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29 Palms (2002)
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Overview
User Rating:
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Director:
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Release Date:
29 July 2005 (UK)
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Plot:
This is the story of a bag of money and the people who come into contact with it. Full summary » | Full synopsis »
Plot Keywords:
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NewsDesk:
User Reviews:
way too contrived...
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Cast
(in credits order) (complete, awaiting verification) | Jeremy Davies | ... | The Drifter |
 | Michael Lerner | ... | The Judge |
 | Litefoot | ... | The Warrior #1 (as G. Paul Davis a.k.a Litefoot) |
 | Russell Means | ... | The Chief |
 | Chris O'Donnell | ... | The Hitman |
 | Jon Polito | ... | The Security Guard |
 | Kevin Sifuentes | ... | The Head of Security |
 | Michael Rapaport | ... | The Cop |
| Anita Maltin | ... | The Old Lady |
 | Bill Pullman | ... | The Ticket Clerk |
 | Keith David | ... | The Sheriff |
 | Rachael Leigh Cook | ... | The Waitress |
 | P.J. Byrne | ... | The Doctor |
 | Carlos Mencia | ... | The Comedian |
Directed by | |||
| Leonardo Ricagni | |||
Writing credits(in alphabetical order) | ||
| Tino Lucente | ||
Produced by | |||
| Mima Casanova | .... | associate producer | |
| Diane Cornell | .... | line producer | |
| John Davis | .... | executive producer | |
| Marc Forby | .... | producer | |
| J. Todd Harris | .... | producer | |
| Jourdan Krauss | .... | associate producer | |
| Michael Lindenbaum | .... | co-producer | |
| Bryan Lord | .... | producer | |
| Tino Lucente | .... | co-producer | |
| Michael Rapaport | .... | executive producer | |
| Craig Davis Roth | .... | co-producer | |
| Patrice Theroux | .... | executive producer | |
Original Music by | |||
| Mario Grigorov | |||
Cinematography by | |||
| Horacio Maira | (director of photography) | ||
Film Editing by | |||
| Paula Halton | |||
Casting by | |||
| Karen Meisels | |||
Production Design by | |||
| Walter Brunialti | |||
Art Direction by | |||
| Scott H. Campbell | |||
Set Decoration by | |||
| Peggy Paola | |||
Makeup Department | |||
| Lisa Bertuzzi | .... | key makeup artist | |
| Michelle Rene Elam | .... | makeup artist (as Michelle Torres) | |
| Stella Tzanidakis | .... | key hair stylist (as Stella) | |
Art Department | |||
| Dominique Baynes | .... | production designer: New York | |
| Dominique Baynes | .... | props: New York | |
| Marty Flaherty | .... | construction coordinator | |
| Chris Fowler | .... | art department coordinator | |
| Joe Frederick | .... | swing gang | |
| Sarah Geller | .... | property master | |
| Jasper Jan | .... | prop assistant | |
| Derek Milner | .... | on-set dresser | |
| Paul Rough III | .... | on-set dresser | |
Sound Department | |||
| Stan Bochner | .... | sound editor | |
| Adam M. Goldstein | .... | sound editor | |
| Chen Harpaz | .... | sound re-recording mixer | |
| Chen Harpaz | .... | supervising sound editor | |
| Hae Kyong Harpaz | .... | foley artist | |
| Patrick Martens | .... | boom operator | |
| Mike Mola | .... | assistant sound editor | |
| Amos Poe | .... | murchian engineering | |
| Pat Toma | .... | sound mixer | |
Special Effects by | |||
| P. David Miller | .... | pyrotechnician | |
| P. David Miller | .... | special effects crew (as Paul D. Miller) | |
| Jim Staples | .... | special effects | |
| Paul Staples | .... | special effects | |
Visual Effects by | |||
| Christopher Dusendschon | .... | I/O supervisor: film scanning and recording: iO Film | |
| Adam Hawkey | .... | digital compositor | |
Stunts | |||
| Alex Madison | .... | stunts (as Gail Monian) | |
| Eddie Perez | .... | stunts | |
| Mike Smith | .... | stunts | |
| Jim Vickers | .... | stunt coordinator | |
Casting Department | |||
| Lisa Martin | .... | location casting | |
Costume and Wardrobe Department | |||
| D.J. DeLorenzo | .... | on-set costumer | |
| Jayme Woodall | .... | wardrobe supervisor | |
Editorial Department | |||
| David Jaeckin | .... | color timer | |
Music Department | |||
| Latashia DeVeaux | .... | music coordinator | |
| Karyn Rachtman | .... | music supervisor | |
Transportation Department | |||
| John W. Barbee | .... | transportation coordinator (as John Barbee) | |
| Tim Best | .... | transportation coordinator: Los Angeles | |
| Gary Jackson | .... | transportation captain | |
| Don Tanaka | .... | driver | |
Thanks | |||
| Walter Murch | .... | thanks | |
Production Companies
- B. Lord Productions
- Ben's Sister Productions
- Davis Entertainment Filmworks
- George Street Pictures
- Release Entertainment
- Alliance Atlantis Communications
- Artisan Entertainment
- I-On New Media (2004) (Germany) (DVD)
- Le Monde
- Momentum Pictures (2002) (UK) (all media)
- Broadway Sound sound facilities
- Cattle Call Productions location casting
- Chapman/Leonard Studio Equipment camera dollies
- Digital Cinema sound facilities
- First Take Catering craft services
- HALA Lighting & Grip grip equipment
- L.A. Power & Light Company lighting
- Magic Film and Video Works negative cutting
- iO Films titles and digital opticals
Additional Details
Also Known As:
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MPAA:
Rated R for language, violence, some sexual content and brief drug use
Parents Guide:
Runtime:
Brazil:93 min | USA:93 min
Country:
Language:
Color:
Sound Mix:
Certification:
Filming Locations:
Company:
Did You Know?
Goofs:
Crew or equipment visible: When the drifter and the waitress are in the motel room and it is raining outside, they are eating in front of the window and you can clearly see the stream coming from a hose hitting the window.See more »
Soundtrack:
La La BuSee more »
FAQ
This FAQ is empty. Add the first question.See more (29 total) »
Message Boards
Discuss this movie with other users on IMDb message board for 29 Palms (2002) See more »Recommendations
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An 
company.
a kind of numb curiosity kept me watching till the end. there was some truly appalling acting, one or two funny moments, ludicrous shoot-out sequences, annoying repeating flashbacks and a lead character with the personality of a three toed sloth (only less interesting)
there is a vague nod to Tarantino here and Lynch there but overall the plot is just way too contrived for it's own good. coincidence as the driver very quickly gets old.
the burning question in my mind, apart from the obvious 'who put up the money for this?' was........in a place with so little charm, once each person got their hands on the bag, why didn't they just get the hell out of Dodge?