On their father's death, Eli and Nellie Pledge inherit a pickle factory in Colne, in the north of England. The warring siblings struggle to keep the decrepit "Pledge's Purer Pickles" afloat... See full summary »

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Nearest and Dearest (1968–1973)
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On the death of their father Joshua, siblings Eli and Nellie Pledge inherit the family business, Pledge's Purer Pickles, at Colne, Lancashire, in the north of England. Their faithful ... See full summary »

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Cast

Cast overview, first billed only:
Hylda Baker ...
...
Edward Malin ...
Walter Tattersall (as Eddie Malin)
Madge Hindle ...
Joe Gladwin ...
Norman Mitchell ...
Vernon Smallpiece
Pat Ashton ...
Freda
Bert Palmer ...
Bert Henshaw
Peter Madden ...
Court Bailiff
Norman Chappell ...
Man on Bus
...
Mrs. Rhoda Rowbottom
John Barrett ...
Carmel Cryan ...
Club Hostess
Sue Hammer ...
Scarlet O'Hara
Janie Collinge ...
Vinegar Vera
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Storyline

On their father's death, Eli and Nellie Pledge inherit a pickle factory in Colne, in the north of England. The warring siblings struggle to keep the decrepit "Pledge's Purer Pickles" afloat, hampered by severe lack of funds, zero business acumen and by having inherited a workforce that is a decade beyond retirement age. While Nellie works hard to keep the business going, Eli prefers to indulge in the delights of beer, cigarettes, gambling and women.The annual Summer holiday is soon upon them and the entire factory is closed down. Nellie takes Eli to a Blackpool boarding house run by landlady Mrs. Rowbottom, whose eyes light upon bachelor Eli. Eli though, only has eyes for the younger Freda. Complications ensue when Eli, Nellie, Mrs. Rowbottom and Freda all try to gain control of the factory, causing ensuing farcical mishaps. Eli's attempts to further his financial ambitions by marrying off Nellie to a colleague in the pickling business are challenged when Vernon Smallpiece is snatched...

Plot Summary | Add Synopsis

Taglines:

From HAMMER who gave you 'ON THE BUSES' See more »

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

8 June 1993 (Portugal)  »

Also Known As:

Drama na família  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Six weeks were allocated to complete shooting the film, but it was wrapped in just four as the cast were so used to the quick turnaround on the TV series. See more »

Connections

References A Man and a Woman (1966) See more »

Soundtracks

There Is a Tavern in the Town
(uncredited)
Traditional
Arranged by Philip Martell
See more »

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User Reviews

 
Oh Dear...
11 July 2004 | by (Lancashire, England) – See all my reviews

I really liked this as a TV series in the past. I haven't seen an episode in many years and this film is the only evidence I've encountered recently. It is a desperate disappointment.

This feeling isn't that surprising. In the 1970's most major British sitcoms were turned into film versions, every time with inferior results. The best of these sitcoms, like "Steptoe and Son", "Porridge" and "Rising Damp" still managed to produce quite good films. However the results with the second rank comedies were generally poor. This is such an example.

It is difficult to turn a 25-30 minutes format into a workable feature film. The writers and producers always took the characters out of their original situation and then struggled to keep quality and pace going for 90 minutes. Here the characters are sent to Blackpool for part of the film (a holiday being a standard plot device) and then pad the rest out with a marriage. Where "Nearest and Dearest" especially struggles is its lack of real comic quality. The best sitcoms had really well-drawn characters and were capable of social comment and even pathos. It is one of those sitcoms that relies very heavily on innuendo, which has not fared well over time. There are the habitual comic confusions of the time over sex, with any suggestion of pre-marital action provoking apoplexy in those more traditional times. It also has the standard inclusion of some large-breasted young women for laughs, an approach we have rather transcended.

Other humour comes from Nellie's malapropisms. These are quite amusing in small doses but lose their impact over time. Most frustrating is the use of stupid behaviour in a feeble attempt to amuse.

There are some funny lines and the film will certainly hold some nostalgic interest for fans of the series and of the seventies in general. However after seeing this it is hard to seriously see those days as the halcyon ones they are often portrayed - certainly not in terms of comedy. I think we should be thankful that our modern favourites are not subjected to this sort of demolition on the big screen.


7 of 12 people found this review helpful.  Was this review helpful to you?

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