| Photos (see all 15 | slideshow) | Videos |
| Ian Holm | ... | Napoleon Bonaparte / Sergeant Eugene Lenormand | |
| Iben Hjejle | ... | Nicole 'Pumpkin' Truchaut | |
| Tim McInnerny | ... | Dr. Lambert | |
| Tom Watson | ... | Gerard | |
| Nigel Terry | ... | Montholon | |
| Hugh Bonneville | ... | Bertrand | |
| Murray Melvin | ... | Antommarchi | |
| Eddie Marsan | ... | Louis Marchand | |
| Clive Russell | ... | Sergeant Justin Bommel | |
| Bob Mason | ... | Captain Nicholls | |
| Trevor Cooper | ... | Leaud | |
| Chris Langham | ... | Maurice | |
| Russell Dixon | ... | Dr. Quinton | |
| George Harris | ... | Papa Nicholas | |
| Niall O'Brien | ... | Bosun | |
| Hayley Carmichael | ... | Adele Raffin | |
| Philip McGough | ... | English tourist | |
| Tim Barlow | ... | Bargee | |
| Tony Vogel | ... | British sergeant | |
| Russell Tovey | ... | Recruit | |
| John McGlynn | ... | Gendarme | |
| Clive Mendus | ... | Senior orderly | |
| Ashley Artus | ... | Junior orderly | |
| Roger Frost | ... | Bookseller | |
| Tom Hunsinger | ... | Customer | |
| Matthew Sim | ... | Ticket seller | |
| Phil Hearne | ... | Man | |
| Moya Brady | ... | Woman | |
| Caterina Venturini | ... | Barmaid | |
| Stefano Gragnani | ... | Bailiff | |
| Hervé Ducroux | ... | Brest contact | |
| Giovanni Gianasso | ... | Philippe | |
| Francesco Guzzo | ... | Sentry at garrison | |
| Sergio Ballo | ... | Lieutenant Truchaut | |
| Piero Lorenzo Ferrero | ... | Tailor |
Directed by | |||
| Alan Taylor | |||
Writing credits | ||
| Simon Leys | (novel "The Death of Napoleon") | |
| Kevin Molony | (screenplay) & | |
| Alan Taylor | (screenplay) & | |
| Herbie Wave | (screenplay) | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Alessio Gelsini Torresi | (director of photography) | ||
Film Editing by | |||
| Masahiro Hirakubo | |||
Casting by | |||
| Leo Davis | |||
Production Design by | |||
| Andrea Crisanti | |||
Art Direction by | |||
| Carlo Rescigno | |||
Costume Design by | |||
| Sergio Ballo | |||
Makeup Department | |||
| Giancarlo Del Brocco | .... | key makeup artist | |
| Anna De Santis | .... | additional hair stylist | |
| Elda Magnanti | .... | key hair stylist | |
| Antonio Maltempo | .... | makeup artist | |
| Alessandra Molinari | .... | additional hair stylist | |
| Cesare Paciotti | .... | additional hair stylist | |
| Alvaro Rossi | .... | makeup assistant | |
| Alfredo Tiberi | .... | makeup artist | |
| Gianna Viola | .... | additional hair stylist | |
Production Management | |||
| Fabiomassimo Dell'Orco | .... | unit production manager | |
| Caroline Hewitt | .... | executive in charge of production: Film Four | |
Second Unit Director or Assistant Director | |||
| Luca Brignone | .... | second assistant director | |
| Sergio Ercolessi | .... | first assistant director | |
| Emanuela Minoli | .... | third assistant director (as Manuela Minoli) | |
Sound Department | |||
| Emiliano Acciaresi | .... | cable person | |
| Peter Burgis | .... | foley artist | |
| Andie Derrick | .... | foley artist | |
| Chris Dibble | .... | sound recording engineer | |
| Robert Farr | .... | sound re-recordist | |
| Stewart Henderson | .... | adr editor | |
| Stewart Henderson | .... | dialogue editor | |
| Claire Mahoney | .... | foley artist (as Clare Mohoney) | |
| Barry O'Sullivan | .... | sound maintenance | |
| Jim Roddan | .... | foley editor | |
| Jupiter Sen | .... | sound editor | |
| Clive Winter | .... | sound recordist | |
Special Effects by | |||
| Gastone Callori | .... | special effects technician | |
| Marco Moneta | .... | special effects technician | |
| Stefano Nofroni | .... | special effects technician | |
| Dante Precetti | .... | special effects technician | |
| Claudio Quaglietti | .... | special effects foreman | |
| Ercole Francesco Quaglietti | .... | special effects technician | |
| Claudio Savassi | .... | special effects technician | |
| Franco Simeone | .... | special effects technician | |
| Kenneth Cassar | .... | special effects crew (uncredited) | |
| Maurizio Corridori | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Simon Cox | .... | data operator: MPC | |
| Ditch Doy | .... | CG animator: MPC | |
| Paddy Eason | .... | supervising compositor: MPC | |
| Michael Elson | .... | head of production: MPC | |
| Richard Etchells | .... | data operator: MPC | |
| Kayser Foyz | .... | data operator: MPC | |
| Ed Hawkins | .... | plate supervisor: MPC | |
| Martin Hobbs | .... | visual effects producer: MPC | |
| Merrin Jensen | .... | visual effects assistant producer: MPC | |
| Douglas Larmour | .... | digital compositor: MPC | |
| Charlotte Loughnane | .... | data operator: MPC | |
| Jessica Norman | .... | digital compositor: MPC | |
| Matthew Packham | .... | data operator: MPC | |
| Sandra Roach | .... | digital compositor: MPC | |
| Jelena Stojanovic | .... | digital compositor: MPC | |
| Tim Baxter | .... | film recording (uncredited) | |
| Christopher Otto Gallagher | .... | digital compositor (uncredited) | |
Stunts | |||
| David Ambrosi | .... | stunt coordinator: second unit | |
| Omero Capanna | .... | stunt double | |
| Katia Crispino | .... | stunt double | |
| Riccardo Mioni | .... | stunt coordinator | |
| Ferdinando Stazzone | .... | stunt double | |
| Giuseppe 'Peppinello' Vivenzio | .... | stunt double | |
Casting Department | |||
| Vanessa Baker | .... | adr casting | |
| M. Rosaria Caracciolo | .... | casting: children (as Maria Rosaria Caracciolo) | |
| Brendan Donnison | .... | adr casting | |
| Pippa Hall | .... | casting: children | |
| Melissa Holm | .... | casting assistant | |
| Guglielmo Pricolo | .... | casting: children | |
| Shaila Rubin | .... | casting: Italy | |
| Di Torchiarolo | .... | casting: children | |
Editorial Department | |||
| Denton Brown | .... | second assistant editor | |
| Chantal Carmellini | .... | editing runner: Italy | |
| Peter Hunt | .... | color grader | |
| Sylvia Wheeler | .... | negative cutter | |
| Neil Williams | .... | first assistant editor | |
| Liberata Zocchi | .... | second assistant editor: Italy | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Matt Cullen | .... | assistant recording engineer | |
| George Hamer | .... | orchestral contractor | |
| Rachel Portman | .... | orchestrator | |
| Bill Silcock | .... | music copyist | |
| David Snell | .... | conductor | |
Transportation Department | |||
| Daniele Abeille | .... | transportation captain | |
| Antonio Angiuoli | .... | driver | |
| Andrea Atzu | .... | driver | |
| Luigi Buldrini | .... | driver | |
| Lorenzo Ceccarini | .... | driver | |
| Giovanni Cosi | .... | driver | |
| Antonino Cucillo | .... | driver | |
| Luigi D'Abrosca | .... | driver | |
| Mauro De Vito | .... | driver | |
| Mauro Fiori | .... | driver | |
| Pietro Leone | .... | driver | |
| Luigi Lumbari | .... | driver (as Luigi Lombari) | |
| Massimo Mazzoni | .... | driver | |
| Stefano Orabona | .... | driver | |
| Sergio Paladina | .... | driver | |
| Luciano Plescia | .... | driver | |
| Pietro Procaccianti | .... | driver | |
| Massimiliano Rocchetti | .... | assistant transportation captain | |
| Giuliano Troiano | .... | driver | |
| Camillo Sagarriga Visconti | .... | driver | |
Thanks | |||
| Olivia Barker | .... | thanks | |
| Angelique Berès | .... | thanks | |
| Aída Bortnik | .... | thanks | |
| Mama Cazort | .... | thanks | |
| James Clayton | .... | thanks | |
| Francesco De Biase | .... | thanks | |
| Joe De Marco | .... | thanks | |
| Elizabeth Dench | .... | thanks | |
| Anna Domino | .... | thanks | |
| Nicki Ledermann | .... | thanks | |
| Michael Lubin | .... | thanks | |
| Ruth McCance | .... | thanks | |
| Bob McLarty | .... | thanks | |
| Charles Moore | .... | thanks | |
| Abigail Morgan | .... | thanks | |
| Luigi Musini | .... | thanks | |
| Vanessa Pereira | .... | thanks | |
| Tina Rathborne | .... | thanks | |
| Lisbeth Savill | .... | thanks | |
| Par Taylor | .... | thanks | |
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| Marie Galante | Big Fish | Hell's Headquarters | Anthony Adverse | La science des rêves |
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First off I need to say that Ian Hom is amazing. To be able to play two different characters of two different persuasions and bearings is mind-blowing. This film is whimsical and fun and a very good "what if" of history. Parts of it are sad and parts are humorous and all of it is good. A human element is given to characters whom are known to history solely for their deeds and every character in the film has depth of field and a real personality. Many of the scenes are played out in textbook fashion with a beginning a middle and an end with rising and falling action and yet each scene propels the story line further and is a driving force to the film as a whole. My personal favorite moment in the film is the melon scene where Naploean as an exile in his own country still becomes a general of a an army of melon merchants. Sheer brilliance and very beautiful in its humanity. This film shows that although a person can't change whop they are, everyone can change direction and find love.