| Photos (see all 56 | slideshow) | Videos |
| Jason Schwartzman | ... | Ross | |
| Mickey Rourke | ... | The Cook | |
| Brittany Murphy | ... | Nikki | |
| John Leguizamo | ... | Spider Mike | |
| Patrick Fugit | ... | Frisbee | |
| Mena Suvari | ... | Cookie | |
| Chloe Hunter | ... | April Love | |
| Elisa Bocanegra | ... | Giggles | |
| Julia Mendoza | ... | La Sadgirl | |
| China Chow | ... | Escort | |
| Nicholas Gonzalez | ... | Angel | |
| Deborah Harry | ... | Neighbor | |
| Josh Peck | ... | Fat Boy | |
| Charlotte Ayanna | ... | Amy | |
| Eric Roberts | ... | The Man | |
| Larry Drake | ... | Dr. K | |
| Rob Halford | ... | Pornclerk | |
| Peter Stormare | ... | Mullet Cop | |
| Alexis Arquette | ... | Moustache Cop | |
| Jorge Cottini | ... | Doorman | |
| Annie O'Donnell | ... | Vet Receptionist | |
| Ericka Lesa | ... | Cocktail Waitress | |
| Billy Corgan | ... | Doctor | |
| Tony Kaye | ... | Emcee | |
| Ron Jeremy | ... | Bartender | |
| Thomas Knickerbocker | ... | Jail Cop (as Tom Knickerbocker) | |
| Lisa Brounstein | ... | Frisbee's Mother | |
| Marji Martin | ... | Truck Stop Clerk | |
| rest of cast listed alphabetically: | |||
| Gianni Biasetti | ... | News reporter (uncredited) | |
Directed by | |||
| Jonas Åkerlund | |||
Writing credits(in alphabetical order) | ||
| Will De Los Santos | screenplay | |
| Creighton Vero | screenplay | |
Produced by | |||
| Mark Boone Junior | .... | executive producer | |
| Yves Chevalier | .... | executive producer | |
| Rita Dagher | .... | associate producer | |
| Will De Los Santos | .... | co-producer | |
| Nicola Doring | .... | executive producer | |
| Chris Fisher | .... | associate producer | |
| Chris Hanley | .... | producer | |
| David Hillary | .... | co-producer | |
| Thierry Klemeniuk | .... | co-producer | |
| Vincent Maraval | .... | co-producer | |
| Clark McCutchen | .... | associate producer | |
| Kiki Miyake | .... | executive producer | |
| Mark Mower | .... | executive producer | |
| Timothy Wayne Peternel | .... | producer | |
| Bradford L. Schlei | .... | executive producer | |
| Ash R. Shah | .... | executive producer | |
| Terry Spazek | .... | supervising producer | |
| Fernando Sulichin | .... | producer | |
| Creighton Vero | .... | co-producer | |
| Danny Vinik | .... | producer | |
Original Music by | |||
| Billy Corgan | |||
Cinematography by | |||
| Eric Broms | |||
Film Editing by | |||
| Jonas Åkerlund | |||
Casting by | |||
| Renita Whited | |||
Production Design by | |||
| Richard Lassalle | |||
Art Direction by | |||
| Jason Hamilton | |||
Set Decoration by | |||
| Lisa Tong | |||
Costume Design by | |||
| B. | |||
Makeup Department | |||
| Teresa Vest | .... | hair stylist: Mr. Roberts | |
| Teresa Vest | .... | makeup artist: Mr. Roberts | |
Production Management | |||
| Michael Williams | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Mitch Kelleher | .... | second assistant director | |
| John O'Rourke | .... | first assistant director | |
| Leonard Palmestaal | .... | second unit director | |
Art Department | |||
| Richard Lassalle | .... | production designer: Muse Films | |
| Joel Ruiz | .... | leadman | |
| Joachim Seisay | .... | storyboard artist | |
| Colby Woodland | .... | scenic artist | |
Sound Department | |||
| David Chornaw | .... | production sound mixer | |
| David Chornow | .... | production sound mixer | |
| Albee Gordon | .... | production sound mixer | |
| Steven Klinghoffer | .... | cable person | |
| Stephen Mackey | .... | boom operator | |
| Reuben Simon | .... | sound editor | |
| Christopher Sposa | .... | boom operator | |
| Eric Thorsell | .... | sound designer | |
Stunts | |||
| Gianni Biasetti | .... | stunts | |
Camera and Electrical Department | |||
| Joseph Aguirre | .... | second assistant camera (as Joe Aguirre) | |
| Ramón Almanza | .... | first assistant camera | |
| William Clouter | .... | key grip | |
| Vincent Foeillet | .... | focus puller | |
| George Maxwell | .... | gaffer | |
| Jason McCormick | .... | assistant camera | |
| Rell Putt | .... | grip | |
Casting Department | |||
| Sandra Tempelhoff | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Dana Stern | .... | costume assistant | |
Editorial Department | |||
| Douglas Salkin | .... | post-production | |
| Robin Siwe | .... | assistant editor | |
| Madeleine C. Schnell | .... | post-production coordinator: Motion Picture Bond Company (uncredited) | |
Transportation Department | |||
| Corey Askins | .... | transportation captain | |
| Hugh Kelly | .... | transportation | |
| Richard Rollison | .... | transportation coordinator | |
Other crew | |||
| William Clark Coit III | .... | location scout | |
| Leon Dewayne Cozy | .... | set production assistant | |
| Bennett DeCarlo | .... | set production assistant | |
| Terry Gusto | .... | location manager | |
| Andrew Harrison | .... | key assistant location manager | |
| Eric Kagan | .... | production assistant | |
| Clark McCutchen | .... | production attorney | |
| Jess Place | .... | production assistant | |
| John Joseph Romero | .... | production assistant | |
| Ron Segro | .... | assistant production accountant | |
| Jordan Thau | .... | production accountant | |
| Laura Warner | .... | production executive: Muse | |
| Tracy R. West | .... | production assistant | |
Thanks | |||
| Dario Scardapane | .... | special thanks | |
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| Go | Mysterious Skin | Requiem for a Dream | Candy | Bully |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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This film was great! Many people have compared it to Requiem for a Dream, however I preferred this movie. Requiem accurately depicted drug addiction and how low some people would sink for their next hit. It was a very depressing and powerful movie, not one I would ever want to watch again. You leave the theater feeling extremely drained. Spun is altogether different. The only thing they have in common is their central theme. Spun centers around Ross, the fairly normal speed freak as his addiction takes him farther and farther away from reality.
Initially, I thought the characters were grossly overacted, however as the movie progressed, the opening sequences did not seem as far removed from Ross' world as I had originally thought. It was very interesting to see Ross' character move farther and farther away from reality. It was only a 3-day all-you-can-consume speed trip, however he started off as a normal guy with a drug problem and ended up on Mars, completely detached from reality. I also thought the cartoon sequences were very effective, they accurately demonstrated his impoverished state of mind while he was tripping. The audience got the impression he really was flying in his own world. It was interesting to see the lifestyles of the other people involved in the drug trade, most had been completely dehumanized by their dependence, living in squalor yet completely unaware of their surroundings.
A great film! One that I can watch again for entertainment purposes only, but which also drives home the anti-drug message without being preachy. 8/10