However, this production does leave the door wide open for an artistic visionary to tackle the book properly and produce a film worthy of the monumental Leopold Bloom.


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