Antonio is a lonely man who works as a driver of luxury cars. Outside of his work, he spends his time reading science fiction novels, and, especially by night, driving through the streets ... See full summary »
In Genoa, Agata runs her bookstore and, without meaning to, causes light bulbs and appliances to burn out. At the same time that a younger man declares his attraction to her, her brother ... See full summary »
Sabina has a regular life. She is satisfied with her job and her love for Franco. Lately nightmares start disturbing her, and almost in the same time she discovers to be pregnant. Step by ... See full summary »
Luigi Lo Cascio,
Through a story that looks apparently in disorder, which jumps from the past to the future , using flash backs and flash forwards, the film narrates the restless path of two brothers: Marco... See full summary »
Marco works as an accountant in his family car hiring agency; when his brother disappears, he begins a journey through Italy searching for him together with Elena, who has been his brother's girlfriend.
It's the story of the murder of a poet, a man, a great film director: Pier Paolo Pasolini. The story begin with the arrest of "Pelosi", a young man then accused of the murder of the poet. ... See full summary »
Marco Tullio Giordana
"I cento passi" (one hundred steps) was the distance between the Impastatos' house and the house of Tano Badalamenti, an important Mafia boss, in the small Sicilian town of Cinisi. The ... See full summary »
Marco Tullio Giordana
Luigi Lo Cascio,
Luigi Maria Burruano,
Antonio is a lonely man who works as a driver of luxury cars. Outside of his work, he spends his time reading science fiction novels, and, especially by night, driving through the streets of the city. One night he meets Maria, a lonely woman, and her daughter Lisa. He manages to enter in their life, and starts to take care of them. He discovers that Maria owes a lot of money to an usurer, and starts to pay her debts, but without letting her know of this. He dedicates with total abnegation to Maria, up to the point of loosing his job, but she seems to remain indifferent to his love. Until... Written by
Loneliness, Alienation, Desire and Need: A Quasi Romance
LIGHT OF MY EYES ('Luce dei miei occhi') is more a fantasia on theme of loneliness and need for love than it is a straightforward narrative story. Under the direction of Giuseppe Piccioni, who co-wrote the screenplay with Umberto Contarello, it shimmers like and extended poem, a theme so delicate and so suffused with melancholy that it remains as an echo long after the film is over.
Antonio (Luigi Lo Cascio) is a sweet dreamer who respects his station in life as a chauffeur for customers about Rome, following the rule of 'Know when to talk and when to shut up' his boss has set as the standard. In his lonely ennui Antonio narrates his life in a voice-over monologue as a man named Morgan, a character with whom he identifies from his science fiction novel. His life takes on some meaning when he prevents an accident from happening with a young girl Lisa (Barbara Valente) who lives a lonely life with her lonely mother Maria (Sandra Ceccarelli) whose life is divided among making a living in a not too successful frozen food shop, a frustrating sexual attachment to a cold married man, and trying to hold her little home together since her husband's absence. Gradually Antonio's act of protecting Lisa is acknowledged by Maria and while Antonio is quite taken with the distant Maria, Maria thanks him in a brief and passionate but isolated sexual experience. Maria is needy, Antonio is needy, Lisa is needy, but somehow the connection cannot be made: Maria must concentrate on her lack of income to support Lisa.
Antonio, seeing the need to assist Maria's financial situation, allows himself to accept a chauffeur job that involves illegal smuggling of foreigners. Maria's response to her desperate situation is to allow Lisa to be cared for by her grandparents. In a moment suggestive of the old Christmas tale where the man buys combs for his wife's hair while the wife sells her hair to by a gift for her husband, Maria and Antonio face the misunderstanding of their 'friendship' and all seems lost until each changes a significant event that opens a communal door of caring and hope for something more for the little trio.
Both Lo Cascio and Ceccarelli are fine actors and make these difficult roles wholly credible. The atmosphere of the film is well defined by the adroit camera work of Arnaldo Catinari and enhanced by the musical score by Ludovico Einaudi. This is one of those very small films that may evade the casual film-goer not only due to the inappropriately poor DVD cover art but also by the lack of proper promotion. It is a word of mouth success in this country. In Italian with English subtitles. Grady Harp
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