On their father's death, Eli and Nellie Pledge inherit a pickle factory in Colne, in the north of England. The warring siblings struggle to keep the decrepit "Pledge's Purer Pickles" afloat...
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On the death of their father Joshua, siblings Eli and Nellie Pledge inherit the family business, Pledge's Purer Pickles, at Colne, Lancashire, in the north of England. Their faithful ... See full summary »
In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the ... See full summary »
An unscrupulous property developer wants to flatten the street to make way for new buildings. Householder George Roper is happy to take the offered money and run but his wife Mildred and ... See full summary »
Two men who are nextdoor neighbors constantly battle it out over seemingly trivial offenses. Their wives, on the other hand, are best of friends. The two couples attempt to win a 'love-thy-neighbor' competition by lying...
Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him ... See full summary »
On their father's death, Eli and Nellie Pledge inherit a pickle factory in Colne, in the north of England. The warring siblings struggle to keep the decrepit "Pledge's Purer Pickles" afloat, hampered by severe lack of funds, zero business acumen and by having inherited a workforce that is a decade beyond retirement age. While Nellie works hard to keep the business going, Eli prefers to indulge in the delights of beer, cigarettes, gambling and women.The annual Summer holiday is soon upon them and the entire factory is closed down. Nellie takes Eli to a Blackpool boarding house run by landlady Mrs. Rowbottom, whose eyes light upon bachelor Eli. Eli though, only has eyes for the younger Freda. Complications ensue when Eli, Nellie, Mrs. Rowbottom and Freda all try to gain control of the factory, causing ensuing farcical mishaps. Eli's attempts to further his financial ambitions by marrying off Nellie to a colleague in the pickling business are challenged when Vernon Smallpiece is snatched...
I really liked this as a TV series in the past. I haven't seen an episode in many years and this film is the only evidence I've encountered recently. It is a desperate disappointment.
This feeling isn't that surprising. In the 1970's most major British sitcoms were turned into film versions, every time with inferior results. The best of these sitcoms, like "Steptoe and Son", "Porridge" and "Rising Damp" still managed to produce quite good films. However the results with the second rank comedies were generally poor. This is such an example.
It is difficult to turn a 25-30 minutes format into a workable feature film. The writers and producers always took the characters out of their original situation and then struggled to keep quality and pace going for 90 minutes. Here the characters are sent to Blackpool for part of the film (a holiday being a standard plot device) and then pad the rest out with a marriage. Where "Nearest and Dearest" especially struggles is its lack of real comic quality. The best sitcoms had really well-drawn characters and were capable of social comment and even pathos. It is one of those sitcoms that relies very heavily on innuendo, which has not fared well over time. There are the habitual comic confusions of the time over sex, with any suggestion of pre-marital action provoking apoplexy in those more traditional times. It also has the standard inclusion of some large-breasted young women for laughs, an approach we have rather transcended.
Other humour comes from Nellie's malapropisms. These are quite amusing in small doses but lose their impact over time. Most frustrating is the use of stupid behaviour in a feeble attempt to amuse.
There are some funny lines and the film will certainly hold some nostalgic interest for fans of the series and of the seventies in general. However after seeing this it is hard to seriously see those days as the halcyon ones they are often portrayed - certainly not in terms of comedy. I think we should be thankful that our modern favourites are not subjected to this sort of demolition on the big screen.
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