| Photos (see all 35 | slideshow) | Videos |
| Alexis Bledel | ... | Winifred 'Winnie' Foster | |
| William Hurt | ... | Angus Tuck | |
| Sissy Spacek | ... | Mae Tuck | |
| Jonathan Jackson | ... | Jesse Tuck | |
| Scott Bairstow | ... | Miles Tuck | |
| Ben Kingsley | ... | Man in the Yellow Suit | |
| Amy Irving | ... | Mother Foster | |
| Victor Garber | ... | Robert Foster | |
| Kosha Engler | ... | Miles' Wife | |
| Richard Pilcher | ... | Constable Henry | |
| Bradley Coryell | ... | Lead Mill Boy | |
| John Badila | ... | Baker | |
| Julia Hart | ... | Sally Hannaway | |
| Naomi Kline | ... | Beatrice Ruston | |
| Kathryn Kelley | ... | Mrs. Hannaway | |
| Brigid Cleary | ... | Mrs. Ruston | |
| Sean Pratt | ... | Young Pastor | |
| Kyle Prue | ... | Sore Loser | |
| Neal Moran | ... | Lounge Tender | |
| Irving Jacobs | ... | Old Timer | |
| Robert Lewis | ... | Night Deputy (as Robert Logan) | |
| Jean Schertler | ... | Grandmother Foster | |
| Dominic Angelella | ... | Bernard Price | |
| Theresa Flynn | ... | Mrs. Price | |
| Elizabeth McNamara | ... | Maid | |
| Steven Walker | ... | Card Player (as Steve Walker) | |
| Maurice Philogene | ... | Bouncer | |
| Kelly McDaniel | ... | Young Anna (Age 8) | |
| Reeny Eul | ... | Young Anna, Age 11 | |
| Jordan McDaniel | ... | Young Anna, age 14 | |
| Beau Russell | ... | Beau (Age 3) | |
| Dillion Gardner | ... | Beau, age 8 | |
| Charlie Cooper | ... | Beau, age 11 | |
| Lester Horn | ... | Driver at Croquet Game | |
| Cynthia Webb | ... | Cook / Maid (as Cynthia Webb-Manly) | |
| Stephen Szibler | ... | Dinner Guest | |
| Sam De Crispino | ... | Dinner Guest | |
| Tom McNutt | ... | Dinner Guest | |
| Helene McNutt | ... | Dinner Guest | |
| Megan Cooper | ... | Dinner Guest | |
| Mac McLure | ... | Dinner Guest | |
| Matthew R. Staley | ... | Dinner Guest (as Matthew Staley) | |
| Tamara Carter | ... | Dinner Guest | |
| Elisabeth Shue | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Bruce Hefke | ... | Blacksmith | |
| Robert Randolph Caton | ... | Searcher (uncredited) | |
| Bob Colletti | ... | Vigilante (uncredited) | |
| Patsy Dougherty | ... | Carriage Passenger #3 (uncredited) | |
| Peter Epstein | ... | Vigilante (uncredited) | |
| Rick Kain | ... | Store Clerk (uncredited) | |
| Lauren Levitt | ... | Party Guest (uncredited) | |
| Michelle Mulitz | ... | Natalie Foster (uncredited) | |
Directed by | |||
| Jay Russell | |||
Writing credits(WGA) | ||
| Natalie Babbitt | (novel) | |
| Jeffrey Lieber | (screenplay) and | |
| James V. Hart | (screenplay) | |
Original Music by | |||
| William Ross | |||
Cinematography by | |||
| James L. Carter | |||
Film Editing by | |||
| Jay Cassidy | (as Jay Lash Cassidy) | ||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
| Pat Moran | |||
Production Design by | |||
| Tony Burrough | |||
Art Direction by | |||
| Ray Kluga | |||
Set Decoration by | |||
| Catherine Davis | |||
Costume Design by | |||
| Carol Ramsey | |||
Makeup Department | |||
| Gina W. Bateman | .... | second makeup artist | |
| Charmaine Henninger | .... | assistant hair stylist | |
| Thomas Nellen | .... | makeup department head | |
| Linda Williams | .... | additional hair stylist | |
Production Management | |||
| Dana Robin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Julian Brain | .... | second second assistant director | |
| Alison C. Rosa | .... | second assistant director | |
| John Rusk | .... | first assistant director | |
| Kurt Uebersax | .... | additional second assistant director | |
Art Department | |||
| Elizabeth Bell | .... | set dresser | |
| Carl Catanese | .... | additional set buyer | |
| Michael Davis | .... | construction coordinator | |
| Lisa Dietrich | .... | props | |
| Patrick T. Eagan | .... | carpenter | |
| Susanna Glattly | .... | scenic gangboss | |
| Randy G. Herbert | .... | carpenter | |
| Ted Lubonovich II | .... | construction gang boss | |
| John Millard | .... | set dresser | |
| Swift Moseley | .... | key greens | |
| Ron Napier | .... | head foreman | |
| Scott T. Pina | .... | construction foreman | |
| Jennie Hill Robinson | .... | assistant greens | |
| Lorrie Walker | .... | property master | |
| Steven Walker | .... | property master (as Steve Walker) | |
| Tiffany Zappulla | .... | art department assistant | |
Sound Department | |||
| Dean Beville | .... | adr editor | |
| Mark DeSimone | .... | adr engineer | |
| Stephen Hunter Flick | .... | supervising sound editor | |
| Kirk Francis | .... | production sound mixer | |
| Dan Guachione | .... | boom operator | |
| Jamie Hardt | .... | assistant sound editor | |
| Samuel Lehmer | .... | sound re-recording mixer | |
| Martin Lopez | .... | sound editor | |
| Darrin Mann | .... | foley mixer | |
| Charles Maynes | .... | supervising sound editor | |
| Jon Mete | .... | dialogue editor | |
| Jeffrey Perkins | .... | sound re-recording mixer | |
| Alexander Schwartz | .... | foley artist | |
| Cameron Steenhagen | .... | dialogue editor | |
| Greg ten Bosch | .... | foley editor | |
| Allison Wilke | .... | adr coordinator | |
| Gary Coppola | .... | foley mixer (uncredited) | |
| Erin B. Lillis | .... | sound intern (uncredited) | |
| Edward M. Steidele | .... | foley artist (uncredited) | |
Special Effects by | |||
| Mark Bero | .... | special effects coordinator | |
| William Catania | .... | special effects technician | |
| Thomas Turnbull | .... | special effects technician | |
Visual Effects by | |||
| Mat Beck | .... | visual effects supervisor | |
| Shawn Broes | .... | digital mastering editor | |
| Chris Flynn | .... | digital compositor | |
| Cindy Jones | .... | visual effects producer | |
| Erik Liles | .... | digital compositor | |
| Trent Smith | .... | visual effects coordinator | |
| Greg Strause | .... | digital effects supervisor | |
| Yoshiya Yamada | .... | animator | |
| Yoshiya Yamada | .... | modeler | |
| Colin Strause | .... | 3D supervisor: Pixel Envy (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Jennifer Badger | .... | stunt double: Alexis Bledel | |
| Blaise Corrigan | .... | stunts | |
| Peter Epstein | .... | stunts | |
| Jeffrey Lee Gibson | .... | stunts | |
| Captain Jeff Johnson | .... | water safety coordinator | |
| Rick Le Fevour | .... | stunts | |
| David Brian Martin | .... | stunt double: jonathan jackson | |
| Stephen A. Pope | .... | utility stunts | |
| Brian Smyj | .... | key stunt rigger | |
| Jay Spadaro | .... | stunt double | |
Camera and Electrical Department | |||
| Wayne Arnold | .... | assistant camera | |
| John C. Barber | .... | grip | |
| Rob Coughlin | .... | electrician | |
| Jennifer Evans | .... | grip | |
| Rodney French | .... | key grip | |
| Rusty Gardner | .... | video assist operator: second unit (as William 'Rusty' Gardner) | |
| John R. Hamilton | .... | film loader | |
| John Hamilton | .... | camera loader | |
| Steve Hurson | .... | first assistant camera | |
| Mark Hutchings | .... | grip | |
| Michael Kleiman | .... | additional second assistant camera | |
| Richard Klompus | .... | video assist operator | |
| Martin J. Layton | .... | director of photography: second unit (as Marty Layton) | |
| Ethan McQuerrey | .... | grip | |
| Ron Phillips | .... | still photographer | |
| Mark Walpole | .... | second assistant camera: "b" camera | |
Casting Department | |||
| Carlyn Davis | .... | extras casting | |
| Molly Dedham | .... | extras casting | |
| Terri Douglas | .... | adr voice casting | |
| Kevin Gassman | .... | casting assistant | |
| Pat Moran | .... | casting: Baltimore | |
| Luis Sanchez-Cañete | .... | extras casting | |
| Leanna Sheldon | .... | casting associate | |
| Jonathan Strauss | .... | casting associate: New York | |
| John Strawbridge | .... | casting associate | |
Costume and Wardrobe Department | |||
| Marisa Aboitiz | .... | costume supervisor: Los Angeles | |
| Linda M. Boyland | .... | set costumer | |
| Carl Curnutte III | .... | set costumer | |
| Deb Dalton | .... | costume supervisor | |
| Lois DeArmond | .... | assistant costume designer | |
| Robert DeGrazia | .... | set costumer | |
| Robert DeGrazia | .... | set costumer: second unit | |
| Catharine Fletcher Incaprera | .... | assistant costume designer | |
| Mara Majorowicz | .... | key costumer | |
| Christine Wada | .... | costume supervisor | |
Editorial Department | |||
| Mike Bellamy | .... | senior digital film colorist | |
| Jonathan Chibnall | .... | first assistant editor | |
| David Dresher | .... | post-production executive | |
| Anthony Durazzo | .... | apprentice editor | |
| Kimberly Masimore | .... | post-production | |
| Dana Mulligan | .... | first assistant editor | |
| Jeff Smithwick | .... | color timer | |
| Stuart Sperling | .... | assistant editor | |
Music Department | |||
| Brian Bulman | .... | assistant music editor | |
| Lesley Langs | .... | music editor | |
| Larry Mah | .... | digital score recordist | |
| John Rodd | .... | orchestral scoring recordist | |
| Booker White | .... | music preparation | |
Transportation Department | |||
| Charles E. Bauer | .... | driver | |
| Jacqueline Hurd | .... | picture car coordinator | |
| Thomas F. Lombardi | .... | picture car coordinator | |
| Michael Luckeroth | .... | driver | |
| Gerald Titus | .... | driver | |
| Douglas A. Walk | .... | transportation co-captain | |
Thanks | |||
| Terrence Malick | .... | special acknowledgment | |
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| Big Fish | The Outsiders | Gone with the Wind | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | The Kite Runner |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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Make no mistake: this is a nice movie, but it's one of those films you can't help but feel could have been so much better.
The first 20 minutes was very promising with spectacular scenery, overall cinematography and interesting characters. But, it started to slow down and then just bogged down more and more with a teen romance. Yes, it finished fairly well but unless you are a teen or 20-something young woman, I doubt this film will hold your interest.
Perhaps even for some women, this movie did not turn out as dramatically as it should have been. It's just too flat. Too bad; it looked like a "keeper' for awhile.